Analysis Of Oscar Wilde's The Picture Of Dorian Gray

Most people are taught from a young age what is right, and what is wrong. These teachings set up the basis for later discovering one’s personal values. In Oscar Wilde’s The Picture of Dorian Gray, these same principles are applied and challenged by Wilde. Not only does he question morality and human nature, but also the ideas of the Aesthetic movement- which influenced the ideals and behavior of Dorian Gray. Through Dorian’s morally ambiguous character, Wilde asserts that one is not purely good or evil, but a mixture of the two; Wilde establishes this theme when Dorian breaks up with Sibyl Vane, murders Basil Hallward, and stabs his decaying portrait.

  "I do not think that one person influences another, nor do I think there is any bad influence in the world," Oscar Wilde uttered when under trial (Hyde 353). Although this statement may be true, one of Wilde's most famous works shows a great deal of the effects of people shaping one another, causing one to wonder about Wilde's sincerity in that statement. The Picture of Dorian Gray shows variations on the existence and purposes of influence, displaying two types of personal influence: obvious manipulations such as that of Lord Henry upon Dorian and that of Dorian over Sybil Vane, and those that are more often overlooked such as the more subtle manipulation of Dorian over

How should individuals satisfy their ambitions? In The Great Gatsby, written by F. Scott Fitzgerald, and The Picture of Dorian Gray, written by Oscar Wilde, the theme of desires is addressed. The Great Gatsby is a novel about Jay Gatsby, a man who wants to reunion with his past lover, Daisy. The novel is narrated by Nick Carraway, Gatsby’s neighbour and friend who witnesses Gatsby’s romantic desires. Similarly, The Picture of Dorian Gray is a novel about the development of Dorian, from initial innocence to ultimate brutality, after he acquires the ability to stay eternally young while letting his portrait suffer the consequences of his sins. Overall, the two books are similar in nature in terms of the themes presented. Initially, the two

In the book, The Picture Of Dorian Gray by Oscar Wilde, there is a character named Lord Henry Wotton. He is the story's antagonist and whom critics often think most resembles Oscar Wilde. Wilde remarks "Basil Hallward is what I think I am: Lord Henry what the world thinks of me: Dorian what I would like to be-in other ages perhaps." Within the preface of The Picture Of Dorian Gray, there lie the lines "Those who go beneath the symbol do so at their peril. Those who read the symbol do so at their own peril." From Wilde's statement, we can assume that there is a part of Wilde represented in each of the main characters, but how they represent him is up for the reader to decide.

In The Picture of Dorian Gray, Oscar Wilde is able to show how possessions can change a man so drastically. Over the course of the book the readers examine how many items such as the painting, the yellow book and much more, shape and alter Dorian from being outgoing, likable, and overall good to secluded, manipulative and most of all deceitful. Dorian gray has many motives for being deceitful that help develop the characters, and change the way they interact with each other.

         The novel, The Picture of Dorian Gray, written by Oscar Wilde originally appeared in Lippincott’s Monthly Magazine in 1890.  It was then published in 1891, in book form, containing six additional chapters with revisions. The first reviews of Dorian Gray were mostly unfavorable.  It was condemned for its speculative treatment  of immoral or at least uncomfortable subjects. A review in the St. James’s Gazette by Samuel Henry Jeyes, journalist and biographer was titled "‘A Study in Puppydom."   Jeyes refers to Wilde’s idle, “effeminate” characters in the book and writes: “The puppies appear to fill up the intervals of talk by plucking daisies and playing with them, and

The Picture of Dorian Gray, by Oscar Wilde, is a novel about greed and ruin. Dorian Gray, received infinite youth from a portrait of him, which portrays all his sins and wrongdoings on itself, rather than his body. This freedom from morality leads Dorian Gray down a road of destruction until his sins are returned to him and he meets his end. Through a psychoanalytic Freudian lens, it is clear that Dorian Gray exhibits many of Sigmund Freud’s theories, including his theory of personality, the Oedipus complex, and the defense mechanisms.

Much of the criticism regarding The Picture of Dorian Gray by Oscar Wilde has dealt with Dorian Gray’s relation to his own portrait (Raby 392). While some may argue that the portrait represents a reflection of Dorian Gray’s character, this is only a superficial analysis of the novel and Dorian’s character. While Dorian Gray’s true character never changes, it is his own perception of his character (his conscience) that is reflected in the changing face of his portrait. In essence Dorian’s picture becomes a mirror through which the "true Dorian" judges his own metamorphasis as the superficial "Lord Henry Dorian" attempts to embrace Lord Henry’s teachings. Dorian’s

Oscar Wilde was a figurehead for a larger cause in the late nineteenth century. His reality crumbled under the cognitive dissonance of the high-class aristocrats and their struggle to find any reason to overthrow those who are cognizant enough to see and react to said dissonance. What are best known as the Wilde trials, consisted of using completely fictional literature as evidence to real events. Wilde’s novel, The Picture of Dorian Gray was a tool used to undermine Wilde’s authority and testimony about his personal romantic encounters. While, the book may hold status as a revolutionary novel about exploring ideas, the Victorians did not think as much once they took a closer look. Once a popular novel about high-class society soon became an object of severe scrutiny and libel for the author. The Victorians began to change how they perceived the entire English language. The aesthetics that they once sought after were now being thrown into question.

The poor ego has a still harder time of it; it has to serve three harsh masters, and it has to do its best to reconcile the claims and demands of all three...The three tyrants are the external world, the Superego, and the Id” (Sigmund Freud).

Throughout his life Oscar Wilde had many strong influences exerted upon him. During his early childhood his mother influenced him and into college some of his professors and certain philosophers left a substantial impression upon him. Into adulthood these influences leaked out in his writing. These influences gave him ample ideas for writing The Picture of Dorian Gray. Wilde's study of the Hellenistic ideals of Epicurus, his coddled lifestyle as a child and his devotion to the movement of Aesthetics and Moral Ambiguity have produced one of the most astounding works of horror fiction.

      Sibyl falls head over heels in love with Dorian Gray, willing to commit her life to him after only two weeks. Lady Henry hardly knows her husband, to whom she has been married for some time. Because neither woman is in a stable and comfortable situation, both eventually take drastic measures to move on. Therefore, in The Picture of Dorian Gray, both Sibyl Vane and Lady Henry are weak, flighty, and naive.

    In spite of the novel's heterosexual text, many critics agree that it has various homosexual elements in its characters, in the dialogues, and even in the portrait itself. One of the critics, Richard Dellamora, mentions this feature of the text, and comments that "By definition this context is heterosexual. Wotton is married and pursues actresses. Basil himself is a graduate of Oxford, a well-established artist, and respectable to a fault" (28). However, he also remarks the intensity of male friendships, and referring to Basil, he continues "Later, he repeatedly enjoins Dorian to conformity. Both older men live in a network of male friendships that ramify through the novel "

In chapter 20 of The Picture of Dorian Gray by Oscar Wilde, Dorian reflects on his past crimes and wonders whether he will ever change and retrieve his innocence again. Throughout the final chapter of the novel, the elements of Gothic novel that Wilde explores conveys the idea of the pursuit of individualism. Dorian’s wild, racing emotions clearly show how much he is driven by his readiness to fulfill his desires under any circumstance. Through this, the use of specific words and punctuation markings highlight Dorian’s personal yearning of removing himself from his past.

Art, what is Art? It is an ambiguous matter: without an exact form, an exact meaning. Does it have any rules or restrictions? However, it can be a great influence on the lives of people. In the novel, The Picture of Dorian Gray, two lovers have fell in and out of love due to Art!