Analysis Of Aboard The Pequod By Herman Melville

Published in 1851, the story of Moby-Dick is not just the tale of one mans search for control over nature, but also the story of friendship, alienation, fate and religion that become intertwined amidst the tragedy that occurs upon the doomed Pequod. The crew itself are an amalgamation of cultures, from the cannibal Queequeg, to Starbuck, "a native of Nantucket." The Pequod can thus be seen as a microcosm for immigrants and whaling within America. In Moby-Dick Herman Melville examines both the exploitation of whaling and the reality of being born outside of America.

Due to his experiences a sailor, Melville commonly wrote his stories based on life at sea. His common theme of the sea attracted many literate people of the Renaissance. However, Melville´s common theme of life at sea is not the only factor which contributed to his style of writing. Herman Melville used many different rhetorical strategies to emphasize significance in many of his pieces. The use of similes, metaphors, and imagery supply Melville´s stories with various ways to describe certain characters or things. Alliteration, repetition, and onomatopoeia all come together to create specific effects on words and phrases in Melville´s works. The way Melville used parallel structure, malapropisms, and long, drawn out sentences reveals the variety of ways he has structured certain stories throughout his career. The rhetorical strategies used by Herman Melville are what made him the great Renaissance writer he was.

    One might say we are presented with two fish stories in looking at Ernest Hemingway's The Old Man and the Sea and Herman Melville's Moby-Dick, a marlin in the former and a whale in the latter.  However, both of these animals are symbolic of the struggle their hunters face to find dignity and meaning in the face of a nihilistic universe in Hemingway and a fatalistic one in Melville.  While both men will be unable to conquer the forces of the universe against them, neither will either man be conquered by them because of their refusal to yield to these insurmountable forces.  However, Santiago gains a measure of peace and understanding about existence from his struggles, while Ahab leaves the

Throughout his novel, Moby Dick, Herman Melville will often devote entire chapters to the thoughts and actions of specific characters. Two specific examples of this type of chapter are Chapter 36, The Quarter-Deck, and Chapter 42, The Whiteness of the Whale. The first of these chapters depicts Ahab addressing his crew for the first time in order to convince them to hunt down Moby Dick. The second offers insight to the fear that is brought upon by the mere mention of Moby Dick The significance and effectiveness of each of these chapters are enhanced by Melville’s use of rhetoric and style respectively.

one did not know that he was the captain, he could easily be taken for some

I was studying how Herman Melville shows what was going on in his personal life by what was happening in his writing. This topic is important to investigate because, we can better understand what is happening in his literature if we can equate it with personal connections to his life. This way readers can connect better with the author as well as the piece of writing. Before I did this study I knew nothing about Herman Melville’s personal life. I have never read any work of his before, nor did I ever did any research on him. This study will help me connect with Melville, in which that will help me understand his writing. More specifically Billy Budd, Sailor. That being said, Herman Melville uses Billy Budd, Sailor as an allegory for what he was facing in his own life.

A vengeful man, a native, and a man seeking enlightenment board a whaling vessel; this isn’t a joke, this is the United States of America throughout history and the members of the Pequod. Moby Dick is not just a tale about a whaling venture gone awry, it is a metaphor for what America was and is. The Pequod represents the country and government, while the 30 crew members (Melville 430; ch. 126) represents the United State citizens. This would have not been possible to consider in Melville’s time, but it is a true testament to literature being a living text. Melville wasn’t only writing about America in the 1800’s, he was writing about the natures of humanity, and the future of our society.

Quote: In chapter 128, the Pequod is hailed by another whaling ship, the Rachel. This ship had met Moby Dick, and lost two of its crew from the ensuing attack. One of witch was the captain’s son, this captain was devastated and determined to find him. However when Ahab refuses to assist the captain, Melville describes how the Rachel sailed away; “But by her still halting course and winding, woeful way, you plainly saw that this ship that so wept with spray, still remained without comfort. She was Rachel, weeping for her children, because they were

Moby-Dick is considered to be one of, if not the, best novels in American history. Harper & Brothers first published it in 1851 in New York. In England, it was published in the same year under the title, The Whale (“Moby Dick”). Melville explores topics and themes that were scarcely spoken of and never even seen in a novel. In the novel, the Pequod, which is the ship, is named after a Native American tribe that was exterminated when the white settlers arrived. It is a symbol of death and doom and foreshadows event that occur later in the novel. Melville brings some very controversial themes to light in the novel. Revenge is one of the main themes of Dark Romanticism and Melville uses it to drive every action taken by Ahab. This is seen early on in the novel as Ahab explains to the crew why he has a peg leg and that he wants to enact his revenge on Moby Dick (Melville 160-161). “Moby Dick is, fundamentally, a revenge tragedy. It’s about one man’s maniacal obsession with vengeance. It’s about finding an object on which to pin all you anger and fear and rage, not only about your own suffering, but also about the suffering of all mankind” (“Moby

His most famous book, Moby Dick, features the observant narrator, Ishmael, aboard the Pequot, a ship captained by the menacing one-legged Captain Ahab. Having lost his limb in a previous voyage to an enormous sperm whale named Moby Dick, Ahab scans the seven seas in manic search of revenge against the giant. Queequeg, Ishmael’s menacing best friend, and the rest of the crew are subjected to extreme jeopardy and later death due to Ahab’s monomaniacal disregard for bad omens and danger. The whale slices the boat clean in half and none survive to tells of its greatness except Ishmael.

The novella “Billy Budd” by Herman Melville is a 1924 ‘sea story’ that has underlying allusions to Christ and the bible as pointed out by many critics. Many have found that Billy’s life resembles the plight of Christ, as well as Adam, while Captain Vere is meant to stand as God, and Claggart is left as the role of Satan. These underlying character molds ultimately contribute to the novella as a whole and explore the dilemmas of their Bible counterparts.

Melville’s Shakespearean influence filters through in select chapters throughout the novel, and this helps dramatize Ahab’s performativity and heighten the theatrical elements of his interactions with sailors on the Pequod. The first instance of this is at the beginning of Chapter 36, in which Ahab rounds up every member of his crew and addresses him in a rousing emotional exchange about the voyage. The chapter begins with the use of stage directions “(Enter Ahab, Then all)” (Melville, 136), which immediately establishes the hierarchal structure of the scene, in that Ahab as captain has the right to give orders to his crew. The syntactical structure in placing ‘Ahab’ before ‘all’ suggests that Ahab is in a dominant position over his crew, and the inserted comma creates a dramatic pause and consequently widens the authority of Ahab over the rest. On a holistic level, the emergence of stage directions here differentiates the dramatic elements of this chapter from previous chapters. After the stage direction, Ishmael’s narrative continues with “It was not a great while after the affair of the pipe…” which evokes the sense of continuity, however, the break in tone caused by the stage direction strengthens the reader’s awareness that the drama has shifted. In Charles Olson’s Call Me Ishmael, he explores Melville’s fascination with Shakespeare’s

Though, in overseeing the pursuit of this whale, Captain Ahab had evinced his customary activity, to call it so; yet now that the creature was dead, some vague dissatisfaction, or impatience, or despair, seemed working in him; as if the sight of that dead body reminded him that Moby Dick was yet to be slain; and though a thousand other whales were brought to his ship, all that would not one jot advance his grand, monomaniac object. Very soon you would have thought from the sound on the Pequod 's decks, that all hands were preparing to cast anchor in the deep; for heavy chains are being dragged along the deck, and thrust rattling out of the port-holes. But by those clanking links, the vast corpse itself, not the ship, is to be moored. Tied by the head to the stern, and by the tall to the bows, the whale now lies with its black hull close to the vessel 's, and seen through the darkness of the night, which obscured the spars and rigging aloft, the two- ship and whale, seemed yoked together like colossal bullocks, whereof one reclines while the other remains standing.*

While Ahab was still the obedient captain he once was, he was one of the most successful and higher rewarding captains. Unexpectedly, in the midst of a whaling, Ahab and his crew encountered the whale he now refers to as “Moby Dick” or “the white whale.” The crew initiated in capturing the whale, but this whale was different. Rather than capturing the whale, the whale captured Ahab and though Ahab escaped, he did not escape entirely. Moby Dick had dismembered and consumed half of one of Ahab’s legs. Ever since this incident, Ahab’s one and only desire or, as stated in the text, “...his one unsleeping, ever-pacing thought” has been to kill Moby Dick; which soon turns him obsessive (Melville). Ahab would not let anyone or anything stop him from achieving his goal, “...’I’ll chase him ‘round Good Hope, and ‘round the Horn, and ‘round the Norway Maelstrom, and ‘round

Herman Melville, in his renowned novel Moby-Dick, presents the tale of the determined and insanely stubborn Captain Ahab as he leads his crew, the men of the Pequod, in revenge against the white whale. A crew mixed in age and origin, and a young, logical narrator named Ishmael sail with Ahab. Cut off from the rest of society, Ahab attempts to make justice for his personal loss of a leg to Moby Dick on a previous voyage, and fights against the injustice he perceived in the overwhelming forces that surround him. Melville uses a series of gams, social interactions or simple exchanges of information between whaling ships at sea, in order to more clearly present man’s situation as he faces an existence whose meaning he cannot fully grasp.