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An Analysis Of 'All Over But The Shoutin'

Decent Essays

In the essay, “All Over But the Shoutin’,” Rick Bragg, the author, depicts the painful strain inflicted upon family’s relationship caused by the reckless action of a father to forgo the future of his wife and kids in pursuit of his own selfish ambitions. The author’s use of rhetorical moves such as tone, stance, and imagery effectively portrayed to his audience that, regardless of how debauch a deed may be, there is always room in one’s heart for forgiveness—you just have to be receptive to its backlash. The author’s melancholic, yet, optimistic tone arouses mix feelings from his readers. Bragg clouts his readers’ perception of his father with harrowing, however, coveted recollections of the past. In the author’s comparative recount of the Father’s demeanor, he paints an unsettling, yet a hopeful life of his father: “I thought he would greet me with that strong voice that sounded so fine when he laughed and so evil when, slurred by a quart of corn likker, he whirled through the house and cried and shrieked, tormented by things we could not see or even imagine. I thought he would be the man and monster of my childhood” (Bragg 1). Bragg’s dejected tone when addressing his father’s latest demeanor is satirical as the Father’s past behavior is anything but celebratory. The author’s conscious decision to compare his memories of the Father to that of a “man” and a “monster” depicts the two emotions Bragg intended to invoke from his readers through the use of tone: contentment

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