Analysis Of Neurasthenia In Charlotte Perkins Gilman's The Yellow Wallpaper

The woman behind this work of literature portrays the role of women in the society during that period of time. "The Yellow Wallpaper" written by Charlotte Perkins Gilman, is a well written story describing a woman who suffers from insanity and how she struggles to express her own thoughts and feelings. The author uses her own experience to criticize male domination of women during the nineteenth century. Although the story was written fifty years ago, "The Yellow Wallpaper" still brings a clear message how powerless women were during that time.

In the short story. "The Yellow Wallpaper" written by Charlotte Perkins Gilman, we are introduced to a woman, the narrator, who suffers from postpartum depression, a disorder in women that results from childbirth. This disorder can have serious effects on the individual and may result in extreme behaviors such as suicide. (Mahoney 1) The narrator of the story is symbolic of Gilman, as she had experienced this illness after the birth of her daughter. (Gilman 181) Postpartum depression is a serious issue that must be dealt with in order to help its victums carry on with everyday life. In order for society to effictively help those affected with postpartum depression, they must know what it is, what its symptoms are,

The Yellow Wallpaper by Charlotte Perkins Gilman is about a time period where the men were in charge and woman were looked down upon. The narrator in the story is misdiagnosed with hysteria by her husband John who is a physician. After she had her baby, John keeps the narrator his wife in a depressing, worn own out, faded color of the yellow room with bars on the window. He takes away what the narrator wants to do the most is write. As time goes on the narrator sees a woman inside her wallpaper so she goes and rips it down to save her. Her husband thinks she is going insane and passed out when she told him what she has done.

The brain is a strong but delicate muscle inside the human body. However, if this muscle gets overworked it will affect the overall persona of that individual. Depression or any other mental diseases are not diagnoses or setbacks that should be taken lightly. Back in the 1800’s and 1900’s medicine and the knowledge of the individuals that decided to practice medicine was not extensive. Due to medicine, not being as advanced as it is today, a lot of patients were getting treating improperly. The character within The Yellow Wallpaper is a great example of not only a mental disease but also malpractice. Although the main character within The Yellow Wallpaper may be a woman of high social status, the narrator goes mad for the following reasons: she is extremely drugged with improper medicine, she lacks autonomy, and her post-partum depression escalates. Some might say that the story of The Yellow Wallpaper is simplistic, however, it can also be viewed that the simplicity of the story is what makes it complicated and comprehensive.

Hysteria was one of the class diseases of the 19th century…for centuries hysteria has been seen as characteristically female- the hysterical woman the embodiment of a perverse or hyper femininity…and in [the 1870s, 1880s, and 1890s…physicians reported a high incidence of nervous disease and hysteria among women who felt overwhelmed by the burdens of frequent pregnancies, the demands of children, the daily exertions of housekeeping and family management (Smith-Rosenberg, 1972, 652, 653, 657).

Until the medical breakthroughs that we have made in the modern day, psychology as a science was not fully understood. Modern technology has given us a clearer idea of psychology, but in the past there was less known about the science. This alongside a predominantly male medical discourse led to a medical diagnosis in many women called hysteria. Female hysteria was a medical diagnosis given to specifically women as far back as the ancient Greek civilization. Hysteria started as a supernatural phenomena, but as medicine evolved it would be described as a mental disorder, (Tasca). Hysteria. in actuality, is an absurd and fabricated diagnosis that institutionalized and discriminated countless women. The way it makes a women feel, and the fact that it strips a woman of any sort of free will is a sickening display of blatant misogyny. “The Yellow Wallpaper” by Charlotte Perkins Gilman perfectly displays not only the misogyny, but the torture a woman must face trapped under a hysteria diagnosis. Hysteria as a diagnoses fails to effectively treat many women, instead leading to the mistreatment and wrongful institutionalization of women.

Hysteria was the “go-to, catchall diagnosis” for all women, consisting of any “problem” including, but not limited to, nervousness, faintness, loss of appetite, (lack of) sexual desire, headaches, insomnia, muscle spasms, and trouble-making. For centuries, literature portrayed as submissive and obedient to men and oppressed by society, culture, and even men. In The Yellow Wallpaper, Gilman presents readers with a story of a woman suffering from depression, possibly post-partum, but whose remedy is “rest cure,” a treatment invented by Silas Weir Mitchell for neurasthenia involving isolation and rest as a cure for hysteria in all its forms. The Yellow Wallpaper is a narrative concerning the gradual demise of the mental stability of an unnamed, newly married upper-middle class woman in late nineteenth century rural America. Gilman uses psychological terror to not only portray the narrator’s fall to insanity, but also to shed light on the rather unfortunate role of women in the institution of marriage. The narrator’s husband, John, is a physician who firmly expresses disbelief in his wife’s claims of depression. From the beginning of the story, the reader can tell immediately that the narrator has absolutely no voice. John assures her and others that nothing is wrong but “temporary nervous

Life during the 1800s for a woman was rather distressing. Society had essentially designated them the role of being a housekeeper and bearing children. They had little to no voice on how they lived their daily lives. Men decided everything for them. To clash with society 's conventional views is a challenging thing to do; however, Charlotte Perkins Gilman does an excellent job fighting that battle by writing “The Yellow Wallpaper,” one of the most captivating pieces of literature from her time. By using the conventions of a narrative, such as character, setting, and point of view, she is capable of bringing the reader into a world that society

Neurasthenia is the nervous disease the narrator is suffering from. Gilman expresses if the narrator is ill or if the “rest cure” treatment she is on is making her crazy(Wilson). Weir Mitchell was the authors/narrators doctor who prescribed her the “rest cure” treatment, which did not succeed(Gilman). The narrator tells her husband to help her and change the treatment, but he refuses her desires. As a result, the narrator became insane because her husband forced his wife to be in an oppressed situation with her health(MacPike).

Her passion is to write and by doing so we are able to follow her on a

Within the medical community, doctors often neglected women 's health during the nineteenth century. Society viewed women as weak and fragile beings making them more susceptible to illness. Surprisingly some believed that women could consciously control their sickness to gain attention or to avoid their womanly duties (Poirier 16). Silas Weir Mitchell was a well-known neurologist during Gilman 's life. He made many medical discoveries during his career along with creating treatment for locomotor ataxia (a nervous disease), neurotic women, and gunshot wounds that disrupted the nervous systems (Poirier 17). This procedure, called the Rest Cure, consists of the patient resting and exerting as little energy as possible alongside maintaining a balanced diet. Gillman personally visited Mitchell in seek of help during a time of great depression post the birth of her daughter. However, his treatment did not help but, caused her almost to lose her sanity. Gillman addresses Mitchel in her literature "John says if I don’t pick up faster he shall send me to Weir Mitchell in the fall. But I don’t want to go there at all. I had a friend who was in his hands once, and she says he is just like John and my brother (Gilman 197)." Janes husband, brother, and Mitchell are alike in the fact they all believe a woman 's hysteria correlates with their sex. These men also agree in one form of treatment: isolation, rest, and food. Showing that men of

“I don 't like to look out of the windows even – there are so many of those creeping women, and they creep so fast. I wonder if they all come out of that wallpaper as I did?” the woman behind the pattern was an image of herself. She has been the one “stooping and creeping.” The Yellow Wallpaper was written by Charlotte Perkins Gilman. In the story, three characters are introduced, Jane (the narrator), John, and Jennie. The Yellow Wallpaper is an ironic story that takes us inside the mind and emotions of a woman suffering a slow mental breakdown. The narrator begins to think that another woman is creeping around the room behind the wallpaper, attempting to "break free", so she locks herself in the room and begins to tear down pieces of the wallpaper to rescue this trapped woman. To end the story, John unlocks the door and finds Jane almost possessed by the woman behind the wallpaper. Charlotte Perkins Gilman’s feminist background gives a feminist standpoint in The Yellow Wallpaper because the narrator’s husband, John acts superior to the narrator.

Charlotte Gilman’s short story “The Yellow Wallpaper” is centered on the deteriorating psychological condition of the female narrator. As a woman in a male dominating society in the 19th century, the narrator has no control over her life. This persistence eventually evolves into her madness. The insanity is triggered by her change in attitude towards her husband, the emergent obsession with the wallpaper and the projection of herself as the women behind the wallpaper. The “rest cure” which was prescribed by her physician husband, created the ideal environment for her madness to extend because, it was in her imagination that she had some freedom and control.

In the story “The Yellow Wallpaper,” Gilman creates a character of a young depressed woman, on the road to a rural area with her husband, so that she can be away from writing, which appears to have a negative effect on her psychological state. Lanser says her husband “heads a litany of benevolent prescriptions that keep the narrator infantilized, immobilized, and bored literally out of her mind. Reading or writing herself upon the wallpaper allows the narrator to escape her husband’s sentence and to achieve the limited freedom of madness which constitutes a kind of sanity in the face of the insanity of male dominance” (432). In the story both theme and point of view connect and combine to establish a powerful picture of an almost prison-type of treatment for conquering depression. In the story, Jane battles with male domination, because she is informed by both her husband and brother countless brain shattering things about her own condition that she does not agree with. She makes every effort to become independent, and she desires to escape from the burdens of that domination. The Yellow Wallpaper is written from the character’s point of view in a structure similar to a diary, which explains her time spent in her home. The house is huge and old with annoying yellow wallpaper in the bedroom. The character thinks that there is a woman behind bars in the design of the wallpaper. She devotes a great deal of her

Charlotte Perkins Gilman was a famous social worker and a leading author of women’s issues. Charlotte Perkins Gilman 's relating to views of women 's rights and her demands for economic and social reform of gender inequities are very famous for the foundations of American society in the late nineteenth and early twentieth centuries. In critics Gilman ignored by people of color in the United States and attitudes towards non-northern European immigrants (Ceplair, non-fiction, 7). “Gilman developed controversial conception of womanhood”, by Deborah M. De Simone in “Charlotte Perkins Gilman and the feminization of education”. Gilman’s relation to reading deserves more attention than it has received (“The reading habit and The yellow wallpaper”). Her work about Women and Economics was considered her highest achievement by critics.