Analysis Of Horkheimer And Adorno 's Dialectic Of Enlightenment

With the proposed concepts, such as branding in commercialism, High Culture/Low Culture, and the false promises made in uniform products, one is granted to see today’s society as hovering closely to a capitalistic system set up to facilitate the vast desires of the masses. As Adorno and Horkheimer bluntly put it, “personality scarcely signifies anything more than shining white teeth and freedom from body odor and emotions” (71). We can only think of ourselves as just another gear in the American machine, churning away endlessly and waiting to be fed with the uniformity of culture, the greed, manipulation, and

Born in 1903, Theodore Adorno is one of the most prominent figures in the Frankfurt school of communications, a school of social theory and philosophy which studied the effects and structure of the media. In 1945, Adorno published one of his most famous articles, “A Social Critique of Radio Music”. In his somehow controversial essay, Adorno claims that the music played on the radio reflects broader social behavior patterns, that benefits the power elite and numbs the masses. Adorno goes on and state four axioms he believed to be true regarding the existing capitalist society, including how we live in a society of commodities. The main problem he dissects in his article, is that now music is being treated as a commodity as well. Further,

In both Kate Chopin’s The Awakening and Jon Krakauer’s Into the Wild, nature is paradoxically symbolized as both a liberator and a destroyer- intellectual maturation and hubris- through the “awakenings” of Edna Pontellier and Chris McCandless.

This essay will explore parallels between the ideas of the scientific revolution and the enlightenment. The scientific revolution describes a time when great changes occurred in the way the universe was viewed, d through the advances of sciences during the sixteenth and seventeenth centuries. The enlightenment refers to a movement that grew out of the new scientific ideas of the revolution that occurred in the late seventeenth to eighteenth century. Although both the scientific revolution and enlightenment encapsulate different ideas, the scientific revolution laid the underlying ideological foundations for the enlightenment movement. A number of parallels

Francis Bacon helped change Europe ideologically through his understanding of science. Bacon strove to create and understand new outlines for all of science, but focused mainly on scientific methods. He did so by introducing his own method called the Baconian, or inductive, approach. This approach brought a new understanding on how to gather information and how to form more logical conclusions. In one of his late writings, New Atlantis, Bacon described culture in a scientific and idealized way. In summary, the book’s meaning was that science should foster technology, which should foster better life. With his own approach to the scientific method and his understanding of the importance of implementing technology into human lives, Bacon played a big role in the ideological advancement throughout Europe.

Chapters VI and VIII: The Scientific View of the World and the Age of Enlightenment

The Scientific Revolution and Enlightenment, which spanned from the late 1500’s to 1700’s, shaped today’s modern world through disregarding past information and seeking answers on their own through the scientific method and other techniques created during the Enlightenment. Newton’s ‘Philsophiae Naturalis Principia Mathematica’ and Diderot’s Encyclopedia were both composed of characteristics that developed this time period through the desire to understand all life, humans are capable of understanding the Earth, and a sense of independence from not having to rely on the nobles or church for knowledge.

In the text Adorno and Horkheimer primarily focuses on the issue of art such movies, radio program and etc becoming a commodity and the fusing of the market and art areas. The criticism of the culture industry stems from the fact that for Adorno and Horkheimer culture held the answer for liberation, however the mass produced culture that they found in America was instead enslaving people. Adorno and Horkheimer’s argument regarding mass culture produced products and its effects and commoditization of art remain important to contemporary society because these issues have continued to have a negative effect on contemporary society this can be observed by analyzing contemporary mass culture products such as television, movies and the internet.

“The Culture Industry: Enlightenment as Mass Deception” by Theodor Adorno and Max Horkheimer is a pivotal article in history that changed the way in which many communications scholars viewed media. Both authors were members of the Frankfurt School, a school of thought which looked further into Karl Marx’s theories about capitalism and the issues of mass production. Published in 1944, Adorno and Horkheimer revealed their beliefs that the media, much like the economy, is becoming mass produced, and is therefore turning people in society into media-consuming robots. Industrialization created work lives for people in which they would work on only one part of a larger machine. As a result, they felt less involved in the completion of the project as a whole, and therefore felt less pride in their jobs and their lives in general. Instead, these people turned to media and pop culture so that they would feel more fulfillment within their lives. Adorno and Horkheimer believed that these people had a reduced capacity for original thought because media is now force feeding them the ideas of what they can think and feel. This essay will prove that although Adorno and Horkeimer’s points were justified through the eyes of authors George Lipsitz, Lev Manovich, and Susan J. Douglas, there are still exceptions to their theories that they do not account for.

Throughout history, music has been seen as a medium in which different people all over the world can relate. Adorno criticizes, however, that songs that have the most “hits” on the top music charts or are most listened to, otherwise known as popular music, are being produced for and consumed by the masses as a commodity. He identifies popular music as being a part of a culture used for capitalism, and that we as listeners, are falling into a trap in which we believe songs have individuality and that we have the freedom to choose what we listen to. He argues that in reality these popular songs are all standardized and made to seem different through various elements that are added. In this paper, I will display how Adorno’s critique of popular music being used for capitalism applies to the song,1-800-273-8255, by hip-hop and rap artist Logic, through its standardized elements in both its content and marketing; however, I will argue that although it contains these elements, the audience is actively listening and responding to the song as it brings awareness to mental health and suicide prevention that is changing and saving lives all around us.

W.G. Sebald’s novel The Rings of Saturn explores the relationship between toleration and persecution through a first person narrative. The novel is preoccupied with loss and the ways we have tried to come to terms with mortality. It is a meditation on the destructive nature of history, the human lives affected, and the restorative power of art. However, his work is not simply a record of these human-induced catastrophes, but also attempts to fashion new representational tools for the purpose of acknowledging and coming to terms with the realities of modern human history. Sebald’s critcism tends to focus on the biographical and psychological backgrounds of the writers he mentions. He draws heavily on the canon of twentieth-century Marxist thought, including works from Theodor Adorno and Max Horkheimer. His complex thesis draws specifically on their work The Dialectic of Enlightenment. The Enlightenment was an intellectual movement that spread through Europe during the eighteenth century, which involved a radical change in the way that philosophers and others understood the role of reason. It valued independent thought and promoted reason to a higher status and for some came to replace faith. Intrinsic in Sebald’s work is the idea that the Enlightenment project was programmed by violent distrusts of the non-identical and a coercive desire to eliminate otherness. Specifically, Sebald draws on Horkheimer and Adorno’s critique of civilization articulated in The Dialectic of the

According to Theodor W. Adorno in The Culture Industry: Enlightenment as Mass Deception, the culture industry is the entertainment business. “The whole world is made to pass through the filter of the culture industry” (1113). While people are consuming products from the entertainment manufacturers “with alertness even when the customer is distraught,” real life is not becoming indistinguishable from the movies (1113). The majority of consumers are able to distinguish products from the entertainment manufacturers such as movies, TV shows, radio and books from reality.

The 18th century is referred to as the ‘Age of Enlightenment’. The trends in thought and letters from Europe to the American colonies brought a new light and attention upon mankind. This new movement described a time in Western philosophy and cultural life in which reason was advocated as the primary source and legitimacy for authority. ‘To understand the natural world and humankinds place in it solely on the basis of reason and without turning to religious belief was the goal of the wide-ranging intellectual movement’ (Hackett). At the heart o this age, a conflict began between religion and the inquiring mind that wanted to know and understand through reason based on evidence and proof rather than belief on faith alone.

This essay will evaluate Adorno’s critical attack on popular music. The essay will briefly provide some context on Adorno. Adorno claims that “listeners are made not born”, thus listening is a cultural practice, in which modernity has transformed into a profit (Adorno, 2002:248). By this, the essay will begin by focusing on the broader idea of the culture industry, in terms of commodities and popular music as not being critical. Following on, particular focus will be given to three main areas which convey Adorno’s criticism of popular music. These being, the musical form under standardisation, pseudo-individualisation and regressive listening in terms of escapism. Standardisation will be evaluated in structural terms, and critiqued by Middleton (1990) and Witkin (2003). Adorno’s critique of popular music can only be understood in relation to his analysis of serious music, therefore, the essay will focus on both types of music. Adorno’s criticisms of popular music and critics of this criticism, will enable for a conclusion to be drawn on whether or not I agree with Adorno’s claims on popular music.

Nature is merely our instrument of conquering one another. By manipulating what already exists, we create everything from nuclear warheads to high speed internet. The continuous competition between men feeds off of our technological advancement—none of which would be possible without the resources Nature provides for us. And rather than being grateful for the unequivicable power so generously offered us by our environment, we instead mock its existence. We distract from the cunningness and cruelty of our efforts toward mankind by relabeling our target ‘Nature’ rather than ‘each other’. By convincing ourselves we are somehow beginning to have Nature within our control and understanding, we forget that Nature is really only the means, not the end of our conquest. We will not be satisfied until we have defeated ourselves. As Lewis puts it, “Human nature will be the last part of Nature to surrender to Man. The battle will then be won… But who, precisely, will have won it?” (The Abolition of Man, 421)