Sunil Shenoy
Mr. Carmona; MYP 5 Honors English, Period 2
11 October 2015
Word Count: 937
Don’t Judge a Book by its Cover Today, in modern society we are commonly told to not judge others for their appearance but only for their personal features and characteristics. While equality is far from being accomplished, inner qualities are appreciated much more and the idea that only the appearance of a person matters has been diminished. However, through the major characters’ personalities and dialogue in both As You Like It by William Shakespeare and A Doll’s House by Henrik Ibsen, a central idea of false appearance symbolically and realistically unifies both plays.
At the beginning of both plays, there is an obvious contrast in personality between Nora and Orlando. After learning that Orlando has beaten the famous wrestler Charles, the audience anticipates that he is a modest yet courageous character. While this achievement depicts him as gallant, his continuous love poems to Rosalind suggest a softer, more sensitive personality. “I am he that is so love-shaked. I pray you tell me your remedy,” he begs (3.2.329-330). This is continually demonstrated throughout the play, which therefore eliminates the previous notion of him. “I would not have my right Rosalind of this mind, for I protest her frown might kill me” (4.1.94-95). Orlando is clearly a more romantic and loving man than understood after the wrestling match, illustrating his true personality. In contrast, Nora is
Usually most of us have an appearance that lies behind another appearance but as we go through life we either get tired from hiding it or learn that we should always show our true self no matter the situation we’re in. when we don’t show our true self, its either because we are afraid of what people will think of us or change our true it to please others. Shakespeare demonstrate the character’s appearance as two different books combined in one. Shakespeare keep playing constantly with the characters appearance and misleading the audience. Shakespeare distinguish 3 different types of appearance in the play.
It has been said that beauty is in the eye of the beholder, but the protagonist in the play by Edmond Rostand, Cyrano de Bergerac, can’t find the beauty in his distinctive and prominent nose; because overtakes not just his face but his life. Cyrano is so obsessed with his unsightly nose he overcompensates by bragging, showing off, and joking about it. Due to his self-consciousness, he attempts to distract others from his internal suffering caused by his looks, making Cyrano the beautifully tragic hero in this story of love and deception.
While many will agree that Shakespeare’s Twelfth Night is critically acclaimed to be one of the most entertaining and well-liked pieces that he has written, there tends to be a discrepancy over how the characters in the play are portrayed when it comes to the importance of gender roles. After reading James C Bulman’s article over the Globe’s more recent performance of Twelfth Night and Shakespeare’s original written version, I realized that there are many ways that this famous piece has been portrayed and each has its own pros and cons.
In studying William Shakespeare’s Twelfth Night, or What You Will, it becomes clear that the theme of “Inside/Outside” is visible at many different levels. One of the comedic methods applied is the mistaken identity of Viola and Sebastian. Another case is Malvolio’s sudden change of character and clothes. Furthermore, Feste, who acts as a professional fool in the play, turns out to be a bright and wise character, against the expectations of the readers. Without these important elements where the characters show to be entirely different on the outside than on the inside, the play would be less intriguing, and moreover, they are essential to develop major scenes.
What would happen if everyone stopped reading, going outside for a walk, or even stopped communicating? In the futuristic world created by Ray Bradbury in Fahrenheit 451, these very questions are explored. Bradbury tells the story of a firefighter, Guy Montag, who is part of a society in which technology is the principal part of one’s day; their families live on the screens of their walls, electronic seashells send waves of soothing sounds into their ears, and most books are considered dangerous and illegal. Although ironic, Montag’s job as a firefighter is not to put out fires; instead, it is to start them. Because books have a negative connotation in this fictitious world, the firefighters in Fahrenheit 451 must burn down any place that houses any one of these unauthorized books. With a spray from their vicious snakes (hoses filled with flammable kerosene) the firefighters turn pages to ash. After a of couple striking confrontations with the new neighbor, Clarisse McClellan, Montag’s eyes open to the world of the past. In this world, books were not burned, they were cherished. As Montag begins to take what Clarisse says seriously, Montag has a revelation. He starts to develop a bitterness towards the people and society that surround him. After being caught with a stolen book, Montag is forced to turn to an old confidant, Faber, who is willing and ready to assist a friend in their attempt to adjust society’s outlook on literature. Montag
Gender identity and its roles in 17th and 19th century England were regarded as rigid fact — definite and unyielding. The adherence to these social protocols was of utmost importance. Masculinity was viewed as being dominant, assertive, and bold, whereas femininity involved beauty, obedience, and chastity. The theatre became a method of challenging this rigid social concept. Both William Shakespeare’s As You Like It and Oscar Wilde’s The Importance of Being Earnest explore these public values through their characters. Wilde and Shakespeare’s use of gender reversals satirize the traditions of social order, marriage, and gender responsibilities at the time, thereby revealing that gender is not absolute.
The Theme of Appearance vs. Reality in William Shakespeare's Works Characters within one of William Shakespeare's greatest tragic plays,
Macbeth is one of Shakespeare’s most mystifying plays and is a study of human nature. The theme of appearance versus reality is apparent in Macbeth. It’s filled with numerous, notable, and significant scenes, including when King Duncan visits the Macbeth’s home, Lady Macbeth’s sleepwalking scene, and Macbeth’s dagger soliloquy. They provide raw, psychological insight into the character of Macbeth and Lady Macbeth, showcasing the differing characteristics between the two characters. A quote that has developed synonym with Macbeth is, “Fair is foul and foul is fair” (1.1.11) which introduces deceptiveness, debut, and one of the most important themes of this tragedy, appearance versus reality. Shakespeare uses numerous characters and situations to emphasize the confusion between appearance and reality, the real and the surreal, the legitimate and the imposturous. Emphasized in these scenes and throughout the play, Shakespeare successfully portrays the misalignment between appearance and reality.
J. W. Eagan, people think he's or her is a writer But their not sure.the quote says “Never judge a book by its movie” I think this quote means don't judge a person by their looks. I remember I saw this video in Facebook about this woman was judging where to sit in the train. She decided not to sit next to this black teenager because she was afraid that he might steal her purse. She decided to sit next to a older white men. When the door of the train was closing the white men snap away the woman's purse ran to the doors and made it out. Which it made me realize if the women didn't judge the teenager nothing bad would've happen to her
Throughout history there has been a general understanding that appearances can be deceiving. A person may go through life without anyone understanding the true reality of their character. William Shakespeare, one of the greatest writers of all time, understood the relationship between appearance and reality and often gave characters two sides to their personality.
In “A Doll House” by Henrik Ibsen was created during 1800s time period. This play helps shine a light on the gender roles of the 1800s while also creating a twist that was uncommon for this period. During this time period, women were left home to oversee the domestic duties, while men went to commuted to work (Hughes). Men were seen as physically superior but morally inferior to women; which is also portrayed within this book (Hughes). This play marks the beginning of Henrik Ibsen’s realist period, which he explored the ordinary lives of small-town people (Kirszner and Mandell 881). This “modern tragedy” helped make Ibsen famous internationally because of the real-life story it captured (Kirszner and Mandell 882). Henrik Ibsen uses an array of literary devices to help keep the reader captivated from beginning to end. Three of the most prominent literary devices used by Henrik Ibsen are symbolism, foreshadowing, and an array of themes. These literary devices help transform a basic play into a complex story of lies and deception.
The representation of deception and social oppression through the use of symbols in Henrik Ibsen’s A Doll’s House
This essay focuses on Ibsen’s way of representing women, it explains why does he represent them in that specific particular way and how the time, era and context he lived in affected this aim.
Shakespeare uses the idea of disguise in many of his plays. It is used as an escape from the characters’ personalities and sometimes for comic effect. In As You Like it, the disguise becomes very comical as in the time it was written only men could act on stage. This could lead to much confusion and comedy in the roles of those in disguise. Disguise can give the freedom to a character to act how they like and a chance for them to show their views. It was in the 16th Century that there became an increased sense of self consciousness and identity. This led to people creating an image for themselves. If one can create a self, they can create many different versions of themselves each showing a different aspect of that person. This links in
Prior to Shakespeare’s ascendancy on the English stage, Bloom argues, there was no concept of the individual self, just types. These types persist in Shakespeare’s plays as residual stock characters displaying