Sahar Khalifeh’s Wild Thorns provides a snapshot of the Israeli occupation of Palestine and the ongoing conflict in the region. Khalifeh’s critique of not only the Israeli occupants, but the Palestinian bourgeois as well, demonstrates the difficulties of the Israeli occupation where the people are not as poor as they once were, yet Palestinian homes are blown up nightly. The Palestinian working class people, forced to choose between nationalism and supporting their families, must face the shame of working in Israel as the Palestinian landowners turn their backs on them. Through the use of repetition and reference to a common Arab folktale, Khalifeh speaks to the plight of the Palestinian proletariat. Additionally, the complexity of the …show more content…
This same sentence shows up again on page 56 as Adil is once again asked to tell an Abu Zayd tale. Perhaps Adil wants to ignore the story because it forces him to face his feelings of complacency in the Israeli occupation or maybe he holds a sense of shame that he himself cannot live up to the heroic actions of Abu Zayd like Usama and Basil are trying to. Either way, Adil ignores the folktale and pushes it aside as “an old tragedy.” The placement of the folktale within the novel, as well as the use of repetition that accompanies it, allows Khalifeh to critique the Israeli/Palestinian conflict as a whole. Built around events that occurred in the 11th century, Sirat Bani Hilal is the original tale of Abu Zayd. The history behind the folktale repeats itself within the events of the story and mimics Khalifeh’s use of repetition. Abu Zayd is forced to fight against both a Jewish leader and an Arab king in order to unite his tribe. Similarly, Khalifeh not only shows the Palestinian resistance to the Israeli occupation but also demonstrates the class conflicts between the Palestinian people themselves. “Khalifeh argues that ‘class disparities’ (29) in the West Bank meant that the conditions of the working class and poor were ‘tragic; and pushes them to search for jobs in the Gulf” (Abu Manneh 127). The treatment of the working class by the Palestinian bourgeois forces them to look for jobs within the enemy territory in order to simply feed their families.
“Life, liberty and the pursuit of property (happiness)” is a familiar phrase known from the United States’ Declaration of Independence. It says that we believe these are the three inalienable rights of all human beings and that it is the government’s job to protect these absolute privileges. Extensive advocation of these inalienable rights of man date back to the time of John Locke, over 300 years ago. In Emile Habiby’s novel, The Secret Life of Saeed the Pessoptimist, we meet Saeed, a Palestinian who becomes a citizen of Israel. Through his stories we are shown the inequality Arabs in Israel face and how the ‘inalienable’ rights we take for granted are being withheld from Israeli Arabs.
Palestinian identity has lasted the test of time through exile, diaspora, and attempts at cultural white-washing. It is through these situations that Palestine has created a unique sense of identity, unlike many nation-states. The Palestinian identity has come to transcend borders, nationality, and mediums. It is not only represented in politics and protest, but in personal expression and the arts. This paper argues that both national identity and cultural productions of Palestine represent the diaspora through noticeable adaptation based on location and support the idea that Palestinian identity isn't singularly definable.
Israel and Palestine have been battling over territory, dominance, and political freedom for many years. After the Second World War, Israeli forces occupied Palestinian territory, ridding the land of Arabs. In response, the Palestinian people demanded control over their historic land, but the Israelis refused to relinquish power over the territory. In a matter of six days, the Jewish Israeli people conquered the West Bank all the way through to the Sinai Peninsula. After the war, the Israeli forces continued to take over Palestinian land by putting pressure on them to abandon their nation. Due to this ongoing conflict, Sahar Khalifeh utilizes violence and social constraints to explore the lives of Israeli and Palestinian men through vivid diction and descriptive imagery in the 1985 novel Wild Thorns.
‘Wild Thorns’ by Sahar Khalifeh is an insightful commentary that brings to life the Palestinian struggle under the Israeli Occupation and embodies this conflict through the different perspectives brought forth by the contrasting characters. We are primarily shown this strife through the eyes of the principal character, the expatriate Usama, as well as the foil character of his cousin, Adil. Khalifeh skillfully uses literary devices such as emotive language, allusions and positive and negative connotations to highlight life under the Occupation. As the audience, these techniques help encourage us to consider the struggle more in depth, and due to the wide variety of characters, invite us to relate to them.
“Araby,” a complex short story by James Joyce is narrated by a mature man who reflects upon an adolescent boy’s transition into adulthood. The story focuses on the events that brought the main character to face his disconnect of reality. Love plays a distinct role in the boy’s delusion of reality, which Joyce relays from the beginning of the story. Minor characters, such as Mangan’s sister, The priest, Mrs. Mercer, and his uncle hold a vital role in the boy’s shattered innocence. Joyce uses these characters to introduce to the boy the hypocrisy, vanity and illusion of adulthood by highlighting their faults and later linking them to his reality.
Although Abulhawa was not there at the time, the events she discussed are true events that have occurred. This novel incorporates literature of apartheid because of how the Israelis were considered to be the majority race in power. Throughout this entire novel, Israeli soldiers have attacked, killed and injured many innocent people because they wanted to ultimately eliminate the opposing race. They would verbally attack Palestinians by saying “Fucking terrorist” and “Get rid of every last sand nigger” (Abulhawa, 2010 pg. 238). It was not until the Israeli soldiers invaded Lebanon, where the most brutal and violent acts against Palestinians were committed. What seemed to be the most shocking of all is the fact that the soldiers who were killing innocent people never seemed to have remorse aside from one who helped and fed Hudda. The protagonist, Amal is the person the readers see through. The most difficult part to read within this novel, was soon after the Israeli soldiers invaded. Amal had witness her older brother Yousef lose the one thing he loved the most, Fatima. On page 227, Yousef stated “They ripped my Fatima’s belly with a knife!! They killed my babies!!”. Amal described how difficult it was to hear such harsh things being said about her country and it was even heavy for her to witness it as well. A lot of the ruthless
Although James Joyce short story “Araby” might be seen as a straightforward love story which ends up in failure, it discusses more issues than just love and failure. The concept of capitalism and materialism are also depicted in the story through the use of young boy who became immersed in a culture that believes in capitalism. Through this, the readers experience a unique journey a poor and discouraged person.
The short story “Araby” written by James Joyce is narrated in first person point of view. However, the way the story is written, it is hard to envision that the story is being told by a young boy. The narrator’s use of such a high level of formal diction makes the story feel as if it is being narrated by someone older. The young boy likes to recall and dwell on his thoughts, ideas, surroundings and feelings. The way he reminisces on the events in the story enables us to picture in our mind how he is dealing with his infatuation and love of his friend, Mangan’s sister and life in the real world.
Arab and Jew Wounded Spirits in a Promise Land by David Shipler gives an in-depth looked in his time and experience in the Middle East. He is able to show how both Arabs and Jews have found themselves in the midst of an ongoing battle for power and control over land. They both found themselves, not being to live among one another. During this time in the 1980s some were trying to find peace during a time of hardship and gloom, but many were still caught in the normal life many lived filled with hatred towards one another.
This volume includes the most intimate poems and truly show the desire of Darwish for Palestine that is at the same time achieved and unsatisfied. For example, in “Sonnet V” Darwish wrote: “I touch you as a lonely violin touches the suburbs of the faraway place”, “in your closed up gardens”.
Furthermore, the Israeli occupation of Palestine that the film depicts is a part of the 2000-2005 second intifada between the two nations (Manekin, 2013). Nablus, in Palestine is where Said and Khaled are based, and the mission is to take place in Tel Aviv across the border. A noticeable feature of the movie is the concept of deadness, the two main characters are not suicidal but the life they are trapped in has created a sense of them being dead already (Nashef, 2016) this is represented by the oppression and the lack of opportunity that is present. This theme can be further seen in their town – Nablus. Due to the conflict, the landscape and infrastructure is bleak, destroyed and very much discarded. The depiction of the lifestyle experienced during that period of conflict, highlighted to me potential motivations.
The story “Araby” as told by James Joyce is about a young boy that is fascinated with the girl across the street. But deeper down the story is about a very lonely boy lusting for her love and affection. Throughout the story, we see how the frustration of first love, isolation and high expectations breaks the main character emotionally and physically. James Joyce uses the first-person viewpoint to tell this story which helps influence the plot, characterization, themes, and understanding of the main character.
Although "Araby" is a fairly short story, author James Joyce does a remarkable job of discussing some very deep issues within it. On the surface it appears to be a story of a boy's trip to the market to get a gift for the girl he has a crush on. Yet deeper down it is about a lonely boy who makes a pilgrimage to an eastern-styled bazaar in hopes that it will somehow alleviate his miserable life. James Joyce's uses the boy in "Araby" to expose a story of isolation and lack of control. These themes of alienation and control are ultimately linked because it will be seen that the source of the boy's emotional distance is his lack of control over his life.
Joe Sacco’s graphic novel, Palestine, deals with the repercussions of the first intifada in Israel/Palestine/the Holy Land. The story follows the author through the many refugee camps and towns around Palestine as he tries to gather information, stories, and pictures to construct his graphic novel. While the book is enjoyable at a face level, there are many underlying themes conveyed throughout its illustrated pages and written text.
Yizhar’s Khirbet Khizeh is a very interesting novella because it gives the reader a look into the the exodus of the Palestinians to be able to make way for the new Jewish state. Even though the events that take place in this novella are not real, they still reflect what occurred during the founding of Israel. This text is also written in first person and on a very personal scale. Throughout the text, the reader is able to witness how the narrator is completely haunted by his own actions. Furthermore, it is interesting how the rest of the soldiers do not seem to feel this way. For instance, they sometimes refer to Palestinians as “animals”. The importance of this is how powerful Zionist ideals can be. Zionism puts a great deal of importance