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A Full Of Possibilities : Being A Child

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A picturebook full of possibilities: being a child in power
I was obsessed with a set of picturebooks during the time I tried to learn to read independently. They were around fifty translated books written and illustrated by authors from many countries, such as Kazuo Iwamura, Anthony Browne, Taro Gomi, and James Stevenson. Most of them were read to me by my parents before I could read by myself. As soon as I began to read independently, however, I seemed to prefer specific ones and kept rereading them over and over again. The one that I remembered well was Anthony Browne’s Piggybook (1986). The theme of the story is realistic and domestic, whereas the realities of the story are tempered by Browne 's unexpected and funny illustrations, …show more content…

Piggott returns? Why are they willing to share tasks? Why does Mrs. Piggott look much happier when fixing the car? Somehow, I became a more thoughtful reader, and roughly grasped that the book might aim to uncover certain issues about gender roles. Nevertheless, until I revisited the text more critically, did I realize that it can be ambiguous and is full of ironies, which might reflect the reasons why I asked certain questions, yet may not have had the answers, when reading as a child.
According to William Moebius, Piggybook is one of the “more conscious treatments of women’s plight and power.” Browne, as a male author-illustrator, attempts to point out that women deserve as much credit as their male counterparts, and that they should be seen as “equal partners, owners, of their own space” (Moebius, 1999, p.124). I partially agree with his argument. Even though the book uncovers the “plight and power” of women through both its visual and verbal texts, Browne’s extravagant details and hidden messages seem to sway me from neither reading the text completely in an unironic way nor viewing it as an argument for feminism. First of all, Mrs. Piggott’s “plight” is vividly represented in the beginning of the story. In the front cover, three smiling male characters ride piggyback on Mrs. Piggott, who has no facial expression. The story begins with “Mr. Piggott lived with his two sons, Simon and Patrick.” Only after introducing the nice house, garden, car and garage, does the

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