Published in 1885, Robert Louis Stevenson’s A Child’s Garden of Verses highlights the remarkable imagination and playful nature of children. Many of the poems within the collection portray young children as having a profound connection to the natural world, one that is greatly intensified by Stevenson’s use of the child as speaker. With such nature-oriented poems as “The Little Land,” “My Kingdom,” and “Foreign Lands,” A Child’s Garden of Verses illustrates the vast ways in which children often seek out a close interaction with the outdoors, making the collection optimal for young readers. In addition, Stevenson’s incorporation of flowing meter and even syllable patterns provides children with poetry that is both easy to follow and a joy to read. Through a close examination of the natural imagery and uniform structures used by Robert Louis Stevenson in “The Little Land,” “My Kingdom,” and “Foreign Lands,” A Child’s Garden of Verses is seen as an exceptionally ideal and relatable collection of poetry for young readers. In the opening lines of Robert Louis Stevenson’s “The Little Land,” a young speaker illustrates how the simple act of daydreaming can take him from a boring indoor experience to a wondrous afternoon adventure among nature:
When at home alone I sit
And am very tired of it,
A have just to shut my eyes
To go sailing through the skies—
To go sailing far away
To the pleasant Land of Play; (1-6)
Throughout the poem’s entirety, Stevenson employs an ample amount of
Childhood is portrayed as a time of safety that is often looked back upon with nostalgia from an adult perspective. Monosyllabic words are used to show the simplicity of childhood life, for example in the line “the thing I could not grasp or name”. The ‘spring violets’ are ‘in their loamy bed’ and are no longer frail and melancholy, and the memory takes place on a ‘hot afternoon’ in contrast to the ‘cold dusk’ that represents the present. Childhood is represented as a joyful, vivacious time in one’s life, and the value of a stable family life is conveyed. The unexpected integration of Australian vernacular in the line ‘it will soon be night, you goose’, adds a sense of freedom and relaxation to the otherwise formal discourse and more rigid structure of the poem, once again reflects the simplicity and innocence that is associated with childhood. The use of
Childhood is arguably the most exciting time of a person’s life. One has few responsibilities or cares, and the smallest events can seem monumentally thrilling. Often, people reflect on the memories of their youth with fondness and appreciation for the lessons they learned. Sarah Orne Jewett captures this essence perfectly in the excerpt from “A White Heron.” Jewett uses many literary devices, including diction, imagery, narrative pace, and point of view to immerse the reader in familiar feelings of nostalgia and wonder, and dramatize the plot.
In the essay, “A Literature of Place”, Barry Lopez expresses the importance of nature as it applies to human life. Through this he states that humans’ imagination are inspired by the scenery around them. Lopez revolves around a central perspective; Ancient american literature has always been rooted in nature. By acknowledging that modern human identity has been interpreted by nature, Lopez describes how the landscape of an area can shape the structure of the communities and how it can help with spiritual collapse. Nature writing has often been summarised by being one of the oldest threads in american literature. With our nation's aging one needs to reflect on their literary past; therefore, Lopez insists that we find our path to nature that
Since the view of childhood changes in the nineteenth century, the potential of children’s literature becomes evident. With the reference to the sources of children’s literature, they can be traced back to alterations in translation and in the literature for adults, where a child or childhood are essential concepts; moreover folk literature is concerned to be a wide source for this literary genre. According to Peter Hunt
“Rain, the tears of Heaven” is a popular explanation of rainfall by parents to their children. When children’s mental capabilities are not developed and mature enough to digest complex concepts, whether scientific or historical, adults often replace the facts with simplified stories. In “A Barred Owl” and “The History Teacher,” the poets present the idea that adults always attempt to shield their children from the danger of the outside world. The former speaker employs onomatopia to facilitate children to overcome fear, and the latter euphemizes the cruelty of warfare. However, while the former adopts a playful tone and style to “domesticate fear” (Wilbur 8), the latter aims to “protect… innocence” in a sarcastic tone (Collins 1), resulting
Elizabeth Barrett Browning’s “The Cry of the Children” is a poignant look into the horrid practice of child labor that took place in the mines and factories of 1840’s industrial England. Browning paints such a vivid, disturbing picture that she aroused the conscience of the entire nation. A new historicist perspective into this poem will help understand why Browning decided to take a stand and speak up for these children through her work.
In the romantic era, British authors and poets focused on nature and its influence. Two of those poets, Charlotte Smith and William Wordsworth, wrote many pieces on the beauty of nature and their personal experiences with the beaches of England. In “Far on the sands” and “It is a beauteous evening,” Smith and Wordsworth describe their respective experiences on the shore at sunset. Both authors use structure, theme, allusions, and imagery to effectively convey their perceptions of nature. While the sonnets share a setting and the topics of nature and tranquility, Smith’s has a focus on introspection and Wordsworth’s is centered around religion. These have different focuses which achieve different effects on the reader.
The early learning processes of the young are potrayed more adequately in the poem Father and Child where an older child, this time a girl at a rebellious age, experiments with the constraints of authority in an attempt to seek control for herself. This experimentation leads to an important discovery in her life; death is real and unclean. Just like The Glass Jar, the allusions to nature show the certainly of change and setting the tone for the events.
After a four week survey of a multitude of children’s book authors and illustrators, and learning to analyze their works and the methods used to make them effective literary pieces for children, it is certainly appropriate to apply these new skills to evaluate a single author’s works. Specifically, this paper focuses on the life and works of Ezra Jack Keats, a writer and illustrator of books for children who single handedly expanded the point of view of the genre to include the experiences of multicultural children with his Caldecott Award winning book “Snowy Day.” The creation of Peter as a character is ground breaking in and of itself, but after reading the text the reader is driven to wonder why “Peter” was created. Was he a vehicle for
Children’s literature has existed for as long as there have been stories to be told to children. Stories, books, songs, poems are all made for children. Children’s literature does not have a definite definition of what it is; basically, it is anything a child reads (Lerer, 2008). Children begin to learn what reading and writing are used for before even knowing how the system works. Children recognise the function of written language by seeing examples of written language that are being used around them. Many children know the difference between reading and talking, they are aware that written language is used to do things in this world (Emitt, Zbaracki, Komesaroff and Pollock, 2015). Quintilian, John Locke, Saint Augustine and Doctor Seuss speculated on the ways children learn the Australian language and learn about their lives from literature (Lerer, 2008). In fact, Lerer states that “the history of children’s literature is inseparable from the history of childhood, for the child was made through texts and tales he/she studied, heard and told back,” (2008, p.1). Children’s literature nurtures an understanding of narrative structures and visual images played in storytelling, this helps develop
The reflection of each poet's childhood is displayed within these lines helping to build a tone for the memories of each narrator.
What is art? It is a way to express an individual 's personal reflections and thoughts. It is a calming remedy; it is a way to suppress secrets, emotions, and desires within an individual 's mind. The Child’s Bath, by Mary Cassatt, is one such painting that brings you to experience the powerful emotion of a mother’s love.
Poetry is a literary medium which often resonates with the responder on a personal level, through the subject matter of the poem, and the techniques used to portray this. Robert Frost utilises many techniques to convey his respect for nature, which consequently makes much of his poetry relevant to the everyday person. The poems “Stopping by Woods on a Snowy Evening’ and “The mending wall” strongly illuminate Frost’s reverence to nature and deal with such matter that allows Frost to speak to ordinary people.
Robert Frost’s nature poetry occupies a significant place in the poetic arts; however, it is likely Frost’s use of nature is the most misunderstood aspect of his poetry. While nature is always present in Frost’s writing, it is primarily used in a “pastoral sense” (Lynen 1). This makes sense as Frost did consider himself to be a shepherd.
Poets use many ways when they want to communicate something using poems. Poems are used as a means of passing ideas, information and expression of feelings. This has made the poets to use the natural things and images that people can relate with so that they can make these poems understandable. The most common forms of writing that are used by the poets are the figurative language for example imagery and metaphors. In addition, the poets use the natural landscape in their attempt to explore the philosophical questions. Therefore, this essay will explore the forms that have been used by the poets in writing poems using the natural landscape. The essay will be based on poems such as ‘Stopping by Woods on a Snowy Evening’ by