Bram Stoker in Dracula imagines a “proper women” by demonizing Lucy ascribing to her traits of a wanton woman; a whore of a demon. A misogynistic attitude is popular in a patriarchal society, especially in the middle of the nineteenth century. On the other hand, Stoker unconsciously ties Mina’s behavior to emulate a woman of propriety. She is the very bane of what a progressive woman looks like but not when looking at her through a gynocritics lens. To prepare the reader for the ideology of the “new and proper woman,” Stoker gives Dr. Steward and Van Helsing separate spheres from that of Lucy’s and Mina’s Character. In chapter fifteen, they are now experts in the dealings and explanation of Lucy the human and Lucy the Un-Dead. As we read the chapters sixteen and seventeen, it is preconditioning us to follow the ways they are dealing with Lucy. It is justifiable to call her a voluptuous lipped “thing” without a soul. Their credibility as learned men allow for them to penetrate a woman for the sake of her soul so she can take her place amongst angels. A woman in the nineteenth century is synonymous to the term “Angel.” Doing anything that is non-Angelic, like the suffragettes places the women to be the binary opposition to Angel; Demon. The “proper woman” has qualities like “purity, sweetness, and dainty-looking” (Dracula 211) (220). The interpretation would is more “factual” since it is from the “proper man”. Finally, Stoker uses the binary opposition, to present a figure
Throughout the novel Dracula, the text prominently features the ‘uncanny.’ In literature and other texts, the uncanny refers to an unfamiliarity that is frightening familiar. It’s presence in Dracula is obvious as we and the novel characters see Dracula as uncanny. Both appropriations of Dracula, Nosferatu (1922) and Bram Stoker’s Dracula (1992), reflect their context and hence reflect the values, idea and themes prominent in their context. Nosferatu resembles its isolated German Expressionist Cinema context through its jewish propaganda portrayed by many techniques, most notably its heavy use of dramatic lighting. Bram Stoker’s Dracula’s contrasting themes include its romanticisation of Dracula which expresses the romantic notions prominent
Gothic literature is dominated by gothic horror, for instance dark and mysterious objects or events. It is a type of literature that combines fiction, horror, and romanticism. As Bram Stoker wrote his famous novel, Dracula he makes sure to include many different characteristics of gothic literature. Three important motifs that are stated in Dracula which also fit into the gothic literature category would be; blood, dreaming or nightmares, and superstition. This particular novel has many gothic motifs, but these are three that I believe really stand out.
Another character worth analyzing is Renfield. Curiously enough, Renfield’s Syndrome was a term coined by psychologist Herschel
Vampires have been around for centuries, they represent the fear of many things such as sexuality, race, gender, etc. and above all, they stand for the fear of diseases. Vampires have once been the symbol of horror due to their terrific depictions and were described as a threat to the humanity. Throughout time, the image of vampire has changed dramatically from a monstrous, inhumanely creature that doesn’t belong to human society to such an attractive and adaptive figure that expresses more of the human side than the evil. They developed human feelings, senses, and live within our society. Modern vampire movies are often more romantic and “sympathetic” comparing to the past. Vampires have abandoned their horror and evolved to a more
In the novel, Dracula, by Bram Stoker, we are introduced to two specific ladies that are essential to the essence of this gothic, horror novel. These two women are Mina Harker and Lucy Westenra. The purpose for these two women was for Stoke to clearly depict the two types of women: the innocent and the contaminated. In the beginning, the women were both examples of the stereotypical flawless women of this time period. However, as the novel seems to progress, major differences are bound to arise. Although both women, Lucy and Mina, share the same innocent characteristics, it’s more ascertain that with naïve and inability of self control, Lucy creates a boundary that shows the difference between these two ladies and ultimately causes her
Bram Stoker's Dracula is highly acclaimed and has received many different interpretations which deal with complex symbolisms and metaphors. These interpretations often require a great deal of knowledge in psychology, political science, anthropology, and other non-literary disciplines. These interpretations may be valid, as they are related to the disciplines on which their arguments are based, but the true power of the novel is due to a very simple theme that lies beneath the other, more convoluted interpretations. This theme is the universal concept of identity: us versus them. This criticism sets aside outside disciplines and focuses on the literary motif of identity. John
Dracula – When you see Dracula in the film he is clad in red armour
Bram Stoker’s Dracula is a story of horror, suspense, and repulsion. The main antagonist, Count Dracula, is depicted as an evil, repulsive creature that ends and perverts life to keep himself alive and youthful. To most onlookers that may be the case, but most people fail to see one crucial element to this character. Dracula is a character that, though it may be long gone, was once human, and thus has many human emotions and motives still within him. Let us delve into these emotions of a historically based monster.
When a person is sick, who is the first person in one’s mind? Most people would say their mother. This is due to the Patriarchy and ingrained gender roles in most everyone’s mind. Most everyone feels comforted by their mother the most. Though there are a few exceptions, a mother is someone who has carried, given birth to, and nurtured their offspring, especially in early years (often with breast milk). In Brahms Stoker’s Dracula, Stoker creates irony and draws attention to the deviation of Mina from the angel in the house Victorian woman by having Mina drink blood from Jonathan’s chest while Dracula watches over her. This action is an enforcer of the danger with Dracula, as well as an indicator of how far Mina has strayed from being good.
A noticeable difference in the way movies have changed over the years is evident when comparing and contrasting two films of different eras which belong to the same genre and contain the same subject matter. Two vampire movies, Dracula and Bram Stoker's Dracula, present an interesting example of this type of study.
Bram Stoker’s use of characterization and imagery to convey one of his many themes in the book Dracula. In Bram Stoker’s Dracula, the author uses characterization and imagery to convey the theme, Follow your instincts.
In the late 19th century, when Dracula by Bram Stoker is written, women were only perceived as conservative housewives, only tending to their family’s needs and being solely dependent of their husbands to provide for them. This novel portrays that completely in accordance to Mina Harker, but Lucy Westenra is the complete opposite. Lucy parades around in just her demeanor as a promiscuous and sexual person. While Mina only cares about learning new things in order to assist her soon-to-be husband Jonathan Harker. Lucy and Mina both become victims of vampirism in the novel. Mina is fortunate but Lucy is not. Overall, the assumption of women as the weaker specimen is greatly immense in the late 19th century. There are also many underlying
The novel Dracula had, and still has an immense effect on horror through its use of literary elements which are observable in horror movies. Bram Stoker's Dracula was revolutionary in its use of literary devices such as dramatic irony, to convey suspense, and the use of sexuality in literature. These devices were adapted to film in early horror movies and continue to appear till today. Dracula was very influential to the film industry when it comes to horror movies because horror movies draw a lot of devices used in Dracula and use them in their movies, this can be seen in movies such as Halloween, Friday the 13th, and the movie adaptation of Dracula.
Evil never conquers because good always overcomes it. A good example of this is the book Dracula by Bram Stoker because the author expresses the nature of good vs. evil. Dracula wants to come to London because he wants to turn everyone into vampires. The basic background of the book Dracula is when Jonathan Harker, a realtor who is sent to Transylvania to complete a transaction with Dracula so he can come to England. What Harker does not know is that Dracula has a plan for world domination. Well, while Harker is on a train to Transylvania he enters “the east, a section of Europe whose peoples and customs will be for the most part, strange and unfamiliar” (Dracula, 20). Harker arrives at Bistritz on the eve of St. George’s Day,
Why are people so obsessed with vampires today that they go crazy over any book, movie, or tv-show that has a vampire? In 1897, the year Dracula was published Britain was at the height of the empire expanding. Britain had conquered huge expanses of land from Africa, Asia, and North America and used the land for military and economic power. The rise of the United States and European powers threatened to unseat Britain and the world's most powerful nation, at the time this was occurring a rise in immigration brought unfamiliar races and cultures. Dracula, as an immigrant from the easternmost edge of Europe represented many of the popular prejudices against outsiders. A year after Dracula published, British author H.G. Wells exploited similar anxieties in his alien-invasion novel The War of the World's. When comparing vampires adaptation to modern society vs. victorian society one can see the difference between sex, culture, and tradition through Bram Stoker's, Dracula.