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Alfred Lord Tennyson's Maud; A Monodrama - Madness or Maud? Essay

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Alfred Lord Tennyson's Maud; A Monodrama - Madness or Maud?

The journey of life overflows with grand moments intermingled with inevitable sorrow. Each moment creating a chain reaction. In Maud; A Monodrama, Alfred Lord Tennyson explores the journey of a man in the universal search for the perfect Garden of Eden. Originally titled Maud or Madness, he described the “little Hamlet” as the history of a morbid poetic soul” who is “the heir of madness, an egotist with the makings of a cynic” (Hill 214). In the throes of madness, the protagonist experiences the grandest emotional triumph and the lowest depths of despair. Each milestone is marked by his cynicism. The protagonist “in his happiness, he is a cynic, in his unhappiness, a madman” …show more content…

As in a garden, a lily and a rose can reside in perfect harmony side by side, each in their own voluptuousness glory. In a woman, the duality of sweetness and passion are not incompatible qualities, but as summarized in the line by Shelly: “Tis the tempestuous loveliness of terror;” innocent and explosive sexually (Shaw 230)

The lily and rose, as forces of conflict, are used by Tennyson to expose the crisis of the monodrama. Alone in a private garden, surrounded by the "slender acacia" and "long milk blossoms," the protagonist mentally beckons Maud to "come into the Garden," thus creating the perfect scene of the Garden of Eden: two souls reveling in the beauty and solitude under a "bed of daffodil sky" (Tennyson 236). From a distance he sees Maud dancing at a party. He describes her as "Queen lily and rose in one” and the “Queen Rose” shining above the other girls at the party as a "rose of the rosebud garden" (Tennyson 236-37). Maud’s floral duality suggest a woman can be "at her most destructive and at her most creative for the man she infuses with her spirit" (Joseph 111). Her sweetness encourages him to give up the hatred he feels for her brother, and the passion she instills in him, encourages his fury. Like many of Tennyson’s women, she is “shadowy and distant,” yet all important as the cause of the conflict “which generates death” (Shaw 221). Although engaged, Maud encourages the protagonist to court her, forcing

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