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Analysis Of James Baldwin 's ' Sonny 's Blues ' Essay

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Several dialectics are at play in James Baldwin’s short story “Sonny’s Blues” including a dialectic between the narrator and his beloved brother Sonny involving their opposing responses to the sense of oppression and limitation that arises from living in Harlem. This dialectic and its resolution closely parallel Baldwin’s masterful use of Blues, Jazz, and Gospel music.
We follow the narrator and his brother Sonny as they traverse the complexities of their individual and interconnected Harlem lives. Each shoulders the challenge of attempting to understand one another, as well as living in a segregated and oppressed society. The narrator in “Sonny’s Blues” is a black man living out his life in semi-comfortable obscurity within the deteriorating society of Harlem sometime in the late ‘40’s or early to mid ‘50’s. The title character “Sonny” is the narrator’s brother, a Jazz pianist who is coping with a heroin addiction and a coming off a recent stint in prison for possession of narcotics. At issue between the brothers is differing philosophies about how best to live: the narrator is sworn to be his brother’s protector and life supporter, yet he struggles to believe that Sonny’s life as a musician will be successful, fearing that it will inevitably lead Sonny back to heroin use and death. The narrator doesn’t understand his brother’s career goals and he hopes that—much as he himself has done—Sonny will leave his musical aspirations behind and carve out a responsible life

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