When we think of the word “slavery” we often imagine an African-American in shackles getting moved from a region to another, but, is that the only slavery we can think of? What about the time in 1890’s when married women were not allowed to receive wages that they earned or even inherit property? Marrying back then may as well be handing your identity in hands of your husband. It was an expectation, an obligation. Women didn’t just become the wife, they became salve to their husbands, a property. The role of Women has changed significantly through the years, not only are not women well respected, they have their own unique identity which they have created for themselves.
After hearing about her Husband’s death from her sister, Josephine and Brently Mallard’s friend Richards, she grieved and left for her room alone. While sitting in the Chair, she realizes that she is now free, free from the burden and that in the coming years she could live for herself. “She said it over and over under the breath: “free, free, free!””(Chopin 3).
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Mallard knows that she will weep when she sees her husband dead, but she is not sad, she is joyful, “What could love, the unsolved mystery, count for in the face of this possession of self-assertion which she suddenly recognized as the strongest impulse of her being!” (Chopin 3). She believed that being free and to be able to control your life was more important than love.
Mrs. Mallard gained strength and happiness that she didn’t have to live for someone else, she will live for herself and it was the beginning of a new life. She was confident, and optimistic, “There was a feverish triumph in her eyes, and she carried herself unwittingly like a goddess of Victory” (Chopin
This loss of happiness and freedom caused Mrs. Mallard’s heart to give out and she died. The doctor said “She had died of heart disease – of joy that kills” (Chopin). Society believes she
“But she saw beyond that bitter moment a long procession of years to come that would belong to her absolutely” (Chopin 157). She feels free from the obligations to her husband that was forced upon her during the Victorian era and she is looking forward to the years of independent freedom that are yet to come. “There would be no one to live for during those coming years; she would live for herself. There would be no powerful will bending hers in that blind persistence with which men and women believe they have a right to impose a private will upon a fellow creature” (157). Mrs. Mallard did not want to submit to the oppressor, who in this case, was her husband. She wanted to make her own decisions and didn’t want to take orders from her husband. She was forced to live that way because her husband controlled her. Once she found out that he was supposedly dead, she felt free from the male oppression that she had been a victim of since the day she and her husband exchanged vows. Mrs. Mallard would rather live for herself and not have to live for her husband, and his alleged death allowed her to live for herself without getting a divorce, so her society wouldn’t look down upon her.
Mallard’s emotions towards the “death” of her husband because of outside inspiration that took apart in her epiphany. When she first discovered her new emotions and did not know that they were tied to how she had felt in her marriage, she had questioned what she was actually feeling “What was it? She did not know; it was too subtle and elusive to name. But she felt it, creeping out of the sky, reaching toward her through the sounds, the scents, the color that filled the air” (Chopin 476).The emotion that she had of the liberation her husbands “death” gave her was reaching out to her from the window and the forethought of a life where she lives as her own
I n the Story of an Hour, Kate Chopin gives us the feeling that Mrs. Mallard is unhappy in the by telling us “she was presses down by physical exhaustion that haunted her body and seemed to reach into her soul” (227). We learn right off that Mrs. Mallard has a heart condition and should be treated tenderly. When she heard the news of her husbands death, she was at first upset and distraught. She did not begin to feel better until she had time to sit and think, with “the delicious breath of rain was in the air” (227). Mrs. Mallard felt lonely and did not know what to do with herself anymore. She realized that there would no longer be someone there with her to be there when her life expired. She often had the feeling that life was too long and that the end would never come for her. That was a sign that Mrs. Mallard was a lonely and isolated woman. She was sitting there in the chair when it came to her in a sudden rush. That she is “Free! Body and soul free” (228). Mrs. Mallard knew then that life was not short after all. Life was short and she should live it to the fullest. She is now free to do as she pleases. Mrs. Mallard has a feeling of freedom, freedom form the loneliness and isolation that she has felt for a very long time. She is now free to be herself
In Chopin’s short story, she demonstrates how men in the late ninetieth and early twentieth century treated their wives more as possessions than individuals, thus when the protagonist Mrs. Mallard learns her husband Brently Mallard just unexpectedly died, she feels “free, free, free!” (15). Since, Chopin published this short story in 1894; women often got married while they were quite young and typically to men much older. Likewise, divorce was never usually an option for unhappy marriages. Subsequently, Mrs. Mallard appears unhappy in her marriage, after learning about her husband’s death, she pictures how much better her life is going to be, “There would be no powerful will bending hers in that persistence with which men and women believe they have the right to impose a private will upon a
Lynchings were a real threat to African Americans in the eighteenth and early nineteenth centuries. They created a lot of fear in the African American community especially in this time period. Between 1882 and 1969, 4,743 people lynchings occurred. In 1882, African Americans accounted for forty-six percent of lynchings. Yet from 1900 to 1910, African Americans represented eighty-nine percent of lynchings.
Chopin addresses emotional freedom through small waves of fear and insecurity which are ironically surpasses by great waves of joy. When told about her husband’s death, Mrs. Mallard “did not hear the story as many women heard the same, with paralyzed inability to accept its significance” (Chopin 65) instead she was immediately filled with grief. The idea of her husband being dead was not unbelievable, possibly because she had thought, or even fantasized about it before. Mrs.Mallard
For the wife, Louise Mallard, this was an awakening of a new life. This new life is cut short as the information that led her to believe this news turns our false. Kate Chopin reveals that even the desire for love is trumped by the need for freedom and independence, through her use of precise diction and syntax, and symbolism. (rewrite)
"There would be no one to live for her during those coming years; she would live for herself. There would be no powerful will bending hers in that blind persistence with which men and woman believe they have a right to impose a private will upon a fellow-creature" (Chopin 182). Chopin makes her strong statement in this quote from the story here. Mrs. Mallard has no one to answer to but herself now, she feels liberated that her husband can no longer control her.
Mrs Mallard's awkward attitude after learning of her husband's death establishes an irony- somebody who is really happy in marriage will not enjoy nature in peace and have mixed emotions; the person will feel genuine grief upon hearing of the death of her husband. Here, Mrs Mallard's reaction portrays the extent to which her thirst for freedom was strong. Kate Chopin allows us to visualise the moment that Mrs Mallard is able to shed the bondage of marriage: "free, free, free!." She feels liberated through her husband's death. Much emphasis is laid on her joy upon finding freedom- "there would be no one to live for." The author also points out that "she knew that she would weep again.....folded in death." This only highlights the fact that it is not an expression of love but seems more like a duty that
Mallard’s suppressed self that she has endured in the formalities of her life (1). Chopin continues to express how afflicted Mrs. Mallard is with her struggle to come to terms with her current state of emotions and her vision of self by describing Mrs. Mallard’s “dull eyes, whose gaze was fixed away off yonder on one of those patches of blue sky.” While Chopin depicts Mrs. Mallard’s glance as not being one of reflection “but rather indicated a suspension of intelligent thought,” it can be inferred that Mrs. Mallard is processing her self-being not on a rational level but more on her emotional stimuli.
Louise Mallard is Kate Chopin short story's protagonist. As noted earlier, Louise has a heart trouble during the time when her friends are to break her husband's death news to her. She reacts to the news despite her heart condition with a flood of grief. She quickly retreats to her room which indicates repressiveness which she is accustomed to. She briefly feels guilt out of experiencing joy at the freedom which is brought by the death of her husband. She is later faced with some complex mix of love and resentment emotions which are elicited by the thoughts of Brently's tenderness with absolute control of her life from her husband. She ultimately welcomes her independence which she has newly found and then takes on the newly self-possessed individual's life. This essay will emphasize my argument on how the story shows some aspect of mental change in character, and I will identify where this starts in the character, what happens to cause the change, what the change is, and the consequences of this change for the character.
Chopin includes that Mrs. Mallard tried to fight off these ideas with her will (Booth 307). Her embraced feelings of independence could have been viewed as forbidden. Although she is excited by these thoughts, she tries to resist the pleasure she truly feels when she realizes the freedom that she has gained. The words “free, free, free!” escaped from her mouth (Booth307). She attempted to hold back the overwhelming desires for her own life. Perhaps she is hesitant to welcome these feelings because of the public view on women’s rights, and the potential consequences for those who opposed such views. Despite the faithfulness and love Mrs. Mallard showed for her husband, the extreme relief she felt in no longer having a marital obligation overpowered her feelings of sadness and loss.
Mallard should have been in tears but it did not bother her. “ She was young, with a fair, calm face, whose lines bespoke repression and even a certain strength.” ( Chopin, 4 ) . Her marriage aged her, she was no longer the young woman she once was. The news of her husband's death did not upset or make her mad it gave her a sense of peace. Mrs. Mallard had a taste of freedom which gave her strength.
After Mrs. Mallard had sat down and really thought about her husband’s death, she began thinking about what this meant for her. “The vacant stare and the look of terror...went from her eyes. They stayed keen and bright” (Chopin 2). She felt as though her husband’s death was a good thing. She would have no one to take orders from or to live for. She only had to live for herself. “There would be no one to live for during the coming years…” (Chopin 2). Mrs. Mallard would be able to provide for herself with Mr. Mallard’s earnings, so she had nothing to worry about. The death was like a guard finally letting a prisoner outside to see all of the beauty of nature. The death was a new beginning.