Analysis Of F. Scott Fitzgerald 's ' The Great Gatsby '

One in twenty-five people suffer from borderline personality disorder, a condition where a pervasive pattern of instability in interpersonal relations and self-image form at the beginning of early adulthood and continue on. Jay Gatsby pathologically has an excessive and erotic interest in himself and his physical attributes and appearance, which makes him classify as a narcissist. Narcissism and borderline personality disorder can combine together to make a unique set of symptoms, such as a need for admiration, a pervasive pattern of grandiosity, a grandiose sense of self-importance, being interpersonally exploitative, preoccupation with excessive fantasies of success and ideal love, and frantic efforts to avoid real or imagined abandonment. In cases that exhibit a grandiose sense of self-importance, a person may exaggerate personal achievements and expect to be superior and be recognized for said achievements. Gatsby has a myriad of these symptoms and behaviors; and, like in most cases, his condition led to a death because of his unfathomable obsession with Daisy, trying to earn her love and compassion, and attempts at altering the past. In the novel The Great Gatsby by F. Scott Fitzgerald, Gatsby exemplifies symptoms and mental attributes associated with narcissistic borderline personality disorder.

Gatsby’s mansion seems more dull in the film than in the novel. In the book, his mansion is described as lavish and tasteful (though Gatsby himself is not tasteful, his mansion and its furnishings are). But in the film, his mansion is but a venue for parties – it is grandiose but lacks taste. This aids in accentuating the fact that Gatsby’s wealth does not satisfy him – his mansion seems grand and elegant from the outside but is tasteless from within; he is rich in material wealth but is empty and dissatisfied inside.

Nick explains how enormous Gatsby's mansion is in the quote “The one on my right was a colossal affair by any standard—it was a factual imitation of some Hôtel de Ville in Normandy, with a tower on one side, spanking new under a thin beard of raw ivy, and a marble swimming pool, and more than forty acres of lawn and garden” (9). Gatsby was famous in the city for two things, his sudden uprising of wealth and to a higher extent was his vast stravigent parties as seen through

Holden contemplates moving out west by himself to fulfill his desire of independence, leaving Phoebe, the only person who truly cares for him, behind in the process. When Holden returns home from Pencey, he explains to Phoebe that he got expelled from school. Phoebe expresses her great concern for Holden’s safety from their father, but Holden reassures her he has a plan. He tells her “In the first place, [he’s] going away. What [he] may do, [he] may get a job on a ranch or something for a while. [he knows] this guy whose grandfather’s got a ranch in colorado. [He] may get a job out there… [He’ll] keep in touch with [Phoebe] and all when [he’s] gone, if [he goes]” (Salinger 165). “I’m going away” makes Holden sound like he has committed to departing. “I may get a job out there” highlights how Holden has thought this through and how he wants to continue with this idea. However, “may” connotes a sense of uncertainty which portrays his corrupt morals because he does not have a definite plan for when he reaches the west, but he will abandon his sister anyways. Holden reassures Phoebe he will still be there for her by saying “I’ll keep in touch”, even though he decided to leave her. Holden’s explanation to Phoebe about moving fulfills his wants and will make him independent, however he will be leaving Phoebe behind, who is the only person who truly cares about him since his parents are never around and uninvolved. Later on in the novel, Holden finally decides to leave for the

In the novel, Jay Gatsby, an exceedingly wealthy man, throws extravagant, and lavish parties, but behind his wealth, and all the parties he remains unsatisfied. Daisy questions, “I love it, but I don’t see how you live there all alone.” (Fitzgerald 90). In this scene Daisy is astonished by the enormous size of Gatsby's mansion. His mansion is so large yet he has no one to fill it. He has so many rooms and accommodations for everyone but his empty house is a representation of his empty heart; for without Daisy it

Houses in The Great Gatsby are another on of the very important symbols, depicting conspicuous consumption, and the hopeless wish of the American dream. "the one on my right was a colossal affair by any standard—it was a factual imitation of some Hotel de Ville in Normandy, with a tower on one side, ing new under a thin beard of raw ivy, and a marble swimming pool, and more than forty acres of lawn and garden. it was Gatsby's mansion (9)." Gatsby's house, and his elaborate parties, signify a certain emptiness in Gatsby. His only reason for setting up these gigantic parties in his large house is to, though futile, attract the attention of Daisy. His enormous house goes to show that he has this money to spend, but spends it on something that will not help him to be happy, or to catch the attention of Daisy; This is probably the most conspicuous consumption of all. Tom Buchanan also has a large house, but for entirely different reasons. "Their house was even more elaborate than I expected, a cheerful red-and-white Georgian Colonial mansion, overlooking the bay. The lawn started at the beach and ran toward the front door for a quarter of a mile,

F. Scott Fitzgerald was born on September 24, 1896. He was born in Saint Paul, Minnesota, and his parents were both born in Maryland and Irish. You could say he grew up very lower middle class. Fitzgerald’s views of relationships began at an early age. It was interesting because many of his best books came from the idea that women & men relationships is just a game with one person ending up being a winner. He claimed to forever have a jazz-age attitude that would stick with him for life, and it worked. F. Scott Fitzgerald died December 21, 1940 at the young age of 44.

Nick states that Gatsby had “bedrooms swathed in rose and lavender silk and vivid with new flowers, through dressing-rooms and pool rooms, and bathrooms” (Fitzgerald 92), had a pure gold bathroom set, and that Gatsby even had clothes specially made for him by a man in England. When Daisy visits Gatsby’s mansion, she became fascinated with the beauty of everything, which the reason Gatsby bought all of it was that he knew she would be amazed at his mansion. He would also buy all sorts of items for his parties in hopes that Daisy would come to one of the parties or he might even be brought up in a conversation with one of her friends, such as; “glistening hors d'oeuvre, spiced baked hams crowded against salads of harlequin designs and pastry pigs and turkeys bewitched to a dark gold” (Fitzgerald 39-40), enough canvas and lights to cover his massive garden, and a special band to visit his mansion during the parties to entertain the people with jazz music. “If it wasn’t for the mist we could see your home across the bay,” said Gatsby. “You always have a green light that burns all night at the end of your dock”” (Fitzgerald 94) proves that Gatsby bought his humongous mansion just to be closer to Daisy. Another way to know that he bought his mansion just so he could be closer to Daisy is when

His mansion is described as follows at page 11: “It is a colossal affair by any standard; it was a factual imitation of some Hotel de Ville in Normandy, with a tower on one side, spanking new under a thin beard of raw ivy, and also a marble swimming pool. Jay Gatsby’s house covered more than forty acres of lawn and land.” This mansion, made on his request, fuels Gatsby’s image as a wealthy and mysterious man, given that almost everyone had been to his house due to his parties thrown on a regular basis, but nobody had ever seen him. But the house is only an image of himself he wants to divulge, but doesn’t reflect him in any way. Like his house, Gatsby has to be deeply investigated to really understand who he really is and what drives his actions. Gatsby is desperately in love with Daisy Buchanan, and chose the position of the house solely to be close to her. In fact his house overlooks hers from the other side of the bay. His entire house is designed in order for her to love it and live in it with him. Also the parties are thrown in hope that she might one day show up at one of

The scenery choices for the film matched up well to what was expected from the book, but some choices contrasted greatly. The Valley of Ashes was well portrayed in the film. The Valley is “…a fantastic farm where ashes grow like wheat into ridges and hills and grotesque gardens…” (Fitzgerald 27). This shows that the Valley of Ashes is not a pleasant place to be in and is looked down upon. In the film, the interpretation on the Valley is spot on. It shows a dirty, sad little town, filled with depressed people. A second scenery choice that is well depicted in the film is the Buchannan’s home. It is described to be very elegant and grand filled with beautiful furniture. Throughout the scenes in the Buchannan’s house, the “grandness” is well represented through the furniture, landscaping and exterior chosen for the house. The exterior of Gatsby’s house does not match up to its description in the book. “The one on my right was a colossal affair by any standard—it was a factual imitation of some Hotel de Ville in Normandy, with a tower on one side…” is how Gatsby’s house is described (Fitzgerald 9). In the film, the house that is Gatsby’s doesn’t nearly stand up to what’s pictured from the book. It is large, but is not as striking as described. Nick’s house is also different from expected. In the film, Nick’s house is rather large and nice in contrast to the “…small eye-sore…” as described in

Life is not always what it seems, but is constantly fooled by metaphorical masks people wear. The appearance of many of the characters in F. Scott Fitzgerald’s The Great Gatsby differs greatly from their actual selves. The use of illusion in the novel is used effectively to portray the nature of people in the 1920 's, and the “artificial” life that is lived in this modern age. There are many incidences in which the appearance of characters is far different than what lurks inside them. Several of these incidences are shown in the appearances of Gatsby himself, Daisy Buchanan, and Gatsby’s true love for Daisy. Gatsby goes through a dramatic transformation from his old self to his new self, even changing his name and buying a faux mansion in

“The Great Gatsby” movie is based on a well-known book by F. Scott Fitzgerald’s, a well-known author that wrote American fiction. Maurer wrote that F. Scott Fitzgerald was known for his imagistic and wonderful composition. He could analyze the inclination of his era during a politically complex time of American History (Maurer, 2016). There have been a number of reincarnations of “The Great Gatsby” in cinematography. Baz Lurhmann, a popular director of all times recreated the movie and took the story to a whole new level. Baz Lurhmann has adapted the story and fit his visual style of production similar to other recognisable Lurhmann films such as Moulin Rouge and Romeo and Juliet but he manages to preserve the core story.

It is often said that certain literary works and characters within such works represent real-world issues. In the work The Great Gatsby by F. Scott Fitzgerald, the character of Gatsby is shrouded in ambiguity to the reader, providing them with a possibility for personal interpretation. In the work, Gatsby’s character develops from a character representing materialism and a fixation on status to one filled with humility and selflessness for his romantic devotion towards the character of Daisy. Through this shift, the reader is provided with insight in order to draw parallels between Gatsby and two distinct periods in American history. The materialistic side of Gatsby, driven by wealth and his status in Long Island, represents the moral corruption and materialistic desires of America in the 1920s, whereas the romantically devoted Gatsby represents wartime America, devoted to sacrifice and nobility. The contrast within the life of Gatsby allows for a profound insight into the significance of the work as a representation of changing American values.

In F. Scott Fitzgerald’s The Great Gatsby, the setting of New York in the nineteen twenties performs an extensive role in the novel. Although the nineteen twenties are a time of economic prosperity, they appear to be a time of corruption and crime as well. In New York, particularly, the nineteen twenties are a time of corruption and moral scarcity. The setting is during the Jazz Age as well, where popularity, fashion, and commerce are a primary inclination. The setting of The Great Gatsby efficaciously portrays the behavior of the characters in The Great Gatsby, as well as the plot and development. The setting assiduously delineates how themes, motifs, and symbols can fluctuate in relation to the time or location. The setting of The

In my interpretation of The Great Gatsby, I focused on the location of Gatsby’s house due to its significance in accordance with the characters. I think that architecture and location is an imperative aspect of character development because of the intimacy between a character and what they surround themselves with. As Gatsby shows Daisy and Nick around his house, he is showing them himself, and how he projects himself onto the world. Architecture says a lot about the time buildings were built in and who built them. The house that I picked for Gatsby is a house with excessive wealth and grandeur. When I read The Great Gatsby, I immediately thought of 3800 Washington St because of its excessive display of wealth. In the story, when Gatsby is