Reagan Page
Mrs. Schroder
English IV Honors
8 December 2016
Frankenstein’s Dark Elements
Starting in the late eighteenth century, gothic literature rapidly expanded to become a major genre of study. There are many key elements that make a piece of literature gothic, many of these elements are found in Frankenstein. Three of the main elements that categorize gothic literature are extreme landscapes, supernatural manifestations, and intense emotions; these three elements can also be found in Frankenstein.
One common element of gothic literature includes extreme landscapes. Gothic literature uses this key element to explore and emphasize the isolation these characters desire or face. Through the emphasis on isolation, books take on an
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So, while the location is an element of gothic literature, so is the reason for traveling to that location. The landscape of the summit of Montanvert is the place where Victor Frankenstein runs into the Creature, and the Creature begins to tell his tale. This is the first time in the novel the reader starts to connect with the Creature, a supernatural being.
Supernatural manifestations are a must for gothic literature. These inventions of the mind tend to attract readers, setting this genre apart from all others. Supernatural manifestations make the ordinary seem not so ordinary, which helps add to the overall mystery and suspense of a novel. Gothic literature aims to create the feelings of suspense, gloom, isolation, and thrill; or simply emotions in general. The prime example in Frankenstein comes from Victor Frankenstein’s invention of the Creature. The Creature can be described as essentially a functioning monster, pieced together by various parts to make it work like a human body would. In the time the novel was written, nothing like this had ever been accomplished, whereas in current times, the Creature might not classify as a supernatural manifestation. The idea for the Creature comes from Victor Frankenstein’s love for the field of alchemy. Alchemist study the transformation of matter in the days prior to chemistry. This field intrigued Victor Frankenstein at an early age; therefore, early on in his life he learned and
Gothic literature is a style of writing that contains elements of both horror and romance. This genre allows readers to experience a mix of horror and romance intertwined. Within the gothic genre there are elements of supernatural events, beings, and gloomy day settings. This style of writing became popular in the late 18th century and early 19 century. Many give credit to it’s uprising to author Horace Walpole, who wrote The Castle of Otranto (1764). His book contains all the elements that constitute the gothic genre. Frankenstein fits perfectly into the gothic category because the gloomy and mysterious setting is placed where most readers think of it as
To begin, “The term Gothic fiction refers to a style of writing that is characterized by elements of fear, horror, death and gloom, as well as romantic elements, such as nature, individuality, and very high emotion. These emotions can include fear and suspense.”. (Greaver, 1). This specific style of writing began in the late seventeen hundreds. Gothic fiction was created in order to keep a narrower set of viewers or readers more intrigued and interested. “The term Gothic actually originated as a term belittling the architecture and art of the period, which was dark, decaying, and dismal. The settings were often old, dilapidated buildings or houses in gloomy, lifeless, fear inducing landscapes.” (Greaver, 1). Gothic literature is often explained as an illusion that is unexplainable. “Gothic fiction hovers between the uncanny and the marvelous, offering little
Lastly, supernatural elements are essential for novels with gothic features. Frankenstein lacks unexplainable features; however, science, especially electricity, here can be regarded as a supernatural element because it was an unknown but new discovery of that time. Electricity is used in the novel to give the monster life.
As one of the first gothic novels Frankenstein explores the darker side of human nature, ambitions, and the human mind.
The reader is able to satisfy his or hers innermost desires through the pages of the book. The reader finds refuge through Gothic text. This is no exception with the authors. The author also wants to satisfy their imagination by creatively and articulately channelling their thoughts into a work of art. Robert Kidd writes in his ‘Transgressing the Boundaries’ article, “The power and passion of Gothic Literature seemed eminently suited to the iconoclasts who wished to challenge the status quo”. There were many famous writers like this, for example, Horace Walpole, Lewis, Godwin and of course Mary Shelley. The authors and readers of Gothic Literature share a very special connection. Both sides gain from books and share the same feelings as one writes and one reads the book, with both satisfying their imaginations.
Frankenstein by Mary Shelley is a prime example of a gothic literature novel. This story contains supernatural creatures,suspense, decaying setting, et cetera. The book Frankenstein is composed of the main character, addressed as the protagonist, Victor Frankenstein. Victor Frankenstein was a brilliant student, who studied at the University of Ingolstadt. During his time studying science he created his own creature, who could breath and learn just like a human, but the monster was a horrific view. Victor’s fear of the appearance and of the potential dangers of this creature caused him to run away and leave the creature behind. The creature experiences many journeys as he feels abandoned and takes matters into his own hands. The monster learns
At the first glance, Victor Frankenstein and his Creature appear as complete opposites with little to nothing in common. Victor seems intelligent and humane while the Creature’s actions insinuate that he possesses uneducated and monstrous qualities. After becoming more familiar with the characters and their actions, the pair still seem to have a few differences; however, they share some key characteristics. Finally, after analyzing Frankenstein and the Creature’s personalities and habits, it becomes obvious that the two experience a shocking amount of affinities towards one another. These similarities include loneliness and persistence. Other more specific examples involve their inclination towards playing God and their hunger for knowledge. Demonstrated by the many examples provided throughout the novel, the identifiable common traits between Frankenstein and the Creature continuously develop as the reader obtains a greater understanding of their monstrous personalities.
The gothic genre has many defining qualities and features, and as a gothic novel, Frankenstein (or the Modern Prometheus) exhibits some of these traits. However, due to the time period in which it was written by Mary Shelley there are also many features of Romanticism apparent in the novel, such as the emphasis on the beauty and restorative powers of nature in chapters 8 and 9. Therefore it is questionable which aspects of the Gothic genre are to be found within Frankenstein.
The book Frankenstein is considered a gothic novel do to the facts of the gloomy settings throughout the story, Mary Shelley always wrote in a gothic manner more times than not in her career, and during this time period scary stories were very relevant. The fact that Doctor Frankenstein is creating a “monster” is very gothic in itself but the way he gathered the parts to assemble this creation, or as some may like to call it a “creature”. People argue that just because he created this thing that does not make him the father-like because he made it in inhumane way but nobody knows what is considered wrong or right to someone. In order for something to get the consideration
Different works of gothic literature share similar gothic elements such as ambiguity, death, and nightmares. Each element contributes a different tone to the stories that bring the reader into the work. Every story contains a different element that come together to bring out the same feelings.
Monsters, those that are real and those that are fake, both have a habit of emitting the same feeling of dread that tends to linger in our minds and make us paranoid enough to look behind ourselves. The term monster, used throughout history and applied to animals and the animalistic behaviour of man, as a way of giving the general public what they want and what they have always wanted which is a ‘label’ as we believe them to be a menace that can’t be or is not worth being helped or rehabilitated. The term monster is also one that feeds the urges of the gothic, one of its many key contributors Mary Shelley, holds the title to what is the possibly the most well renowned pieces of gothic literature, ‘Frankenstein’, a piece of literature that alludes
Levine’s main argument is that although Frankenstein is a gothic novel, it is not a typical gothic novel with many realistic ideas. It aims to generate terror in the reader like other gothic novels but does not involve the supernatural. The events that Mary Shelley writes out in Frankenstein are not far from ordinary and the commonplace. Levine’s more interesting argument is that Mary Shelley’s use of the Gothic tradition allows her to dip in the imaginative and subjective inner truths that a realistic novel would not allow. For example how the characters reflect or double each other. Also most of the characters represent aspects of Victor Frankenstein
The term Gothic refers to a genre that came about in the late eighteenth century. It can be a type of story, clothing, or music nowadays. In this paper it will refer to a style of literature. A very good example of this type of literature is Mary Shelley's Frankenstein. There is a sense of foreboding throughout the whole novel, which is one of the basic necessities of the Gothic. This theme of the Gothic has different characteristics that all fit into the story of Victor Frankenstein and his monster and make this one of the first horror stories every told.
Gothic literature includes elements of style that is usually portrayed in tales and deals with horror, despair, the grotesque, and mysteries. In the novel Wuthering Heights by Emily Bronte, there are many elements of gothic literature that is found throughout the book. The term gothic is very broad in literature, and gothic can mean many different things from characteristics of people, feelings and reactions of a specific setting, mood, actions that happen being people, and so much more. All of this thrived in the 19th century. Gothic is categorized by an emphasis on the dark, gloomy, and mysterious. Ideas such as magic, hidden passages, wind, ghosts, and other supernatural elements, love, etc were all elements in the Gothic movement during the 19th century. Specifically, the descriptions of the settings, both outside and inside, in the novel, the actions of the main protagonists in the novel, and the love between Catherine and Heathcliff in Wuthering Heights all add on to this idea of a gothic literature or tradition.
Gothic Literature is a style of literature popularized during the late 18th century and the early 19th century with the publication of Frankenstein by Mary Shelley. This style usually portrays fantastic tales dealing with the horror, despair, the grotesque and other “dark” subjects. Characteristics of gothic literature includes the presence of victims and their victimizers who usually hold immense powers along with their evil purpose. The setting of this kind of literature generally takes place within impenetrable walls, whether physical or mental. This setting creates a sense of hopeless isolation within the victim. The summarization of the characters and situation creates an atmosphere pervaded by a sense of mystery, darkness, oppressiveness, fear, and doom.