Complicated Justice in Moby Dick and Billy Budd by Herman Melville

Moby Dick is all about a sperm whale, named Moby Dick, who has wounded and killed many people.

Published in 1851, the story of Moby-Dick is not just the tale of one mans search for control over nature, but also the story of friendship, alienation, fate and religion that become intertwined amidst the tragedy that occurs upon the doomed Pequod. The crew itself are an amalgamation of cultures, from the cannibal Queequeg, to Starbuck, "a native of Nantucket." The Pequod can thus be seen as a microcosm for immigrants and whaling within America. In Moby-Dick Herman Melville examines both the exploitation of whaling and the reality of being born outside of America.

In the passage Moby Dick by Herman Melville, uses multiple strategies to create an effect on the reader. Melville uses diction, imagery, details, language, sentence structure, and tone and to make his effect on the reader much more engaging and interesting.

Although Washington could not describe himself as a revolutionist, his present state of external conflict forged him into the figure engraved in our minds today. Herman Melville (1819-1891), author of the literary classic Moby Dick, possessed much experience that contributed to the setting and message of his writing. Although Melville never became a midshipman, or naval sailor, he can attribute a great deal of influence for writing to his life while at sea. Melville's Billy Budd, Sailor tells the story of a young mariner and his induction on the H.M.S. Bellipotent. From unstable relationships to cabin revolt, Billy, the main character, faces a series of conflicts that ultimately creates varying images of him in the differing minds of those around him. In view of all of this, Melville, in Billy Budd, Sailor, communicates to readers the theme that “conflict, internal or external, exists as the framework of destiny,” through Billy's initial reaction to the crew as a result of enlistment on the Bellipotent, the rumor of mutiny, and his

In her 1945 article, Woman in the Nineteenth Century, Margaret Fuller illustrates a world in which “there exists in the minds of men a tone of feeling toward women as toward slaves”, and where men hold “the belief that Woman was made for Man”. Two books, Herman Melville’s Moby Dick and Woman in the Nineteenth Century, provide male and female perspective in the 19th century. These separate texts exemplify two sides of the same coin. On the one hand, Woman in the Nineteenth Century provides perspective of the feminine experience in a male dominated world while Moby Dick portrays a society from a male point of view and experiences woman as subservient to himself.

In the book Moby Dick, there were numerous themes, symbols, motifs but the main one that was the basis of the book was revenge. The book is about Ishmael, the narrator, who goes whaling in a ship called the Pequod, with people that have a significance in the story especially the captain, Ahab. Ahab has an obsession with catching a white whale named Moby Dick that took his leg and this obsession of getting revenge takes a turn for the worst and the everyone on the Pequod, except Ishmael, died. One question we might what to ask ourselves is, what is Captain Ahab taking revenge for? Is it for his leg, For his anger, For his suffering or is it for something totally different? Maybe it's for all of them. Whatever it may be, sometimes the torment is so incredible, and the requirement for retribution becomes so strong, that it festers inside and starts to devour us. Captain Ahab exemplifies the idea of a determined desire for vengeance and shows how it can decimate a man.

Since its publication, “Benito Cereno” critics and casual readers alike have struggled to find clarity in Herman Melville’s chronicle of the slave ship “San Dominick” in his short story “Benito Cereno.” In an attempt to disaggregate Melville’s story, scholars have focused on various elements of the elusive tale. Articles have been written on a range of topics that run the gamut from the symbolic nature of the ships to Melville’s purpose and intent in writing the story. To wit, Valenti asserts that

A vengeful man, a native, and a man seeking enlightenment board a whaling vessel; this isn’t a joke, this is the United States of America throughout history and the members of the Pequod. Moby Dick is not just a tale about a whaling venture gone awry, it is a metaphor for what America was and is. The Pequod represents the country and government, while the 30 crew members (Melville 430; ch. 126) represents the United State citizens. This would have not been possible to consider in Melville’s time, but it is a true testament to literature being a living text. Melville wasn’t only writing about America in the 1800’s, he was writing about the natures of humanity, and the future of our society.

Herman Melville’s novels, with good reason, can be called masculine. Moby-Dick may, also with good reason, be called a man’s book and that Melville’s seafaring episode suggests a patriarchal, anti-feminine approach that adheres to the nineteenth century separation of genders. Value for masculinity in the nineteenth century America may have come from certain expected roles males were expected to fit in; I argue that its value comes from examining it not alone, but in relation to and in concomitance with femininity. As Richard H. Brodhead put it, Moby-Dick is “so outrageously masculine that we scarcely allow ourselves to do justice to the full scope of masculinism” (Brodhead 9). I concur with Brodhead in that remark, and that Melville’s

Moby-Dick is considered to be one of, if not the, best novels in American history. Harper & Brothers first published it in 1851 in New York. In England, it was published in the same year under the title, The Whale (“Moby Dick”). Melville explores topics and themes that were scarcely spoken of and never even seen in a novel. In the novel, the Pequod, which is the ship, is named after a Native American tribe that was exterminated when the white settlers arrived. It is a symbol of death and doom and foreshadows event that occur later in the novel. Melville brings some very controversial themes to light in the novel. Revenge is one of the main themes of Dark Romanticism and Melville uses it to drive every action taken by Ahab. This is seen early on in the novel as Ahab explains to the crew why he has a peg leg and that he wants to enact his revenge on Moby Dick (Melville 160-161). “Moby Dick is, fundamentally, a revenge tragedy. It’s about one man’s maniacal obsession with vengeance. It’s about finding an object on which to pin all you anger and fear and rage, not only about your own suffering, but also about the suffering of all mankind” (“Moby

Herman Meville’s novel Moby Dick delineates the audacious journey of Captain Ahab and his crew aboard the Pequod as they hunt for the infamous White Whale. With Ahab at the helm, the quest is one of revenge, as Ahab’s leg was taken by Moby Dick some years prior to this fateful voyage. However, throughout the journey, the crew of the Pequod questions the rationality of pursuing the most viciously lethal creature to ever inhabit the sea. Since Ahab knows fully well of his inability to slay Moby Dick without the help of a crew, he utilizes his immense rhetorical skill in order to convince them to continue on the path to their watery graves. His usage of hyperbole, diction, logical fallacies and personification allows the mad captain to reassure his crew that their journey will be a profitable one.

Can a whaling adventure provide insight into the shadows of fate and human nature? The white whale in Herman Melville’s, Moby Dick, is a dominant mark of human nature. The symbolism Moby Dick procures provides insight to the enigmatic decisions of Captain Ahab and his crew. Ahab’s pigeon-holes himself into believing his purpose for existence is a suicide mission to kill the whale; he is insistent that the whale represents everything wrong in the world. Melville’s reasoning for Ahab’s obsession with the whale is an analogy for seeking the meaning of existence. The motivations behind human behavior aren’t directly stated, however, Melville crafts the white whale as an allegory for vengeance, uncontrollable fate and perception of the natural world open to literal and figurative interpretation.

The novella “Billy Budd” by Herman Melville is a 1924 ‘sea story’ that has underlying allusions to Christ and the bible as pointed out by many critics. Many have found that Billy’s life resembles the plight of Christ, as well as Adam, while Captain Vere is meant to stand as God, and Claggart is left as the role of Satan. These underlying character molds ultimately contribute to the novella as a whole and explore the dilemmas of their Bible counterparts.

While Ahab was still the obedient captain he once was, he was one of the most successful and higher rewarding captains. Unexpectedly, in the midst of a whaling, Ahab and his crew encountered the whale he now refers to as “Moby Dick” or “the white whale.” The crew initiated in capturing the whale, but this whale was different. Rather than capturing the whale, the whale captured Ahab and though Ahab escaped, he did not escape entirely. Moby Dick had dismembered and consumed half of one of Ahab’s legs. Ever since this incident, Ahab’s one and only desire or, as stated in the text, “...his one unsleeping, ever-pacing thought” has been to kill Moby Dick; which soon turns him obsessive (Melville). Ahab would not let anyone or anything stop him from achieving his goal, “...’I’ll chase him ‘round Good Hope, and ‘round the Horn, and ‘round the Norway Maelstrom, and ‘round

Herman Melville, in his renowned novel Moby-Dick, presents the tale of the determined and insanely stubborn Captain Ahab as he leads his crew, the men of the Pequod, in revenge against the white whale. A crew mixed in age and origin, and a young, logical narrator named Ishmael sail with Ahab. Cut off from the rest of society, Ahab attempts to make justice for his personal loss of a leg to Moby Dick on a previous voyage, and fights against the injustice he perceived in the overwhelming forces that surround him. Melville uses a series of gams, social interactions or simple exchanges of information between whaling ships at sea, in order to more clearly present man’s situation as he faces an existence whose meaning he cannot fully grasp.