Psychoanalysis In Oscar Wilde's The Picture Of Dorian Gray

Freud proposed the psychological structure of personality to include three systems called the id, the ego, and the superego. At birth, the id is the original system of personality and is ruled by the pleasure principle. It is driven towards satisfying instinctual needs. The ego can be described as a mediator between ones instincts and their surrounding environment. The ego is ruled by the reality principle, using realistic and logical thinking to formulate action plans for satisfying needs. The superego includes a person’s moral code and strives for perfection, not pleasure. Psychic energy is distributed between these three systems creating dynamics of personality. This psychic energy is what determines behavior (Day, 2008).

Most people are taught from a young age what is right, and what is wrong. These teachings set up the basis for later discovering one’s personal values. In Oscar Wilde’s The Picture of Dorian Gray, these same principles are applied and challenged by Wilde. Not only does he question morality and human nature, but also the ideas of the Aesthetic movement- which influenced the ideals and behavior of Dorian Gray. Through Dorian’s morally ambiguous character, Wilde asserts that one is not purely good or evil, but a mixture of the two; Wilde establishes this theme when Dorian breaks up with Sibyl Vane, murders Basil Hallward, and stabs his decaying portrait.

  "I do not think that one person influences another, nor do I think there is any bad influence in the world," Oscar Wilde uttered when under trial (Hyde 353). Although this statement may be true, one of Wilde's most famous works shows a great deal of the effects of people shaping one another, causing one to wonder about Wilde's sincerity in that statement. The Picture of Dorian Gray shows variations on the existence and purposes of influence, displaying two types of personal influence: obvious manipulations such as that of Lord Henry upon Dorian and that of Dorian over Sybil Vane, and those that are more often overlooked such as the more subtle manipulation of Dorian over

Freud is the psychologist who is credited with the development of psychodynamic perspective. He thought your personality came from id, ego, and superego. Your id is your unconscious drives and where a person’s sexual energy comes from. Your ego is what deals with demands of reality, it tries still bring you pleasure, but under the norms of reality. Your super ego is the harsh internal judge of your behavior. Freud also believed in defense mechanisms, strategies for dealing with anxiety. Defense mechanisms distort reality and protect you from a stressful situation. Denial is a defense mechanism in which the ego refuses to acknowledge a situation. Displacement is directing unacceptable impulses at a less frightening target. Projection is the defense mechanism in which we see in others those impulses that we most fear about ourselves. Freud thought every behavior stemmed from your sexual drive. When you 're a baby it is your oral stage, the pleasure center is the mouth. When you are a toddler it is your anal stage. Children learn they control when they can go to the bathroom. When you are 3-6 it 's your phallic stage.

The Picture of Dorian Gray, a novel laced with sin, treachery, and raging battles of inner conflict, is Oscar Wilde’s sole novel. Considered immoral and scandalous upon publication, the book centers around a young man named Dorian Gray, who does not age or reflect the darkness of his heart outwardly, and instead a portrait of him bears the damage his destructive life wreaks on his soul. However, the meaning of the story extends past the simple fact that Dorian lives a life of immorality—he walks the path that takes him there with his two friends, Basil Hallward and Lord Henry Wotten. The two attempt to guide and influence Dorian throughout the novel in their own ways, and are a vital piece of Dorian’s tale. Basil and Henry act as character foils as well as a symbolic angel and devil for Dorian Gray’s character, and also contribute themes of choosing one’s own fate.

In the book, The Picture Of Dorian Gray by Oscar Wilde, there is a character named Lord Henry Wotton. He is the story's antagonist and whom critics often think most resembles Oscar Wilde. Wilde remarks "Basil Hallward is what I think I am: Lord Henry what the world thinks of me: Dorian what I would like to be-in other ages perhaps." Within the preface of The Picture Of Dorian Gray, there lie the lines "Those who go beneath the symbol do so at their peril. Those who read the symbol do so at their own peril." From Wilde's statement, we can assume that there is a part of Wilde represented in each of the main characters, but how they represent him is up for the reader to decide.

Much of the criticism regarding The Picture of Dorian Gray by Oscar Wilde has dealt with Dorian Gray’s relation to his own portrait (Raby 392). While some may argue that the portrait represents a reflection of Dorian Gray’s character, this is only a superficial analysis of the novel and Dorian’s character. While Dorian Gray’s true character never changes, it is his own perception of his character (his conscience) that is reflected in the changing face of his portrait. In essence Dorian’s picture becomes a mirror through which the "true Dorian" judges his own metamorphasis as the superficial "Lord Henry Dorian" attempts to embrace Lord Henry’s teachings. Dorian’s

Austrian neurologist, Sigmund Freud, fabricated a theory of personality in which personality is composed of three elements, the id, superego, and the ego, that work together to create complex human behaviors. First, the id describes a concept of one's impulse and drive for satisfaction and gratification. Next, the superego describes the concept of one’s conscience and internalized moral standards. It tries to control the immoral actions which the id strives for. Lastly, the ego is the combination of the id and the superego whose role is to maintain a healthy personality by expressing the id’s desires in an acceptable manner.

The poor ego has a still harder time of it; it has to serve three harsh masters, and it has to do its best to reconcile the claims and demands of all three...The three tyrants are the external world, the Superego, and the Id” (Sigmund Freud).

Oscar Wilde was a creator many literary works including plays, poems and books. Though the most infamous piece he has done was The Picture of Dorian Gray. It was first published in 1890 and was seen in Lippincott's Monthly Magazine (The Picture of Dorian First Published Lippincott’s Monthly Magazine, bl.uk). The book was about a young man named Dorian Gray who gets a portrait done for him by a man named Basil. Then he “wishes (and receives his wish) that his portrait ages while he remains youthful and lives a life of sin and pleasure.” (Oscar Wilde Biography, Biography, 2015) From then on there are themes of love, beauty, suicide, murder, and youth. “The only way to get rid of temptation is to yield to it. Resist it, and your

Throughout the novel The Picture of Dorian Gray, Oscar Wilde tells a tale about a young man named Dorian whose entire life changes after he meets Basil Hallward, who paints a portrait of Gray that ultimately leads to Gray’s demise. At the same time, Dorian also meets Lord Henry, who eventually plays a bad influence over Dorian. The portrait shows the man Dorian has become

A Deep Impact Being a good person sometimes facilitates people’s quandaries on a smaller scale, but being influential changes lives sometimes, for better or worse. In Oscar Wilde’s novel, “The Picture of Dorian Gray,” a person’s influences grows stronger because they gain a higher social status or power, and people begin to better identify with their morals as they grow more popular. Wise and powerful people often become the main source of influence in one’s life, one who is already influenced retains the ability to influence more people, and influence sometimes drives to debauchery. Just a few words can readjust someone’s life path in a drastic way. Wise and powerful people usually become the most influential in one’s life when introduced.

“When one is in love, one always begins by deceiving one’s self, and one always ends by deceiving others,” (Wilde 46). Dorian Gray deceives himself by not knowing he is in love, and ends by showing everyone his most horrible traits. In his novel, The Picture of Dorian Gray, Oscar Wilde talks about Dorian Gray, an innocent, beautiful young man who does not understand the power of his own beauty. Basil Hallward, an artist, discovers Dorian and paints a magnificent portrait of him. When one of Basil’s friends Lord Henry advises Dorian of his divine beauty and youth, Dorian wishes for the portrait to age instead of him. This idea creates a storyline for the novel, as Dorian spends more time with Lord Henry, who influences his views. These ideas lead Dorian into embarking on bad endeavors. Throughout the book, these deeds end up with Dorian killing many things. In the novel, The Picture of Dorian Gray, the author Oscar Wilde shows how “each man kills the thing he loves”, only if the thing he loves brings out the worst in himself.

Oscar Wilde’s fictional piece The Picture of Dorian Gray is a wonderful story that provides insight on the effect that sin has on the soul. In the beginning of the story Dorian is a kind hearted man, but by the end he becomes a cold blooded murderer who thinks only about himself. The ending is also very interesting in the sense that although Oscar Wilde escaped suspicion, revenge from James and those who could put his pursuit of pleasure in jeopardy, Dorian could not escape himself. This is the theme that really stuck with me. Dorian pursued pleasure with complete disregard for his soul or his conscience and in the end it led to his lack of pleasure and death.

Firstly, Wilde expresses hedonistic desire leading to punishment through the use of literary devices; namely symbolism and imagery. When Gray regarded Sibyl with pity and “his chiseled lips curled in exquisite disdain” (Wilde 101). Through imagery, Wilde conveys Gray’s character of cruelty wrought out by selfish desire. After that, what followed was the suicide of his lover. This reveals that living selfishly produces consequences through others. Another example can be found when Wilde uses symbolism through the picture to reveal reality of emotions. As Dorian got up to check his painting, it was “unmistakably [...] altered” (Wilde 108). The painting reflected the reality of Dorian Gray’s inner beliefs. The change in the picture is a loss of selflessness. Furthermore, his selfish desires are reflected through the picture and the change in the portrait is the consequence for doing hedonistic actions. Therefore through symbolism and