Allen Ginsberg: Writing The Future

Allen Ginsberg’s revolutionary poem, Howl, is a powerful portrayal of life degraded. It represents the harsh life of the beat generation and chronicles the struggles of the repressed. Howl is a poem of destruction. Destruction of mind, body, and soul through the oppression of the individual. Using powerful diction, Allen Ginsberg describes this abolition of life and its implications through our human understanding of abstractions like Time, Eternity, and self. The poem’s jumbled phrasing and drastic emotion seems to correspond with the minds of the people it describes. Ginsberg uses surprisingly precise and purposeful writing to weave the complex

Lee notices that Ginsberg’s use of anaphora questions “the historical origins of both social afflictions and collective resistance in Howl.” The “origins of both social afflictions” and “collective resistance” stems from America’s need to impose unrealistic expectations on young people. Ginsberg idealizes America’s youth by celebrating their imperfection. Ginsberg “blurs” his “central objects of identification” by finding a connection between the insanity that Carl Solomon and Naomi Ginsberg share. The “blighted hopes and wasted intellects” of America’s past and present generation are subject to

In the very beginning the speaker talks about “Negro streets” , and in contest to the time period, Black culture was segregated from white culture, and references of black culture weren’t found in mainstream white America. He also talks about jazz which is a staple in black culture at the time. Jazz was was also considered rebellious music because it didn’t conform to the rhythm and beat of typical white music at the time. Ginsberg and his fellow poet friends usually sneaked in backrooms in San-Francisco to listen to jazz music, and that is part of the reason why their poetry movement was named “ The beat movement”

It was a 1951 TIME cover story, which dubbed the Beats a ‘Silent Generation, ’ that led to Allen Ginsberg’s retort in his poem ‘America,’ in which he vocalises a frustration at this loss of self- importance. The fifties Beat Generation, notably through Jack Kerouac’s On the Road and Allen Ginsberg’s Howl as will here be discussed, fought to revitalise individuality and revolutionise their censored society which seemed to produce everything for the masses at the expense of the individual’s creative and intellectual potential. Indeed, as John Clellon Holmes once noted: “TIME magazine called them the Silent Generation, but this may have been because TIME was not

The 1950s was a decade of extremes and abrupt change where the inhabitants of one of the most robust nations were led to their most vulnerable states, shuddering in fear of Communist tactics as a result of the immense Cold War tensions, lingering in the atmosphere from mainstream media and technological advances. Eliot Katz, author of Poetry and Politics of Allen Ginsberg, highlights Ginsberg’s political impact “[i]n an era filled with too much military conflict, regressive economic policies, and the backsliding of civil liberties, the legacy of Allen Ginsberg [will remain] as important as ever,” (12). Rebellious revolutionary, avid activist, and insightful poet, Allen Ginsberg, wrote and published radical works of poetry during his lifetime,

The turbulent societal changes of the mid-20th Century have been documented in countless forms of literature, film and art. On the Road by Jack Kerouac was written and published at the outset of the counter-culture movement of the 1950s and 1960s. This novel provides a first-hand account of the beginnings of the Beat movement and acts as a harbinger for the major societal changes that would occur in the United States throughout the next two decades. On the contrary, Fear and Loathing in Las Vegas, a Hunter S. Thompson novel written in 1971 provides a commentary on American society at the end of the counter-culture movement. Thompson reflects on the whirlwind of political and social activism he experienced and how American society had

In the poem Howl, Allen Ginsberg challenges the modernity of American culture, which enforces the “best minds” (1) to give up their freedom to conform to the desired sense of normality. Ginsberg states “I saw the best minds of my generation destroyed by madness, starving hysterical naked/ dragging themselves through the negro streets at dawn looking for an angry fix” (9). His expression of Moloch The angry fix is what all of these “best minds” look for after being stripped of their freedom to conform to the new American culture after World War II.

Century apart, Allen Ginsberg and Walt Whitman share similar cultural, political and moral values, which they express in their literary work. Whitman’s writing is considered controversial for the eighteen hundreds. He sets the stage for generations to come breaking way from the strict Victorian poetic tradition by writing in free verse. Ginsberg follows his footsteps when composing his poem “Howl” by writing in long lines almost resembling prose and subdividing the poem into several parts. Likewise, he uses numerous repetitions to achieve rhythmicity of his verse. Ginsberg’s poem is heavily influenced by Whitman’s philosophy. The works “Song of myself” and “Howl” are similar in ideas, structure and underling themes. The two authors protest against old traditions imposed on the individual by corrupt society, stand against conformity and put emphasis on the need for change. They identify with their generation and dwell on themes such as sexuality, religion and the state of American society.

In American history, the post World War II era of the 1950s is know as the Eisenhower years. This era is remembered two ways: as happy years filled with new music, television, and cars or as years plagued by the Red Scare, McCarthyism, and war. The Beat Generation arose as a counterculture to the suburban complacency broadcast to society. This generation was lead by Allen Ginsberg, Jack Kerouac, and William Burroughs as well as many others. These authors wrote literature that “inspired the worldwide literary, cultural, and political movement that became known as the Beat Generation” (Ginsberg 2). The Beats opposed the traditional values of American life, but lacked a voice.

This poem is sometimes referred to as a violent “howl” of human anguish. It attacks the forces of conformity and mechanization that Ginsberg believed destroyed the best minds of his generation. This poem has no real structure or rational connection of ideas, and the rules of grammar are abandoned in order to pack imagery into one line. The poem points the way toward a new and better existence, chronicling the pilgrimage of the “mad generation” toward a reality that is timeless and placeless, holy and eternal.

Poet Allen Ginsberg composed "Howl" in 1955 and it was published by City Lights Books of San Francisco, CA the following year. He composed the poem in the middle of the 1950s, one of the greatest decades in history for mainstream America. It had been a decade since the American and Allied victory in the second world war. Numerous American men returned home to a country in much better shape than expected, with many women having entered the workforce to keep the economy and industry alive in their absence. The spoils of war were great and America saw a great era of prosperity and domestic, suburban bliss. More interstate highways were constructed. Many more cars were produced and bought. It was a classic era for mainstream American culture in the 1950s. Yet in the haze of the suburbs, expansion of television, growth of Hollywood, and cars, present here were the seeds of rebellion and counterculture that was more indicative of the following decade, 1960s. One such seed is the poem

Walt Whitman is regarded as one of the most influential poets in American history while Allen Ginsberg was and still is considered a leading figure of the Beat Generation. Both of these poets have similar poetic tendencies even though they were almost a century apart from each other. Walt Whitman helped to inspire many literary descendants ranging from writers to poets alike. One of his most famous poems is in his book, “Leaves of Grass”, called “Song of Myself”. Allen Ginsberg can be considered one of Walt Whitman’s literary descendants due to the numerous similarities between “Song of Myself” and Ginsberg’s “Howl”, which is about the real experiences of Americans after World War II.

Allen Ginsberg was one of the founding fathers of what is considered the Beat Generation and the Beat Movement. Throughout his entire life he wrote multiple poems which voiced his certain opinions and thoughts about what America had been going through at the time. American poet, writer, and philosopher, Allen Ginsberg uses his life experiences and ideas on resistance, freedom, and the Beat Movement to express specific ideas within his poems.

What Allen Ginsberg did in 1955 was unthinkable. In the midst of McCarthyism and severe anticommunist sentiment, he wrote a poem in which he admitted having belonged to the Communist party. Yet, even more surprising was that he didn't stop there. In his poem "America," Allen Ginsberg challenges the beliefs and values that the United States has always cherished, leaving no stone unturned, and no feather unruffled. Always the cynic and revolutionary, Ginsberg slaughters the sacred cows.

Influences of the Beat Movement can be noted in the next phase of American History: Hippie counter-culture of the 1960s. The Beat Generation was an important political catalyst for those minorities that had no voice. The “beatniks” of the movement were seen as a threat by those Americans that lived in the typical suburbs of American who tried to raise their children in morally upright ways (Silesky, 81).