African American Imperialism In Heart Of Darkness

In "An Image of Africa: Racism in Conrad's Heart of Darkness," Chinua Achebe criticizes Joseph Conrad for his racist stereotypes towards the continent and people of Africa. He claims that Conrad propagated the "dominant image of Africa in the Western imagination" rather than portraying the continent in its true form (1793). Africans were portrayed in Conrad's novel as savages with no language other than grunts and with no "other occupations besides merging into the evil forest or materializing out of it simply to plague Marlow" (1792-3). To Conrad, the Africans were not characters in his story, but merely props. Chinua Achebe responded with a

Following the end of the Industrialist Era and the emergence of countless technological advancements, the United States entered the world stage as a dominant power. The United States was attempting to create an empire by imperializing land outside of its own borders in order to benefit the country’s economic interests. Many citizens, whose views were greatly influenced by their understandings of national identity, saw this overseas expansion in conflicting ways. In the late nineteenth and early twentieth centuries, these groups differed in their opinions on the idea of imperialism due to either their wanting to remain a democratic country built on the ideals of freedom and liberty, or their wanting to expand for economic reasons and nationalism.

Africa DBQ     Africa is an extremely large continent filled with 54 countries. European occupation of Africa has shaped the very structure and function of many of these diverse countries. Socially and economically, European influence is very obvious through imperialism, the act of one country extending power and rule over another, as well as colonization, the act of establishing a colony in another country. The effects of European imperialism and colonization have greatly damaged Africa in many different aspects of life.     European imperialism as well as colonization worked to control much of Africa.

Heart of Darkness creates a prejudice way of presenting Africa, Joseph Conrad shows the African Congo through the perspective of the colonising Europeans, who describe all the natives as savages, which perpetuates the stereotype of the uncivilised African in the eyes of the European readers.

Joseph Conrad 's Heart of Darkness is both a dramatic tale of an arduous trek into the Belgian Congo at the turn of the twentieth century and a symbolic journey into the deepest recesses of human nature. On a literal level, through Marlow 's narration, Conrad provides a searing indictment of European colonial exploitation inflicted upon African natives. By employing several allegoric symbols this account depicts the futility of the European presence in Africa.

The imperialism of Africa during the 1900s was a period for Africans. They were driven from their culture, homes, and families. Many Europeans indulged in the cheap labor of the Africans and built empires. Nadine Gordimer wrote "The Train from Rhodesia" and "The Ultimate Safari" to portray the conflicts surrounding the apartheid in Africa during the 1900s. “The Train from Rhodesia” describes the holiday of a British couple traveling through Africa and their experience at a train station on their journey.

Africa is a continent plagued by misinformed and false stereotypes, rarely being seen or portrayed as what it really is. Countless amounts of myths and ideas are formulated based off of single stories or one-sided stories from the region, often without a second thought. These stereotypes give Africa an overall negative image to the rest of the world and suppress the reality that is hidden behind the slew of stereotypes. The belief that all of Africa is poor and undeveloped is an uninformed statement that harms the reality and worsens the image of the continent by perpetuating an incomplete idea into the world.

Conrad revealed his ideas through his character, Marlow, when we read his experiences traveling down the Congo when he sees the natives and their land that has been untouched by colonialism. Conrad’s lack of concern for the natives may have been a result of his experiences with them during his journey in Africa. Assuming Heart of Darkness’ character Marlow is a representation of Conrad himself, he did saw the native people in both conditions. He experienced them in the Belgium Congo, beaten and broken from the harshness of the colonists and he saw them in their natural state before the effects of colonialism had reached them. One may argue that his lack of concern for the natives was because he had seen them in their homeland and before their home had been changed, and maybe he chose to believe that there was hope left in Africa for its tribal tradition. This statement is simply not true; Marlow fully experienced the devastation left by colonialism in Africa, yet his animosity towards colonialism was still due to the concern for his own people, the white colonists.

In Heart of Darkness by Joseph Conrad, the imperialism of Africa is described. Conrad tells the story of the cruel treatment of the natives and of the imperialism of the Congo region through the perspective of the main character, Marlow. Throughout the novel, Marlow describes how the Europeans continuously bestow poor treatment to the native people by enslaving them in their own territory. Analyzing the story with the New Criticism lens, it is evident that Conrad incorporates numerous literary devices in Heart of Darkness, including similes, imagery, personification, and antitheses to describe and exemplify the main idea of cruel imperialism in Africa discussed throughout the novella.

Wainaina states that authors who write about Africa are being very stereotypical which causes others to view Africa in that way. “Note that ‘People’ means Africans... Wainaina explains how authors are misinterpreting racial factors of the people who live in Africa, meaning when most people think of Africa they think only blacks and never whites. Not only is race argued, but also the way authors interpret African land, the natives, and the country. This relates to cultural conflicts because Wainaina believes authors should not write about Africa in the ways he lists, because it gives off stereotypical interpretations which is similar to what Conrad writes about in Heart of Darkness.

Achebe comments on Conrad’s work as a hidden product of racism because criticisms for Heart of Darkness

Chinua Achebe, a well-known writer, once gave a lecture at the University of Massachusetts about Joseph Conrad's Heart of Darkness, entitled "An Image of Africa: Racism in Conrad's Heart of Darkness." Throughout his essay, Achebe notes how Conrad used Africa as a background only, and how he "set Africa up as a foil to Europe,"(Achebe, p.251) while he also "projects the image of Africa as 'the other world,' the antithesis of Europe and therefore of civilization."(Achebe, p.252) By his own interpretations of the text, Achebe shows that Conrad eliminates "the African as a human factor," thereby "reducing Africa to the role of props."(Achebe, p.257)

A famous criticism of Conrad’s novella is called An Image of Africa, which was written by an African native named Chinua Achebe. In Achebe’s criticisms of Heart of Darkness, he points out the difference between descriptions of the European woman and the African woman, who was Kurtz’s mistress. The narrator describes the European woman as being calm and mature, and the African woman as being “savage” (341 Norton). Even though many writers claim that Marlow is kind to the Africans by bringing light to their situation, the real problem does not lie in his description of their situations, but his descriptions of the people themselves (30 Heart of darkness Interpretations).

He uses derogatory and offensive remarks that devalue people of color and make them out to be savages. Chinua Achebe, a well-known writer, talked about Joseph Conrad's Heart of Darkness, entitled "An Image of Africa: Racism in Conrad's Heart of Darkness." Throughout his essay, Achebe notes how Conrad "set Africa up as a foil to Europe,"(Achebe) while he also "projects the image of Africa as “the other world”. Africa is said to be a “prehistoric” world. Conrad described this land as non-advanced and inferior to the western countries.

In Chinua Achebe’s essay, “An Image of Africa: Racism in Conrad 's Heart of Darkness,” Achebe purports that Joseph Conrad’s short story, Heart of Darkness, should not be taught due to it’s racist caricature of Africa and African culture. In Conrad’s book, Marlow, a sea captain, is tasked with venturing into the center of the Congo, otherwise known as the Heart of Darkness, to retrieve a mentally unstable ivory trader named Kurtz. Marlow narrates his adventures with a tinge of apathy for the enslaved Congolese who are repressed beneath the foot of the colonizing Belgians. In Heart of Darkness, the Africans are reduced to “savages” and cannibals with little or no moral values. It is Achebe’s argument that due to these characterizations, it is an abomination that Heart of Darkness be continued to be taught. Despite Achebe’s vehement opposition to the teaching of Conrad’s novel, academics should not only continue to teach Heart of Darkness in a lyrical sense, but also a historical one.