While Ovid’s female characters become physically and mentally enslaved in Metamorphosis, I will be arguing that a female reader of Ovid’s epic poem can empathise with her female counterparts, as she is frequently confronted with disturbing and problematic circumstances within Ovid’s text. The idea of entrapment therefore can be extended from character to reader. Whether reading the Metamorphoses for pleasure or for academic purposes , it can be argued that a modern female reader will in some way feel challenged by the themes Ovid presents to her – scenes of rape, male dominance and frequent victimisation of female characters. In support of this thesis, I have been analysing feminist theories and the genre of gender in a literary …show more content…
Providing that the themes for feminist discussion are suitable, one feminist idea can transfer methodology from one area of study to another, and help us to interpret new ideas and adapt them to ancient literary texts such as the Metamorphoses. Subsequent to this, we ought to consider how Liveley classifies a female reader who reads and approaches a male prejudiced text. She identifies the female reader as an ‘excluded mimic’ and her reasoning behind this is as follows:
‘As readers they are asked to adopt a masculine perspective, while as women they are excluded from the masculine experience determined by such a perspective.’
If this is the case, one could argue that a female reader of the Metamorphoses becomes ‘trapped’ in her reading. She reads about a world whereby men are the dominant sex, and her own sex is frequently exploited by the male. Not only does she feel ‘excluded’ as a female reader, but the expectation for her to ‘adopt a masculine perspective’ would certainly feel unnatural to her. Lively states that ‘‘Reading as a woman’ may therefore be perceived not as a natural activity but as an act of mimesis.’ Lively is therefore suggesting that there is no natural way for a woman to read a male-biased text. This situation creates a discomforting,
women have made an exceedingly great impact on the world’s economical, social, and political spectrum. However, women are still deemed inferior to men in past and present cultures. The inferiority of women has been portrayed through various avenues such as literature and written works. The Virgil’s Aeneid and Ovid’s Metamorphoses’ women characters are three perfect depictions of how women in today’s society are dominated, disregarded, and discredited.
Feminist critical lens examines certain texts with a primary focus on both gender’s relationship with each other and how such relationships demonstrate effects towards beliefs, behaviors, and values. This critical lens also examines a patriarchal-centered society and how such society define and interact with women with an emphasis on stereotypes of both genders that are present and evident in the text being analyzed. William Shakespeare’s Othello can be scrutinized through the feminist critical lens. A deep analysis focused on feminism of the play Othello paves way for the judgement of different societal status of women in the period when the play took place, the Elizabethan society. Othello is a best fit that demonstrates how men were
The author agrees with the idea of women as victims through the characterisation of women in the short story. The women are portrayed as helpless to the torment inflicted upon them by the boy in the story. This positions readers to feel sympathy for the women but also think of the world outside the text in which women are also seen as inferior to men. “Each season provided him new ways of frightening the little girls who sat in front of him or behind him”. This statement shows that the boy’s primary target were the girls who sat next to him. This supports the tradition idea of women as the victims and compels readers to see that the women in the text are treated more or less the same as the women in the outside world. Characterisation has been used by the author to reinforce the traditional idea of women as the helpless victims.
Feminist theory, though contrary to what the statement may suggest, is not simply one theory but consists of branches of various critical approaches that target specific aspects of literature in terms of the representation of female writers (and other artists) and the feminine
Analyzing the ways in which a piece of literature includes feminist ideologies can bring out the potential messages that the creators of these productions were attempting to portray, while allowing the reader to critique the literature from a feminist perspective.
American Literature has always been about men and for men. In this essay, we are going to analyze the women’s role in the book, as inferior and weaker gender.
The feminist approach is based on finding and exposing negative attitudes toward women in literature. Feminists are interested in exposing the undervaluing of women in literature that has long been accepted as the norm by both men and women. Women characters in both Metamorphosis and Oedipus the King have different and similar characteristics based on the general norms so that they can be exposed by the feminist approach. In Metamorphosis and Oedipus the King, feminist approach is through the description of women about the traditional gender values of women, women’s inequality of power and importance, and women’s effect to the whole society.
However Bennet and Royle contend that there is ‘no such thing as a feminist…or a sexist work in itself: it all depends on how it is read’. Taking this into account it is arguably an outlet to restructure the reader’s stereotyping, the high regards as well as the norms, historically associated with Women in myths and tales of this kind that Bennet and Royle claim
In comparison, of Terence’s Andria (The Girl from Andros) and Ovid’s Metamorphosis (Transformations), the audience can understand two distinct roles of women from these authors’ works. Additionally, the audience can also come to see a general role of women in Roman literature. The role of women within these works show slight changes in plays and poetry to represent stronger female characters and developing their own voice.
This creates a critique of gender roles in society, which fights with the maintenance of the overarching goals of the novel both through the expression of traditional femininity and masculinity and radical noncompliant depictions. Neither author subscribes to feminism explicitly,
“ You cannot talk about genre without talking about gender.” Initially, this would appear to be a simplistic statement. On closer analysis, however, one fact becomes evident. It is the representation of gender which informs the genre of the text. Ismay Barwell , in her essay ‘ Feminist perspectives and narrative points of view’ states that “ Every text is gendered since every act of narration…..involves a process of selection….and the nature of that selection implies certain values” ( p.99). She makes the point that “ The desires, attitudes and interests which guide any choices made must be either male or female”( p.98 ). It is within this frame of reference, that the two texts will be analysed.
Yet, the main argument one can point out is this, “Women read books, about women, with women’s ideas in mind, about women, for women, but are written by men” is true. You can see this in many literatures such as Matilda, Madeline, and even Alice's Adventures in Wonderland to name a few. Questions come to play, why do men write books about women, when in fact they are males? In Cheryl Lange’s paper, Men and Women Writing Women: The Female Perspective… she discusses Alan Williamson, a male feminist’s theorist, who mentions male writers could be outcasts, gay, or rejects of male cultures. Williamson describes that many male writers feel shame at not being accepted as “real men” by other males, because of their ability to identify with women. Does
In Christina Rossetti’s poem Goblin Market, Laura is saved from death through the bond of Sisterhood: a female power that embodies both traditionally feminine and masculine characteristics and values. Ross Murfin’s essay “What is Feminist Criticism?” feminist criticism, in the study of literature, is described as a criticism that examines how the values and attitudes of patriarchal societies affect the portrayal and expression of women in text (186-194). French feminists have focused on analyzing the way meaning is produced and have concluded that a gender binary is formed by language (186-187). Meaning is created by what a thing is not; for example, men are men because they are not women. The gender binary determines what things are masculine and what are feminine. This essay will adopt a feminist perspective and examine the gender roles (the behaviours, expectations, characteristics and values assigned to each gender by a society’s gender binary) depicted in Goblin Market. The primary focus will be on how gender roles affect the actions and decisions made by Laura and Lizzie throughout the poem and how sisterhood, a construct that blurs the gender binary, is the means that saves Laura’s life.
All characters in the novel are living in a man’s world; nevertheless, the author has tried to change this world by the help of her characters. She shows a myriad of opportunities and different paths of life that woman can take, and more importantly she does not show a perfect world, where women get everything they want, she shows a world where woman do make mistakes, but at the same time they are the ones that pay for these mistakes and correct them.
Lastly, “femininity” refers to behavioural activities or interests that are assigned to the female sex, such as cleaning and cooking (Beauvoir, 617). Although many critics have read her text and become confused due to her stylistic choice to fuse her voice with the voices of famous men, it can be said that the text ultimately leads the reader to begin to question what society sees as a woman (Zerilli, 1-2). Despite Beauvoir’s The Second Sex appearing to recognize the oppression of women throughout the world without giving an actual solution, I will argue that Beauvoir’s evaluation of each “natural” aspect of female oppression allows readers to recognize that the only thing holding themselves back as a woman is society’s unnatural definition of their body, relation to men, and personal freedoms. Of course, when it comes to one's freedom, it is difficult to obtain when your body feels like a