Essay about A New York Times Review of “Paid in Full”

A Bronx Tale, an American crime drama film directed by Robert De Niro accomplished all the aspects that correspond to a classic Italian mafia movie. Similar to The God Father, A Bronx Tale captured communal and family relationships in an Italian neighborhood in the 1950's and 60's. This motion picture included multiple sub-plots, but had an underlying plot that was concentrated on towards the end. The plot showed the bigger picture of the film which tackles a controversial topic, especially in the time period in which the movie takes place. The different sub-plots may alter one’s expectations of the remainder of the movie. Although this film includes many important details of conflicts, what one can grasp from watching the movie is the conflict between African-Americans and Italian-Americans. The director purposefully adds a love interest to show a sort of union in the midst of confrontation. In addition, what seemed to be a competition to dominate as Calegero’s father figure between Lorenzo, his dad, and Sonny, one of the men the protagonist looks up to, influences the audience’s idea of where the film is headed.

The gangster genre within films in America has accomplished numerous positive criticisms and constant willing audiences due to containing outstanding spectacles and mind-blowing action. The Godfather, being second on the IMDb Top 250 Movies, has set a new popular concept to life within the Mafia from their point of view. Doing so, creating a positive association. Yet within Italy, the same topic contains a complete different view. Movies such as I Cento Passi demonstrate unenthusiastic view by those whom are outside yet negatively affected by those members. Unlike American films, the gangsters are not as often viewed at the protagonist and are the main causes for the problematic events. But how different is Italian Mafia and American

Prior to being assigned the reading of the memoir “Always Running”, by Luis Rodriguez, I had never given much thought on juveniles involved in gang life. Rodriguez achieved success as an award-winning poet; sure the streets would no longer haunt him - until his own son joined a gang. Rodriguez fought for his child by telling his own story in the vivid memoir, “Always Running.” “Always Running” is the compilation of events Luis experienced during his youth in San Gabriel. The theme of the book is to always strive for the best things in life and to always take a stand for what you believe. Lured by the seemingly invincible gang culture of East L.A., he witnessed countless shootings and beatings, as well as senseless acts of street crime against his friends and family members. As a Latino in a poor neighborhood, Luis struggled through criticism, stereotypes, and mistreatment. With the help of his mentor, Chente, Luis saw a way out through education and the power of word to successfully break free from years of violence and desperation.

Gangs of New York (2002), a bold and violent movie directed by Martin Scorsese takes us back to a New York without skyscrapers and modern-day lavishes that shows the rise of violent gang power and political corruption. Starring Leonardo DiCaprio and Daniel Day-Lewis, the film features a personal struggle placed within the context of gang warfare between Nativists and immigrants, which is set in the larger context of the Draft Riots and the Civil War. It is a reconstructed historical narrative that uses interlocking events filled with gang violence and political corruption to show how the modern New York was born.

Barnes & Noble does business -- big business -- by the book. As the #1 bookseller in the US, it operates about 650 superstores throughout 49 states and the District of Columbia under the banners Barnes & Noble, Bookstop, and Bookstar, as well as about 200 mall stores using the names B. Dalton, Doubleday, and Scribner's. The company's GameStop subsidiary is the #1 US video game retailer with about 1,500 stores under the names Babbage's Etc., GameStop, and FuncoLand. Barnes & Noble owned about 75% of online book seller barnesandnoble.com after purchasing Bertelsmann's interest in 2003; Barnes & Noble then purchased all remaining shares and took the company private in May 2004.

“American Me” is a fictional film having a factual basis, starring and directed by Edward James Olmos. Released to the national theater circuit in 1992, “American Me” depicts the life of Rodolfo Cadena, a ranking Carnal (gang member) in the prison gang La Eme, also known as the Mexican Mafia. To therapeutically approach the salience and pervasiveness of gang membership, including its allure and reinforcers, would be a challenging task for any human service practitioner involving accuracy of assessment and effectiveness of treatment. However, endeavoring to find and implement such therapeutic

Notably, the film Goodfellas is a classic film that is recognized as one of the greatest films of all time in regards to the crime genre. Indeed, the film Goodfellas is about American citizens who partake in criminal activity in order to make money. Furthermore, another film was made, shortly after Goodfellas achieved great success in the box office. Additionally, another film titled “The Real Goodfella” is the uncensored documentary explaining the reality behind Goodfellas, and gives a practical insight of the real dangers that could not be shown in Goodfellas. Also there are two articles that explain the explicit truth behind the criminal activity that mobsters justify as work. These sources show that mobsters have a hard time. Mobsters classify as above working class because they constantly have to steal, murder, and deal drugs just to stay alive and have money.

By the early 1990s, the South Bronx had changed. On my visits home from an upstate community college, I noticed that more and more neighborhoods had dried up. The “crackheads” and “crack whores” were gone, along with the drug peddlers who had barked:Red Top! Gold Top! I got Blue!Someone had cleaned the streets, dusting the drug dealers and drug users off the planet, leaving the South Bronx a ghost town.Coño, que pasó?By the early 1990s, the South Bronx had changed. On my visits home from an upstate community college, I noticed that more and more neighborhoods had dried up. The “crackheads” and “crack whores” were gone, along with the drug peddlers who had barked:Red Top! Gold Top! I got Blue!Someone had cleaned the streets, dusting the drug

The critically acclaimed film, Goodfellas, is a gangster crime drama that features an incredible amount of talent. Household names such as: Robert De Niro (Jimmy Conway), Joe Pesci (Tommy DeVito), Paul Sorvino (Paul Cicero), and promising stars like Ray Liotta (Henry Hill) and Lorraine Bracco (Karen Hill), attracted numerous Oscar and Golden Globe nominations. That type of cast power, linked with the signature talent of Martin Scorsese as a director, made for cinematic gold. Unquestionably, the actors and actresses did an excellent job augmenting the verisimilitude of this film and compelling audiences to empathize with their characters. But the cinematography in this film plays just as large a role in having audiences feel what the characters are feeling at a specific moment. Through the use of freeze frames, we learn of significant moments that shape Henry into the man that he is. By means of first-person narration we are able to know exactly what is going through a particular character’s mind. Finally, wonderful editing made great use of point of view and multiple jump cuts, which added to the sensation that we are undergoing the same experiences as the characters on screen. I will go into further detail and specify scenes that convey these elements as the essay progresses. Altogether, Martin Scorsese’s Goodfellas effectively depicts paramount scenes and allows the audience to empathize with the characters by virtue of stylistic editing and cinematography.

The critically acclaimed film, Goodfellas, is a gangster crime drama that features a great deal of talent. Household names such as Robert De Niro (Jimmy Conway), Joe Pesci (Tommy DeVito), Paul Sorvino (Paul Cicero), and promising stars like Ray Liotta (Henry Hill) and Lorraine Bracco (Karen Hill), attracted numerous Golden Globes and Academy Awards nominations. That type of cast power, linked with the signature talent of Martin Scorsese as a director, made for cinematic gold. Unquestionably, the actors and actresses did an excellent job augmenting the verisimilitude of this film and compelling audiences to empathize with their characters. But the cinematography in this film plays just as large a role in having audiences feel what the characters are feeling at a specific moment. Through the use of freeze frames, we learn of significant moments that shape Henry into the man that he is. By means of first-person narration, we are able to know exactly what is going through a particular character’s mind. Finally, strong editing made efficient use of multiple jump cuts, which add to the sensation that we are undergoing the same experiences as the characters on screen. Altogether, Martin Scorsese’s Goodfellas effectively depicts paramount scenes and allows the audience to empathize with the characters by virtue of stylistic editing and cinematography.

When talking about a true American crime story, one can start and end the discussion with one of the most powerful and influential true stories ever told: GoodFellas. Based on the incredible true story, the film follows the rise and fall of Lucchese crime family associates Henry Hill and his friends throughout the 50s, 60s, 70s, and 1980s. Originally written as the non-fiction novel “Wise Guys” by Nicholas Pileggi, the story takes you deep into the world of arguably the most notorious crime posse America has ever known: the Italian Mafia. It is viewed by scores of critics and moviegoers alike as one of the greatest crime/drama movies ever filmed – so needless to say, with such a

This is a film following the life of Nino Brown. He has become an “American success story with a twist'; (Rosenbush “menace';). Brown is the main character who is young, smart, handsome, rich, successful, and prominent in his community. But, Brown is a big time drug lord and head of a gang and two cops are out to put an end to him. This late ‘90’s drama was directed by Mario Van Peebles set in New York City. This film also had all of the conventions of “New jack cinemas/black social dramas';.

Directed by the legendary director Martin Scorsese, along with splendid performances of the duo Leonardo DiCaprio and Daniel Day - Lewis, Gangs of New York is an excellent film illustrated the chaotic peril of 1860s New York City based on actual historical events. Build upon the nonfiction novel by Herbert Asbury, The Gangs of New York: An Informal History of the Underworld, the movie depicted the conflict between the Americans and the Irish immigrants due to the rising wave of immigration to America. Although the movie is overall very intriguing, and gave an in-depth insight into the modern gang of New York City in the 19th century, it omits certain events in history for the purpose of entertainment.

'The Godfather' is the most revolutionary gangster film of all time, it rewrote the gangster genre in such a stylized way that all latter gangster films have conformed to this genre but also evolved it as films have progressed. Directed by Francis Ford Coppola 'The Godfather' re-invented the gangster genre elevating it to a Hollywood status and making it commercially profitable. It looks into the life of the 'Corleone' family and represents America at that point in time. It portrays the violence and power, corruption and justice, honour and obligation apparent at that time. Previous to 'The Godfather's' release the 'American Dream' was born, to idealists America was the country of

Dr. Mark Lasser’s book “Healing the Wounds of Sexual Addiction” gives insight to those who suffer from sexual addiction and to the families, friends and other people in their lives. Dr. Mark Lasser has chosen to write this book, to share with others his personal struggle and victory with sexual addiction. Dr. Lasser has written this book from a Christian view, to give other individuals hope in a difficult and growing disease, which is taking control and destroying our families. Lasser defines sexual addiction as “a sickness involving any type of uncontrollable sexual activity, and because the addict cannot