Analysis Of Orientalism, Criticizes And Confronts The Ideas Of Truth And Representation, By Edward Said

Aladdin is a proletariat, trying to stay alive by stealing food. Due to his social class, he is unable to wed princess Jasmine because a law forbids commoners to marry royalty. On the other hand, Jasmine is part of the bourgeoisie. Trying to overcome this obstacle, Aladdin pretends to be a prince through one of his wishes granted by the genie. However, the evil Jafar uncovers him and eventually this conflict is solved by Jasmine 's father, Sultan. After seeing the courage of Aladdin, he changes the law and allows a commoner to marry his daughter. This compromise happened due to the conflict of social class between the poor commoner and high royalty.

The Lion, the Witch and the Wardrobe is a symbolic novel that can change a reader's life for the better. The creativity allows the audience to ponder deeply about imaginative thoughts such as, what is the difference between good and evil, and can I recognize it? The central theme of The Lion, the Witch and the Wardrobe is recognizing good and evil from first instinct. Although it may be confusing at times, there are always ways to see the true colors through small actions.

Literary Analysis of Aladdin Disney’s Aladdin is a film that attempts to stereotype and westernize Arab culture. Using racially inaccurate stereotypes, an inaccurate depiction of The Middle East, as well as countless cultural generalizations, Aladdin creates a setting of “exotic orientalism” and Islamaphobia. “[Aladdin depicts…] the Arab world as backwards and irrational, the film’s distorted ethnic representations fuel the western world’s fear of alternity and perpetuates dangerous stereotypes.” (Heydt).

The animated classical Disney movie Aladdin has became one of the most successful movies since it was released in 1992. This movie may seem to be fairy-tale based and entertaining for children since they are the main target audience of Disney, but with a deeper look into its details this is not the reality of it. The ideas that children are exposed to from watching this movie help create and structure their mindsets as well as reinforcing unrealistic images of the Arabian world. In addition, Aladdin is a great illustrative tool in reflecting the concept of Orientalism, a term coined by Edward Said, which emphasizes on representing the Orient with certain clichés and characteristics that are misleading about the true nature of reality (Said, 1978). With that been said, this review paper will be focusing on the main characters and the way they are

Disney’s Aladdin is a fit example of misrepresentation of diverse cultures from a Westernized perspective. Disney is famous for lending representations of world from a Western viewpoint. According to Edward Said, orientalism is a way of expressing Arab peoples and Islamic cultures as compared to Western or European society (Palestine Diary). Said’s explains orientalism is the framework that we use to

Aladdin is a street-rat and is looked down upon by society. He hates how society judges him and aims one day, he will live in a castle with no problems. Although he commits crimes such as stealing, he is ultimately good-hearted,

I must confess that I am guilty of harboring unconscious stereotypes of Asian women. Kathleen Uno’s article “Unlearning Orientalism: Locating Asian and Asian American Women in Family History” brought this to light. She makes a very strong argument that Orientalism has exaggerated Asian patriarchy and the subordination of women; therefore, influencing research to highlight only the oppressive aspects of the Asian family. Uno states that once we can free ourselves from the “Orientalist blinders”, it will allow us to shed the stereotypes by revaluating the role of Asian and Asian American women and acknowledging their contributions. (Uno, 2003)

Lastly, both movies demonstrate the second central theme religion and exile as means to control the public. For example, Second Reza Shah wanted to remove religion and place his traditional Persian heritage as founding rule of Iranian people. Removal of religion was mandatory for Second Reza to keep his absolute power within Iran. For example, when Second Reza Shah’s father was in power, he had religious clergy that guided him on action what were needed to be done within the state. When Reza Shah was exiled and his son Mohammad Reza Shah was appointed as the new ruler of Iran by CIA. For this reason, Ayatollah Khomeini used this as his arc to get more people together. Where he expressed that due to foreign intervention the nation is

In this essay I am going to compare the main characteristics of the two most important characters of this book. They were both born in Afghanistan but each of them was raised by totally different families. In spite of not having the same social background after several years they meet one another and live together, as wives of their strict husband Rasheed who refuses modern rights for women.

When it comes to the illustrations of his popular characters in Aladdin, Disney proves to be quite racist. Most of the small-part, background characters and especially “the bad guys”, such as Jafar and the palace guards, all have incredibly distinct Arabic appearances. Every one of them stereotypically consists of “beards, large noses, sinister eyes, and heavy accents, and they’re wielding swords constantly” (Giroux, 104). In contrast, Aladdin the hero, looks and talks like an All-American man. His skin is pale and he wants to be addressed as Al, which is an American name rather than Arabic. He does not have a beard, big nose, turban, or accent. The key point in this illustration is that Disney is establishing that Aladdin looks right for the part of a hero, while Jafar looks right for a villain.” Jack Zipes, author of the essay “Breaking the Disney Spell”, clarifies that “though the characters are fleshed out to become more realistic, they are also one-dimensional. There is no character development because the characters are stereotypes, arranged according to a credo of domestication of the imagination”

The characters are not defined clearly in the play, because of the actor’s ignorant perspective on several issues regarding prejudice and injustice.

In brief, this study discusses about the representation of orientalism idea which is portrayed in the film Avatar. The film tells about the conflict between human and native people in Planet Pandora, where human exploits the land and oppresses the native. This study explores in what way the idea of orientalism is represented and how both narrative and non-narrative aspects of the film helped in delivering that representation.

Stuart Hall’s The West and the Rest and Edward Said’s Orientalism both explore notions of power and discourse with regard to the dynamics of the Western world and the non-Western world. The works engage with the concept of a worldwide binary of two unequal sides, and how certain discourses, namely that of “the West and the Rest”, and Orientalism, have both stemmed from this idea and worked to maintain it. While Hall engages with the idea of “the West and the Rest” – the Western world and how it has been defined in opposition to the non-Western – Said analyses the relationship between “the Orient and the Occident” (2). Said’s work reflects in a more concrete way what Hall proposes in his, using the example of “the Orient” as part of “the Rest” against which the Western world positions itself. Both pieces convey significant ideas about how power informs perceptions of difference between societies, and in turn how discourse forms and maintains global hegemonic power.

Syed Soharwardy asserts that “Media always tried to portray Islam as a religion of terror and all the Muslims as terrorists. The way the talk-show programs and news are produced and presented, it seems that the media has already decided the guilty verdict, regardless what would be the outcome of an investigation” (Soharwardy). So too do members of the Arab American Anti-Discrimination Committee recognize the media’s predisposition toward bias, as is pointed out in this statement, found on their website: “Key industries of American mass culture, Holllywood and television, for decades have been bastions of anti-Arab stereotyping, and have consistently resisted positive or realistic representations of Arabs and Arab Americans. (Arab-American Anti-Discrimination Committee).”

Orientalism is a study of language and traditions of the people and their culture in the Middle East. These studies are mostly done by people outside of the culture that is being looked at, and mostly the studies are being performed by white western men. Edward Said believed that there was a problem with the way in which other people were studying and writing about his culture. He was upset and spoke up when he wrote a booked called “Orientalism,” in his book he points out many reasons why the study of orientalism is hurting the cultures in which they are studying. The study of other cultures and countries better known as the Orient has become a popular discussion since Said’s book on orientalism was published. This paper will take a look