In the short story “Saving Sourdi,” the characters make the story change from laid back to very intense. Throughout the story, one of the characters gets married off, after having a boyfriend. After she gets married off she seems as if she is sending a cry for help by showing signs of abuse. Her younger sister goes off to save her with her ex-boyfriend causing more havoc because she hadn’t been abused at all just very tired. As this story unravels the way Nae, Ma, Sourdi, Mr. Chhay, and Duke react make quite an interesting story. In the story “Saving Sourdi”, Nae is Sourdi’s younger sister and Ma’s youngest daughter. Nae is more of a round character. She can go from being tough to crying. For example, after Nae had stabbed the guy in the bar, Sourdi got mad at her causing her to cry. She is the go getter in the story she thought her sister was being abused so she took matters into her own hands and proceeded to sneak out and go save her sister. Later she found out that her sister was just busy, worn down and surprisingly pregnant for the second time. …show more content…
Sourdi is the calm, go with the flow sister. She is a flat character, throughout this story her demeanor never changes. She seems to let people run her over throughout the whole story. For example, she let Ma arrange a marriage for her while she was dating Duke. The only person she does not let run her over is Nae, because Nae feels as if she must save Sourdi repeatedly. Nae tried to save Sourdi multiple times throughout the story, from the man in the bar and even from her husband Mr. Chhay. Nae is more of an independent character who feel like she doesn’t need her sisters
Sourdi is the prettier and more desirable sister. Chai highlights the incongruity of the sisters’ looks by solely depicting Sourdi’s beauty. By depicting Sourdi as a China Doll so early in the story when the two men are harassing her in the family’s restaurant, Chai sets us up to believe that she needs defending and isn’t strong enough to do it herself. Nea thoroughly believes that is her role in life. As the plot progresses, however, it is easy to see that Sourdi is in fact quite strong and unbreakable.
In Khaled Hosseini’s A Thousand Splendid Suns, many characters are forced to overcome obstacles in their personal lives. Laila and Mariam, the two main characters, find themselves married to the same man, Rasheed. Both had a good relationship with Rasheed at the beginning of their marriages. Soon they found that they were both being abused by Rasheed. Mariam and Laila overcome the abuse by taking matters into their own hands. Khaled Hosseini introduces the reader to the ways many Muslim men and women believe that marriages should be private and that how the man treats his wife or wives is his business. Many relationships find themselves trying to overcome an abusive marriage.
“Groom Service” and “The Return” are two short stories taken place in a terrible setting with the main character who deals with relationship problems. Both stories have common themes related to acceptance, acknowledgement, and recognition. The protagonist in “Groom Service”, Bernard, had the ability to survive with his hunting skill, but did not dare to seek his own love. He seeks acceptance from Marie and her family. On the contrary, Kamau in the story “The Return” seeks acceptance from a village, but finds acceptances in the change that had taken place. Due to the influence of the internal and external forces created by their family and personalities, protagonists, Bernard and
“Sonny’s Blues” by James Baldwin and “The Yellow Wallpaper” by Charlotte Perkins Gilman are two stories that reveal the consequences of individual suffering. These consequences include estranging relationships, bitter behavior, and even illness, addiction, or death. Throughout each of these stories, Sonny and John’s wife, known as the narrator of “The Yellow Wallpaper”, continue to suffer due to John’s and Sonny’s brother’s, known as the narrator of “Sonny’s Blues”, failure to meet obligations and familial compassion. Neither the narrator in “Sonny’s Blues” nor the husband, John, in “The Yellow Wallpaper” serve as the villains of the stories, however, I believe we are able to see how both their inabilities to effectively
The play “Poof” by Lynn Nottage is a story that briefly but directly shows the emotions that abused women can go through during their lives. In the story, the main character feelings go from fear, to relief, to freedom, after “magically” making her husband disappear.
Lastly, her family betrayed her by not listening to her side of the story after her sister told lies about her, and they betrayed her when they acted as if they did not care if she moved out of the house. In all of these actions, the family itself and certain members of the family are portrayed as uncaring, unsupportive, disrespectful, conniving, deceitful, and hateful to Sister. Through every action of the family, Sister is treated harshly, and she tries to not let this bother her. Yet, anger and bitterness build up inside of her until she cannot take it anymore. Consequently, it built up so much inside of her that it severely affected Sister so profoundly that she moved away from her home to get away from her family.
Each character in this story is experiencing an emotional battle which they try to find healing but for some it will be too late. The narrator in the story is Sheppard. Sheppard is a widow, his wife died in less than a year before the story began. Sheppard experiences emotional distress by trying hard to change a troubled teen, Rufus, into an honorable young man while teaching his son, Norton, to be selfless. Instead
(MIP-1): Najmah is More responsible (SIP-A): The loss of her family (STEWE-1): Najmah is now more alert in order to keep her mother safe. She hears something and says, “I push aside the curtain and step outside, holding the curved knife in one hand, the blade pointing toward the
In the story the author portrays the protagonist differently from the other characters because she talks about the physical appearance of other characters and when it comes to the narrator we have no idea what she looks like but she is developed partially through her relationship with other characters, although we the readers do come the find out that the narrator is around the age of 15-17 years old and we can assume that she has a bad relationship with her parents because first of all she talks about them maybe once or twice in the whole story and second of all we know that they sent her to boarding school so that alone proves that her relationship with them is lacking. As readers we also know that she has trouble opening up in the story she say “To open your heart. You open your legs but can’t, or don’t dare anyone, to open your heart” (237). This is a prime example of how author characterizes the protagonist as broken and emotionally damaged. And as the story progress the author becomes more honest with us the readers and herself, she starts the reveal the pain she is in and how lonely she feels. The narrator gives us an example of how she feels after sex by saying “After sex, you curl up like a shrimp, something deep inside you ruined, slammed in a place that sickness at
Her marriage also causes her to lose control. Even within the one thing that is supposed to hold strong, she is alone. Her husband, leaving her on a daily basis to work, insists that she cannot write nor visit friends and family. Thus, he leaves her alone during the day to sit
The trails and tribulations of life can cause a person to go down a road they could have never imagined. Some people are able to rise above the issues that come their way and while others become consumed by their problems. In a male dominated society, the issues of women are often pushed to the side and they are left to deal with them alone. Therefore, some women become abused by their thoughts and problems due to the fact that they do not have the ability to tackle them alone. It becomes an internal and external battle for the scorned woman to please herself, husband (or father) and the society at the same time. In the short stories, “A Rose for Emily” by William Faulkner and “The Yellow Wallpaper” by
On her journey she learns many things and questions herself along the way. She meets a guy named Miles who thinks she wants to sleep with him because she said she would give his band's demo to her husband radio show. There are a lot of paranoid people and she is one of them. While she is in the office with Metzger she puts on many layers of clothes so then he can't see much and to make sure there is
(SIP-A) Najmah was silent, uncomfortable, and unsure if she could trust Nusrat when she first met her. (STEWE-1) Protection is all Najmah needs, she can’t bear wasting her time, if Nusrat isn’t true to her, “I will have to decide later whether this women really can help me, and whether she can protect me. For now I will say nothing” (Staples 199-200). The experience of meeting Nusrat is difficult for Najmah at first, after all she doesn’t know anything about her. Aside from this, Najmah has just shown up as a boy who has been traveling in terrible conditions, so it is hard for her to speak.
her away from her task powerless. When Ismene tries to persuade her sister into staying
“It was only yesterday she had thought with a shudder, that life might be long.” (Chopin 17). “"Poof!"… gave a revealing look at the victims of domestic abuse and how they wrestle with overcoming their fear and their doubts after suffering years of abusive treatment.” (Toomer 5) Loureen unlike Mrs. Mallard, witnesses her husband’s death first hand during a marital argument. Loureen goes through denial questioning whether her husband’s death. She is happy her husband is dead but also feels guilty, because she knows how a mourning wife should react, but the joy of his demise is greater,” I should be praying, I should be thinking of the burial, but all that keeps popping into my mind is what will I wear on television when I share my horrible and wonderful story with a studio audience…”, Loureen’s husband, Samuel, was physically abusive, as revealed by Florence, Loureen’s best friend and neighbor. “Did that mother***** hit you again?” (Nottage 1563) This abuse, physical by Samuel and mental by Brently, is what allows Loureen in the drama “Poof!” and Mrs. Mallard in the short story “The Story of an Hour” to have the shared freedom they feel in the release from their respective abusive relationships.