The 1951 film, A Streetcar Named Desire, is an adaption of a play of the same name, written by playwright Tennessee Williams. It revolves around Blanche, a Southern woman who comes from a very wealthy family. After some troubles that she describes as “nervous exhaustion”, she arrives to her sister’s (Stella’s) apartment in New Orleans to move in with her. Blanche is surprised to learn that Stella has decided to abandon her wealthy lifestyle to marry a working-class man by the name of Stanley. Stanley is an World War II veteran, and can be considered a brute in the film. Immediately upon meeting Blanche, Stanley is not fond of her and thinks that she has swindled he and Stella out of family fortune after he finds fancy clothes and jewelry in her trunk. Blanche quickly tosses papers at Stanley to show that she had not taken fortune out of anyone, and Stanley reveals that his true intentions is that he wants to consider his “wife’s affairs” since Stella is pregnant. Blanche is shocked by the news. Later, Stanley’s hosts a poker night, and Blanche meets Mitch and is immediately attracted to him due to his sensitivity. Stanley becomes so drunk and belligerent that he strikes Stella; however, is quick to forgive, despite Blanche’s pleas for her to leave Stanley. After Stanley finds out the true reason why Blanche left her old town (she was having sexual relations with a minor), a fight emerges between Stella, Stanley, and Blanche, but is cut short when Stella goes into labor.
However, as Scene Ten begins, Stanley is on the verge of regaining his dominant stance. He has discovered details of Blanche's past that discredit her in Stella's eyes as well as putting an end to a potential marriage between Blanche and his friend. His victory over her influence is sealed when he gives her a bus ticket back to Mississippi and insists that she use it. He is also only hours away from becoming a father, a physical manifestation of his virility and manhood. His confidence in himself is palpable as the scene unfolds in the way he plays along with Blanche, pretending to believe her story about
Finally, Stanley rapes Blanche because “he has tried and tried to keep her down to his level” (Kagan 26) but she cannot go there. The rape is his way of getting her there. In the powerful scene where Stanley loses total control of his actions and strikes the person whom he has sworn to protect, love and cherish, William's shows Stanley's lack of control and hatred of the new threat in his life, Blanche. What makes this scene so important to the topic is the way that the three characters react once the party has broken up. Blanche is in her usual state of panic; Stella has retreated upstairs, while Stanley stumbles around calling out 'Steeelllaaa' in a drunken sweaty animal-like manner. Surprisingly Stella answers her mate's calls and embraces him, the two of them exchanging words of compassion and kisses. Stanley then picks up Stella and carries her off to his den to make love, which is Stanley's way of apologizing. Stanley has to be the dominant male figure in all his relationships, not only with Stella and Blanche, but with his friends as well. He is a leader and instantly rises to the challenge whenever his status is threatened.
It was not just her self that put her in the lime light of being a victim; it is also her new change of environment and people. Stanley is Stella's husband; he is described to be very masculine and aware of his sexual magnetism. “Strongly, compactly built”. He is mostly at ease with people however, if they lack loyalty and affection to him, he will bully them. Especially women, as he believes them just to be easy conflict. It is seen in scene 3 that Stanley has little respect for women. “I said to hush up!” This is addressed to his wife who is seen emotionless and impassive in this play. As for Blanche how is fussy and at edge, she would be very effected by the crude attitude that Stanley presents and so tries to hysterical take Stella away from her husband. Stanley does not forget of this act of interference and makes him all the more determined to be rid of Stella’s “charity case”. The real reason for Stanley’s bulling is that Blanche immediately received all Stella’s attention. “How about my supper huh? I’m not going to no Galatorires’ for supper” This made Stella dominant in power over Stanley and Blanche, something Stanley was not used to. “I put you a cold plate on ice”.
The reader may view Blanche as someone who tried to escape her sordid past in Laurel and wanted to start a new life with her sister, yet due to the continuous investigations from Stanley, was unable to do so. Stanley reveals Blanches’ lies and deceits, commenting on them as her ‘same old act, same old hooey!’ This tells the reader that his research of Blanches’ past is way of stopping her from finding a new life. Blanche attempts to redeem her life by finding love with Mitch, yet Stanley again reveals to Mitch that she was not ‘straight’, resulting in Mitch not wanting to be with her and also contributing to her fate. Stanley, after mercilessly divulging all her truths and bringing her to the edge of her mental capacity, rapes Blanche which brought about her final collapse. The reader may view Stella as someone at blame for her sisters’ fate, as though she shows some moral support of Blanches’ situation and listens to what she has to say, Stella continuously throughout the play neglects to notice Blanches slow mental deterioration and ignores Blanches’ outcries and incessant need for attention. Stella chooses Stanley over Blanche, despite her warnings about him being ‘volatile, violent and sub-human which represents not
He likes to possess and control everything around him, he almost ‘owns’ Stella, and he has changed from her days at Belle Reve, pulling her “down off them columns and how [she] loved it”. But the arrival of Blanche, and her aristocratic ways annoys Stanley, as Stella begins to revert to her old ways. Blanche encourages her to stand up to him, and continually stresses the difference in their levels, although Stanley is not ashamed that he “was common as dirt”. Therefore, the only way that he can overcome Blanche and restore his authority is to beat her and triumph over her physically, which he eventually does. Although ironically, it is the effect of Stanley and his actions on her mind that finally provokes her downfall.
Although there is nothing wrong with Stella offering her sister a help and let Blanche stays in her place, but the biggest missing component, in this case, is the cause a huge embarrassment, that is Stanley. Stanley is Stella’s husband, they live together with peace and entertainment so far; nevertheless, the involvement of a third person would interrupt or even shatter the situation, and this person is Blanche. Stanley represents the new rising Americans, and we can envision him as urban-hunkey. His lifestyle is full of manhood; he goes to bowling, loves poker party, and we gain the picture of him as an aggressive, dominant and very sexual person. To satisfy Stanley is quite simple, first, his sexual desire would override his other senses, which means his sexual relationship with his wife is extremely important to him; second, Stanley enjoys maintaining stereotypical gender roles in his home and being respect as the head of the household. After Blanche’s visit, both of his old habits are being disturbed because Blanche takes herself as someone who’s more superior which goes against his gender role and she sleeps right across them with only a thin layer of the barrier which also stops his lovely night party with his wife. These reasons caused Stanley being so unsympathetic to the way Stella treats Blanche, which furthermore
The two important female characters in the "poetic tragedy"(Adler 12), A Streetcar Named Desire, are Stella and Blanche. The most obvious comparison between Stella and Blanche is that they are sisters, but this blood relationship suggests other similarities between the two women. They are both part of the final generation of a once aristocratic but now moribund family. Both manifest a great deal of culture and sensitivity, and because of this, both seem out of place in Elysian Fields. "Beauty is shipwrecked on the rock of the world's vulgarity" (Miller 45). Blanche, of course, is much more of an anachronism than Stella, who has for the most part adapted to the
Similar to Stanley, Blanche also faces a power struggle. Her ultimate downfall is a result of Stanley’s cruelty and lack of understanding for human fragility. Comments about Stanley’s ‘animal habits’ and ‘sub-human’ nature act as the agent of Blanche’s downfall. Stanley cannot deal with her mocking him in his own home and is fed up with her lies. During the final scenes his
(Stanley is listening to Blanche tell Stella this without their knowledge.) Blanche tells Stella that they should call Shep Huntleigh to help them escape since he is a millionaire from Dallas. A few months pass by, and Stanley and Blanche hate each other more and more over time.
Stella abandons Blanche in her time of need, partly responsible for Blanche’s struggles prior to the plays events. Struggles that played a role in Blanche's overall instabilities and insecurities. But why is Stanley the one that's ultimately responsible? Aside from verbally and physically abusing Blanche, He isolates Blanche from the people she loves, the only people she has left. He was the one who convinced Mitch to abandon Blanche by telling him about her past. “You're goddamn right I told him! I'd have that on my conscience the rest of my life if I knew all that stuff and let my best friend get caught!”(Williams,126) He is the one that silences Stella. He is aware of his power over Stella. He is the reason why Stella abandons Blanche. He manipulates Stella into forgiving him even when he abuses her. He makes sure she is dependent of him so she never leaves while also subtly attempting to persuade her into taking his side instead of Blanches. “Stella, it's gonna be all right after she goes and after you've had the baby. It's gonna be all right again between you and me the way that it was. You remember that way that it was?”.
Stanley overhears these comments as they are ‘unaware of his presence’ (S4:pg.164*; and wants to dispose of Blanche to protect his marriage as Blanche has a hysterical determination to urge Stella to leave Stanley. Stanley refuses to accept Blanches’ conduct as she had no right to intervene and arbitrate as a guest in Stanley’s home supporting the idea that Stanley was preparing her downfall all along.
“Stella has embraced him with both arms, fiercely, and full in the view of Blanche. He laughs and clasps her head to him. Over her head he grins through the curtains at Blanche.” (Williams 73) A Streetcar Named Desire written by Tennessee Williams exemplifies the theme of a struggle to attain happiness. The play not only portrays this theme in its characters and setting, but through the literary devices of Foil, Imagery, and Intertextuality. Williams took great care in applying each of these literary device techniques to the theme as he presents an intriguing contrast between Blanche and Stanley, vivid images both animalistic and broken, and imploring the use of the Odyssey to further
Desire is prominent in Stella and Stanley’s relationship; Stella is drawn to Stanley because he has a strong male sexuality and he is drawn to her because of her traditional feminine sexuality. Stanley abuses Stella, and when Blanche finds out she is perplexed. Stella explains that, “there are things that happen between a man and a woman in the dark—that sort of make everything else seem—unimportant.”(1.4). Stella and Stanley stay together because they use sex to smooth out their disputes. Stanley views sex as an important aspect in marriage (Panda ). He views women as sexual objects; Williams gives an insight on Stanley, he says, “[Stanley] sizes women up at a glance, with sexual classifications, crude images flashing through his mind”(1.1). Stanley ends up raping Blanche at the end of the play; thus causing Blanche to lose her sanity. Although Blanche’s husband is only mentioned a few times in the play, the audience is able to see that his own sexual desire leads to his
The play A Streetcar Named Desire, by Tennessee Williams, is a play about a woman named Blanche Dubois who goes to live with her sister after she loses her home in Mississippi. Between the hardships of her previous life and the way she is treated now, she is not in a good way by the time the play ends. She basically has a mental breakdown. There are three stages of Blanche’s mental state. She lives in a fantasy, Mitch rejecting her, and Stanley raping her, Blanche is mentally unstable by the end of this ply.
A Streetcar Named Desire is the story about of a girl named Blanche DuBois, travels from the town of Laurel to live with her sister in the New Orleans French Quarter. Her sister, Stella live in a two-room flat with her brother-in-law, Stanley Kowalski. She finds Stanley vulgar, boisterous, and dominant husband. However, Stanley does not like her presence and thinks that Blanche comes with a secret. Unfortunately, they do not like each other. Stanley feels that while she is staying with them, Blanche tries to convince Stella that he is loud and rough as common. He wants Blanche to leave, so he gives her a bus ticket back to Laurel for her birthday. Later on, Stanley gossips to Stella that he has gathered on Blanche, telling her about what did Blanche do in the past. At the end of the play, he brutally rapes Blanche, while Stella is at the hospital with their first child. Blanche becomes psychotic crisis by destroying her both physically and mentally from what Stanley did to her. Blanche tells the truth about Stanley’s assault to Stella, but her sister disbelieves her. Blanche has suffered a complete mental breakdown and is to be committed to a mental hospital.