The Theme of Masonry in A Cask of Amontillado
The fundamental question in Edgar Allan Poe's "A Cask of Amontillado" is the nature of Montresor's motive for the revenge he "vowed" to obtain when Fortunato "ventured upon insult" (209). Montresor believes a wrong is "unredressed when the avenger fails to make himself felt as such to him who has done the wrong"(209). While Montresor endeavors to make his vengeance known to Fortunato, the author's references to Masonry in his use of characterization, setting and irony indicate Montresor's motive.
Fortunato throws back a bottle of wine in a "gesticulation [Montresor] did not understand," a sign of the Masons, a secret society of which he affirms he is a member (212). This
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Within this cloth is concealed a trowel, the instrument of Fortunato's destruction. Masonry is cloaked. The reader again sees this when presented the bones that "lay promiscuously upon the earth" beneath which lay the "building stone and mortar" that are used to forever seal Fortunato's fate (212-13). Montresor's use of secrecy in the destruction of his adversary is significant as it relates to Fortunato's status as a Mason.
A mason shrouds a Mason in masonry. In addition to this fundamental instance of situational irony, there is also a dramatic irony that Poe creates by allowing the reader to know Fortunato's ultimate destruction while Fortunato is entirely unaware. When Montresor asserts that he is indeed a mason (aware that he did not recognize the sign) the reader begins to realize what is to come. As he relates the motto of his Scottish arms: "No one insults me with impunity," the reader perceives that Montresor's vengeance may extend to the history of his ancestors, scorned by the brotherhood, to which Fortunato thinks only to reply, "Good!" (211-12). As Montresor's ancestors have been condemned by the Masons, he will condemn a Mason with his own sort of masonry.
Poe informs the reader that Montresor wants to make himself known to Fortunato as an "avenger" of a "wrong" (209). He had not before the night of his destruction, "by word or deed given Fortunato cause to doubt [his] good will" (209). He must, therefore, disclose to
In this story the character of Montresor is revealed through his own words. When he reveals he is going to punish Fortunato for merely insulting him, that he has planned the whole act of vengeance, and that he has been playing as being Fortunato’s friend, we know we are dealing with a deranged personality. His character is also revealed with references to his family. It is almost as if Poe has Montresor’s ancestors tell the reader how nicely he fits into the family tree. His legacy from his family motto “No one attacks me with impunity” and a coat of arms that depicts a serpent whose last wish before death is to poison the foot that crushed it. Does the fruit of ever fall far from the tree? Montresor is as evil as his forebears were. He shows no remorse about what he has done, even in old age. When he says, “May he rest in peace” at the end of the story, the reader gets the feeling he means, “ I hope you stay there and rot” rather than, “I hope you found joy and peace in heaven.”
To begin with, “The Cask of Amontillado” is a story of revenge in which Montresor, the protagonist, retaliates to the “1000 injuries of Fortunato” (Poe 1) that he had bore; by meticulously planning the murder of his foe. Montresor seeks to avenge the insults made to his ancestral family name by Fortunato.
In The Cask of Amontillado by Edgar Allen Poe, the dark side of human nature is exemplified through the character of Montresor and his victim, Fortunato. Montresor is a manipulative and vengeful person. These characteristics lead to the death of Fortunato, a man who has wronged him. Through the acts, words, and the thoughts of the character, one is able to see him carry out his plan for revenge.
In “The Cask of Amontillado” by Edgar Allen Poe, the dark side of human nature is illustrated through the character of Montresor and his victim, Fortunato. Montresor is a manipulative and vengeful person whom is obsessed with the downfall of Fortunato. Through the acts, words, and the thoughts of Montresor, one is able to see him carry out his plan for revenge.
<br>The way the narrator treats his enemy is one of the clearest examples for ironic elements. When the characters meet, Montresor realises that Fortunato is afflicted with a severe cold, nevertheless he makes a point of him looking "remarkably well". Montresor acts in the most natural and friendly way towards the man object of his revenge, and even praises his "friend's" knowledge in the subject of wines. Also upon their meeting, Montresor begins a psychological manipulation of Fortunato. He claims that he needs his knowledge to ascertain that the wine he has purchased is indeed Amontillado. Furthermore, he acknowledges that Fortunato is engaged in another business (i.e.: the celebration of carnival), so he would go to Luchresi, who, one is made to believe, is a competitor of Fortunato's. To these words, Fortunato is forced by his pride to accompany Montresor to the vaults (where the Amontillado is kept), dissipate his doubts and also to prove his higher status than Luchresi as a connoisseur of wine. In fact, during their way down under in the catacombs, the twisted mind of Montresor, dares to give Fortunato the chance to go back, due to the almost unbearable dampness and foulness rampant in the vaults and Fortunato's state of health. The narrator clearly knows about the stubborn nature of Fortunato, and is
Poe starts out with a man, by the name of Montresor, wanting revenge on another man, named Fortunato. Most of the story takes place deep in the Montresor family catacombs. As Montresor lures Fortunato into the catacombs, he chains Fortunato up to a small hole in a wall, bricks it over, and leaves Fortunato to die. Even through the traits of anger, hatred, and revenge, as the story progresses on, Montresor, the main character in “The Cask of Amontillado”, starts to show signs of feeling guilty for wanting to murder Fortunato.
In the beginning of the story Montresor shows that he is planning revenge on Fortunato and that is the only thing on Montresor mind. “ I had borne as I best could, but when he ventured upon insult I vowed revenge.”(1) This supports the theme because Montresor holds in a grudge and takes it
All of these images of the setting and characters come together with the idea of Montresor’s premeditated demise for Fortunado. From the beginning we know that Montresor is upset with Fortuado and he is seeking revenge. With all of Montresor’s comments we see that this is not just talk but a reality. When the two men are discussing turning around due to Fortunado’s cough, Fortunado says, “I shall not die of a cough” which in reply Montresor says “true.” (Poe page 3) This foreshadows the demise of Fortunado, and what Montresor has in mind for him. Another example of this is when they discuss Montresor’s family crest, that his family moto is “Nemo me impune lacessit” (Poe page 3) which means no one attacks me without paying dearly. Along with this statement, is when he tells Fortunado that his family are of the masons, foreshadowing the way he will kill Fortunado.
In “The Cask of Amontillado”, Montresor is not the only character who displays an overwhelming and ultimately detrimental sense of pride. Fortunato is also a very prideful man who is willing to go to great lengths to maintain his honor and reputation. For him, it is his reputation as a fine wine expert that he must defend. Fortunato’s pride overrides his common sense and is the driving force of the deadly decisions he makes throughout the story. Montresor claims to possess a bottle of the expensive and highly regarded Amontillado wine. He tells Fortunato that he has called an expert, Luchresi, to inspect the wine. Fortunato forces Montresor to take him to the vaults because he is certain that “‘[Montresor has] been imposed upon. And as for Luchresi, he cannot
One of the main rhetorical devices evident within the short story is the use of dramatic irony, which Poe uses to foreshadow the climax of the story, which is Fortunato's death. For example, one of the most obvious uses of irony in the story is the name of Fortunato himself, which translates to “the fortunate one”. However,
Vengeance and murder infects the minds of Montresor and Fortunato upon an exchange of insult in Edgar Allan Poe’s "The Cask of Amontillado”. This is the story of pure revenge after Forturano disrespects Montresor. The story follows the characters meeting up at a carnival and eventually the disguised Montresor lures Fortunato into the catacombs of his home by convincing him that he acquired something that could pass for Amontillado, a light Spanish sherry. Fortunato grows eager to taste this wine and to determine for Montresor whether or not it is truly Amontillado. He leads him back to the catacombs of his home and carries out his plot to bury him alive. Edgar Allan Poe writes from a mysterious first person perspective, uses colorful symbolism and situational irony to present the man's inner self, in turn revealing that revenge is fundamentally infeasible.
This must impact Montresor, as it reveals that from generation to generation in his family, it is taught to value revenge and to never accept being attacked. new paragraph Following the mention of the motto, Edgar Allan Poe provides even more evidence to explain Fortunato’s egotistical character. When Montresor mentions that he is a member of the brotherhood of masons, Fortunato chuckles, “You? Impossible! A mason?” (1120), as to say that in his opinion, there is no way that Montresor could be a mason. Back in the early 1800s, the brotherhood of masons was a highly-esteemed organization and only included well-respected men. make sure to cite a source here This proves that Fortunato clearly didn’t hold Montresor in high regard and surely believed that he couldn’t be a mason. From Montresor’s point-of-view, it makes sense why Fortunato’s failure to recognize his skills in this exchange would offend him. This exchange just adds fuel to the fire and serves to reveal just how even if he doesn’t quite mean it confusing wording , Fortunato’s actions just naturally come off as being offensive.
For example, when Fortunato says he will not die of a cough, Montresor knowingly replies, “True, true.” When Fortunato drinks a toast to the dead lying in the catacombs around them, Montresor ironically drinks to Fortunato's long life. When Fortunato makes a gesture indicating that he is a member of the secret society of Masons, Montresor claims that he is also and proves it by revealing a trowel, the sign of his plot to wall up Fortunato.”(May) Montresor offers De Grave, a wine, to Fortunato; at one point, Fortunato makes an elaborate and —to the narrator's eyes —grotesque gesture with an upraised wine bottle. When Montresor appears not to recognize the gesture, Fortunato asks, "You are not of the masons?" Montresor says he is, and when Fortunato, disbelieving, requests a sign, Montresor displays a trowel he had been hiding.
Montresor gave him a bottle of De Grave, which Fortunato emptied and then tossed the bottle into the air with a definite symbolic gesture. At this point, Fortunato was sure that Montresor didn't understand the gesture because it belonged to the secret order of the Masons, an order that Fortunato was certain that Montresor couldn't belong to, thus hitting Montresor another insult and, unsuspectingly, bringing Fortunato closer to his death. Fortunato then showed him another sign of the masons; a trowel, which he brought with him. This is, of course, a double irony since the trowel is not only an instrument used by real masons, but it is one of the emblems of the Masonic Order, and in this case it will become a tool used in the demise of Fortunato. Fortunato implies that Montresor is not worthy enough to be a member of the Masonic Order. Little does Fortunato knows, in a few moments, Montresor will become a Master Mason.
This is the man that has so enraged Montressor and is now going to his death, not only willingly, but dressed as a fool of the time. (Lorcher, 2011) Personally, one of the most masterful ironies in this piece, was the conversation about the Masons. Fortunato makes a sign that symbolizes the Masons (Known as the Free Masons). When Fortunato asks