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A Great Conclusion Given to Great Expectations by Charles Dickens

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Despite the morbid and gloomy tone Charles Dickens has set for the rest of the novel, the rewritten ending fits well along with the surrounding context because the reader is able to better understand the development of Estella’s character, it is far more conclusive in comparison to the original, and it reveals a little more about Pip’s growth in character and traits. Throughout the course of the novel, Estella is perceived to be this cold-hearted reptile, but this is contradicted in Charles Dickens’ rewritten ending, when she is instead written to have grown much more open and warm towards Pip, exemplifying her growth and development in character. Although Great Expectations mainly revolves around Pip’s adventures and …show more content…

In relation to the original resolution of the novel, the rewritten one would be much more fitting as it is far more conclusive and sets this tone of completion. The original ending, even though matching moods with the rest of the novel, seems to end, leaving the reader with a sense of confusion, as if it ended ever so bluntly and depressingly. The setting Charles Dickens has chosen for the second ending, the garden of Satis House, gives the novel an intriguing elliptical feeling, as it seems to tie the entire book together from where it all began. It would only seem appropriate that Pip and Estella should reconcile at Satis House -- the area that symbolizes all death and decay, in addition to the rough and dirty past, and renew their lives. This provided setting appears to not only Estella's character, but the issues regarding Miss Havisham and their ever so solitary, unfortunate lives. Regardless of what seems to be a not fitting, “happy” ending, the imagery of the “cold silvery mist [that] had veiled the afternoon” sets the same tone of mystery and gloom, and therefore connecting with the rest of the novel. The imagery of this night and its celestial moonbeam represents Pip and Estella’s newfound light beyond their sorrow and past, in spite of

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