Abols And Symbolism In Yann Martel's Life Of Pi

Throughout his young life, Pi has been guided by a strong set of morals and values. A strict pacifist and vegetarian, Pi never dreamed of killing an animal, especially for food. Pi states, “…When I was a child I always shuddered when I snapped open a banana because it sounded to me like the breaking of an animal’s neck” (Martel 197). However, faced with starvation at sea, Pi must decide between adhering to his morals and satisfying his ravenous hunger when a school of flying fish descends upon the lifeboat. He chooses his own survival and decides he must butcher a fish to feed himself. Martel uses vivid details and language to convey Pi’s feelings about the necessity of violence and killing a living creature for survival. Martel conveys a sense of suspense to the reader as Pi raises his hatchet several times to

In Life of Pi, author Yann Martel utilizes metaphors to foreshadow future events and to reveal new insight about Pi’s character and the theme. When Pi is a young boy, his father teaches him and his brother why they should never put their hands in the animals’ cages. Pi’s father decides to teach them this valuable lesson by forcing his sons to watch a hungry tiger devour a vulnerable goat. Pi says, “I don’t know if I saw blood… or if i daubed it on later, in my memory, with a big brush” (39). As Pi tells two stories of the same event, it foreshadows the ending of the book where Pi tells news reporters two stories of his survival out at sea. This reveals that Pi is very creative and imaginative,

When Pi gets stranded on the boat with the animals, this quakes his perfect reality from events going as planned to what he should do in order to stay alive.” He then had to accept the death of his parents and also his brother. pi being so haunted by the thoughts of Mortality, brought him to create mental blocks in order to eat raw meats and raw fish. The biggest obsticle he had to face was learning how to tame a Bengal tiger with no experience. “ I had to tame him. It was at that very moment i realized this necessity.” This quote conveys pi’s logical thoughts to his survival thoughts. This quote also gives pi the

Religion is “the belief in and worship of a superhuman controlling power, especially a personal God or gods” (Dictionary). In society, many people follow the ethics of certain religions in order to make decisions about their life. The author Yann Martel uses Piscine Molitor Patel in the novel Life of Pi to send a message to readers about using ambiguity to create a theme about morality through the use of religion as spiritual beliefs can stabilize and nourish one in times of hardship. The use of religion, story-telling and science compared to religion resulted in ambiguity and therefore illustrated the theme of the importance of morality.

First of all, the island was full of enticement. It was like the Garden of Eden in paradise. Pi is comfortable until temptation overcomes him when he picks the fruit. He becomes similar to Eve when he mentions, “I wanted to try the fruit [...]”. Once he grabs it, he must leave the island. Richard Parker is then forced to leave along with him, similarly to Adam. Another show of temptation occurs when Pi figures out how the island works. “The island attracted saltwater fish into its subterranean tunnels-how, I don't know; perhaps fish ate the algae as gluttonously as I did.” Through this quote, Pil explains how the fish are eaten by the island. They are brought to their death by the algae. The temptations that the island showed were powerful but, Pi decided he had to leave.

Humans generally face struggles in their lifetime. Such struggles could be within themselves or with someone or something else but commonly stem from some sort of opposition in lifestyle. In Yann Martel’s novel, Life of Pi, Pi’s passion for personal survival conflicts with his moral obligations to himself internally, morphing his external character.

In the novel, Life of Pi, by Yann Martel, the theme of truth is seen most prominently in the last part of the book when main character, Piscine Patel is being interviewed by two Japanese men. Pi defines truth as being relative and an invention of man, when the believability of his story is questioned. He argues that even stories, such as his, can still be true to some no matter how difficult to believe they are.

To simply be alive consists of the acts of breathing and having blood pump through the body, but to be a human being consists of much more complexity. The nature composed of a human being involves having self sovereignty on our own emotions, opinions, desires, faiths as well as having a moral subconscious. Yet, what occurs when a situation allows an individual to react in a behaviour that doesn’t follow these defining factors of human nature? In Yann Martel 's Life of Pi, he creates the conflict of a cargo ship sinking, and the only notable survivors on the life raft consists of a hyena, a zebra with a broken leg, an orangutan, and a 16-year-old Indian boy. The protagonist of the novel, Pi Patel, is faced with a personal survival conflict

When the boat was searched by the investigators, there was little to prove that Pi was indeed trapped with a Bengal tiger. When Pi told Mr. Tomohiro Okamoto and his junior colleague, Mr. Atsuro Chiba, to look in the boat for proof, they did not find any traces of a tiger having being present. Instead, they found what Pi claimed to be meerkat bones that were eaten by Richard Parker after their departure from the island but what were actually bones from another pest that escaped from the sinking Tsintsum, and which was eaten by one of the lifeboat’s human inhabitants, “We have no proof they were meerkat bones” (300). The educated investigators reasoned that the bones came from the animals from the ship and that meerkats were not the likely victims.

Although it is not obvious at first, the large threat of a tiger on board blends into a symbol of survival for Pi. Though Richard Parker is a large issue for Pi, he is not the only issue being faced. Issues such as lack of food, scarce drinking water, and no sense of direction also

Desperation forced him to try and move towards the safety box that was near Richard Parker who has the ability to easily attack him. Once Pi is near the safety box he illustrates the feeling of satisfaction by saying, “oh, the delight of the manufactured good, the man-made device, the created thing! That moment of material revelation brought an intensity of pleasure -- a heady mix of hope, surprise, disbelief, thrill gratitude, all crushed into one … I was positively giddy with happiness." (Martel 141). He finds water in the box as he hoped for and this has brought him a confidence boost. Even though Pi completed the first of many stages in the hierarchy, he is still stranded in the ocean. He acknowledges the fact that animals or very territorial and in turn marks his own territory within the boat. Pi insists that, “I had to fix in his mind that the top of the tarpaulin and the bow of the boat, bordered by the neutral territory of the middle bench, was my territory and utterly forbidden to him” (Martel 168). He urinated on the parts of the boat that he claims as his part of the boat and does it in a way that Richard Parker who is an animal would understand.

He starts out with a zebra, hyena, an orangutan, and a tiger, but the animals slowly diminish leaving only Pi and Richard Parker. Pi works to tame and care for Richard Parker, and the two survive for two hundred twenty-seven days. Pi encounters a fellow French castaway who is eaten by Richard Parker (Martel 311-320). Pi also comes across a man-eating island (Martel 322-358). The events that take place are fairly far-fetched, and the probability of all of them occurring to the same person in the period of time given is even less believable. The second story, on the other hand, is a perhaps more believable retelling of the original story. Pi relates the second tale upon the request of his interviewers for “‘a story without animals’” (Martel 381). In this story the animals are replaced with human representatives including an injured Chinese sailor, a French cook, Pi’s mother, and Pi himself. The second story, like the first, begins with many passengers on the boat, but in the end it leaves only Pi to survive by himself after brutally murdering and eating the cook who killed both the sailor and Pi’s own mother (Martel 381-391). Unlike Pi’s first story, this account is dark, desperate, and harshly realistic, without any sense of hope to counter it all. After relating both of these stories to his interviewers, Pi asks them which story they think is better (Martel 398). Although the

When writing, authors need to think of their audience and involve an element of surprise. Authors use plot twists in their writing to help them accomplish surprising the audience, allowing them to keep their audience’s interest. Not only do plot twists help keep the audience’s attention, they also make the audience question their beliefs about what they think of the story. Authors can use this tool to advance their themes. Yann Martel uses a crazy plot twist in his book, the Life of Pi, to suggest to readers that truth is relative.

It carries all the necessary items for survival, yet a large adult Bengal Tiger has marked it as his territory. He knows going on the boat could lead to certain death, yet he needs the supplies to live as well. Either way, his life is at risk. During Pi’s search for water, he comes to the conclusion that there must be some supplies in Richard Parker’s territory underneath the tarpaulin. He says “I felt like a dried-out lizard. I pushed down on the tarpaulin. It was tautly stretched. If I unrolled it, I would give myself access to what supplies might be stored below. But that meant creating an opening onto Richard Parker’s den. There was no question. Thirst pushed me on” (140). Here Pi decides that it is worth it to risk his life exploring the lifeboat for water. However, although he goes onto the lifeboat for supplies, he makes sure not to become too comfortable in the presence of Richard Parker. This is why Pi starts considering alternative options than housing with a fully grown tiger. He says “I had to organize my survival. Not a second to waste. I needed shelter and right away… I had no proof that hanging at the end of the oar provided real safety from Richard Parker, he might easily reach and nab me. I had to find something else. My mind worked fast. I built a raft” (148). Pi knows because of how dangerous the lifeboat is, he needs an

Furthermore, his vast knowledge of animals, having grown up at a zoo, helps him to tame Richard Parker. Pi knows tigers’ psychological thinking and exploits this by classically conditioning Richard Parker. Likewise, Pi’s experience of watching a tiger kill a goat in his early childhood taught him the fundamental lesson that ‘an animal is an animal’, enabling him to strategically and mentally survive his long and testing time at sea. In addition to that, during the early parts of Part 2, Pi comes across a survival manual, a crucial object for his continued existence. The book gives him critical information on the do’s and don’ts of survival at sea and it is hard to imagine that Pi could have survived without this book which also gave him the opportunity to write down his words which were “all he has left’’.