Analysis Of Sir Gawain And The Green Knight

In “Gawain’s First Failure” Victoria L. Weiss claims that, “A closer look at the terms of the challenge reveals that Sir Gawain’s temptation begins before he ever leaves Arthur’s court, and that his first failure comes when he chops off the head of the Green Knight” (Source C). Victoria L. Weiss mentions that the temptations Sir Gawain faced started before he left the court, providing evidence that supports the idea that Gawain is young and inexperienced. Due to his lack of experience and his eagerness to prove himself, he easily falls for the temptations of the challenge presented by the Green Knight. Victoria’s examination of the idea that Sir Gawain was tempted before he left the court provides evidence that he failed his quest when he accepted the challenge. By accepting the challenge and striking the Green Knight so aggressively, Sir Gawain breaks pentangle code, which is a major part of his identity. By doing so, Sir Gawain diminishes his well-known trait of chivalry. This act of disgrace towards one of his most profound characteristic is repeated when fails to uphold his agreement with Lord Bertilak.

​In the beginning of Sir Gawain and the Green Knight, Gawain is introduced as a courtly knight with a sense of perfection. The author does this to compare it to his failures, which are later displayed through Gawain’s acts at Morgan le Fay’s castle. Gawain is portrayed to be a chivalrous knight with honor and courage. Gawain is presented with a challenge: accept the game to cut off the Green Knight’s head, and in a test of courage and honor, set out to allow the Green Knight to return the favor to him in a year and a day. This initially shows the knightly characteristics of Gawain which presents him as noble and honorable, which allows the author to shock the audience when Gawain falls under pressure to actions that contradict the chivalrous code. The first of these actions taken by Gawain in opposition to his morals is the temptation

A close reading of the Sir Gawain and the Green Knight reveals a very antifeminist view. The poem, told in four parts, tells of common medieval folklore. The stories seem to be of different plotlines, but start to intersect in interesting ways – that is, the character of Morgan Le Fay begins to frame the stories together. The half-sister of King Arthur, she holds intense hatred for her half-brother and his court. It is her thirst for the downfall of Camelot that makes this character infamous, and, surprisingly, her success and the strength of her ability that give a bad name to women. Through the examination of Morgan Le Fay’s character, it is clear that a successful woman is always an illusion.

“Sir Gawain and the Green Knight” is the classic tale of a knight of the round table who takes up the challenge of the mysterious Green Knight. The poem begins with the Green Knight’s sudden arrival and his declaration of his proposition: a knight may strike him, and then a year and one day from then he will return the blow. This tale is most well-known for dealing with the themes of a knight’s code of chivalry, loyalty, resisting temptation, and keeping one’s word. While the whole poem is full of great lines that beautifully deliver the message, one of the best passages come at the end of the poem after Sir Gawain has managed to survive his second encounter with the Green Knight. This passage perfectly encompasses the various themes of the poem, as it deals with all of the trials Gawain has faced up until that point and also explains how he deals with the shame he feels for surviving the game in the way he did.

When talking about a morally ambiguous character, many ideas may float to mind. Perhaps a Dr. Jekyll type of person will pop up in your mind, or maybe just simply a person who doesn’t let morality get in the way of their ambitions. For a character to have a sense of evil present in them, it is not necessary for them to walk around with an ominous laugh, or anything comical in those lines. Similarly, for a character to have a sense of good, it does not mean they have to be perfectly correct either. In order to put the morally ambiguity into perspective, it is necessary to analyze the presence of both good and evil into a real character, and how it affects the story as a whole. From the Pearl Poet’s chivalric romance, “Sir Gawain and the Green Knight”, Sir Gawain is an excellent example of a morally ambiguous character. In the poem, Gawain’s purely good image was shattered when he cut off the Green Knight’s head, since he took the game as a challenge. That event could be considered as the event that set the plot into action, as the following events are all resulting from Gawain’s action. However, Gawain symbolizes good by initially embracing the knight's moral code in accepting the challenge and then, agreeing to the terms of the Green Knight. Gawain still symbolizes goodness by demonstrating proper knightly actions at times. The Pearl Poet uses Gawain as a morally ambiguous character to set up the plot. He firstly sets up Gawain as a good character, then uses a series of

In Sir Gawain and the Green Knight, after Gawain ventures “into a forest fastness, fearsome and wild” (Norton, 311), he prays that he will be able to find “harborage” on Christmas Eve (Norton, 312). It is the middle of winter, and Gawain has been traveling in search of the Green Knight whose head he has cut off. After he prays and signs himself three times, Gawain finds a magical castle in the midst of a winter forest. He rides to the castle and is granted permission to enter by the lord. Gawain is attended to in a fashion befitting kings, and he meets the lord who tells his identity to all in the court. There are many significant implications and foreshadowings which occur during Gawain’s

Gawain’s first portrayal of being a true knight comes when the Green Knight makes his appearance in Camelot. The Green Knight first speaks to King Arthur and proposes that they play a “game.” Arthur will strike the Green Knight with his axe, and in return the Green Knight will return the strike in a year and a day. King Arthur agrees to this game and its terms, but as he steps up to accept the challenge, Gawain comes forward and offers to participate in the “game” in place of King Arthur. Sir Gawain says to King Arthur, “I implore with prayer plain that this match should now be mine” (341-342). Gawain goes on to strike the Green Knight, cutting off his head. However, the strike does not kill the Green Knight; he picks up his head from the ground and repeats to Sir Gawain that he will return the blow in a year and a day. In this moment, Gawain’s bravery is clearly showcased. First, he takes a challenge in place of his king, which he did not have to do.

In this small section of Fitt 2, the reader learns more about Sir Gawain’s character than in any part of Fitt 2 and beyond. He begins his Hero’s Journey to find the Green Knight, so he can return the favor of cutting his head off. Gawain meets his obstacles but “only diligence and faith in the face of death will keep him from being a corpse or carrion.” The reader now truly recognizes Sir Gawain for the persistent hero he is. He faces giants, wolves, and bulls and those aren’t even close to the main trial he must soon face. He faces the foes he comes in contact with instead of dying like a coward. He moves on oward for the honor of his knighthood and for King Arthur. Sir Gawain is not only a persistent he’s also a dutiful Christian. On his

Sir Gawain is reluctant to accept the Green Knight’s challenge. He fears for his life. In the end he only accepts the challenge to protect King Arthur’s life and honor. He knows it is his duty to protect King Arthur, but only volunteers to do so at the last second. Sir Gawain also breaks his oath to the Lord of the castle he is staying in. He broke their vow to trade whatever they had earned during the day when he keeps a sash the Lady of the castle gives him because he believes it will protect him during his battle with the Green Knight.

Ultimately, the Green Knight tempts Sir Gawain through two different games, the first being when he shields his supernatural powers from Gawain and gives him the opportunity to “decapitate” him on special terms, and in doing so, testing Gawain’s self control, and his ability to keep his word. On New Year’s Day, the Green Knight shows up in Camelot and proposes his game. He demands, “if a person here present, within these premises / is big or bold

Sir Gawain and the Green Knight is a poem that portrays the ideal knight. Throughout this poem games tend to play a very important role. There are two different games that are played. These games are played to test a knights nobility and faith, to see how far he would go to he the perfect knight. The first game is between Gawain and the green knight. The green knight gives Gawain a challenge that he has to fulfill. During this challenge Gawain has to cut off the green knight's head. The second game is between Gawain and lady Bertilak, later in the story when Gawain goes back to finish the rest of his challenge he runs into lady Bertilak and she strikes him a deal. These games are all a test, to see which knight holds the most courage.

Gawain failed his test before he even began by choosing to behead the Green Knight rather than striking a nonlethal blow. In the first part of Sir Gawain and the Green Knight, Gawain “[b]rought [the axe] down deftly upon the bare neck” of the Green Knight (423). The choice to start the game with a lethal blow shows that he has little care for his chivalric code. Though the Green Knight never specifies that Gawain should not hit him fatally, the agreement states that they will meet in a year and Gawain will receive the same blow, which would not be possible if the Green Knight had died. His first instinct is to kill the Green Knight in order to avoid the outcome of the challenge, which is an act of cowardice that the chivalric code does not

In Sir Gawain and the Green Knight, Gawain must travel on a quest to the green chapel and meet with the Green Knight in exactly 1 year and a day. While on this quest he must follow the terms of the agreement; which are that whatever is hunted or caught while at Lord Bertilak's castle must be exchanged with the Lord himself. This all started when the Green Knight challenges King Arthur. This challenge being that whoever accepts the challenge can strike him with his own axe, on the condition that the challenger find him in exactly one year and a day to receive a blow in return. Sir Gawain steps up and accepts the challenge.

Throughout the history of fictional writing, cultural values of certain time periods have been expressed and implemented through the depiction of the heroes’ experiences on their journeys and the knowledge they gain by the quest’s end. For example, in Sir Gawain and the Green Knight, a chivalric romance written in the Late Middle Ages, Gawain epitomizes a knight with the characteristics that knights from the Late Middle Ages were expected to possess according to the requirements outlined in the rules of chivalry, such as honor and valor. Likewise, Beowulf, the hero of the folk epic Beowulf, embodies the qualities of an exemplary hero as well as king. Therefore, in both stories, the reader encounters a heroic character that is presented with traits that Anglo-Saxons and the Middle English valued in their culture through their stories’ monomyths, a concept of similar and structural sequences that can be applied to many stories, created by Joseph Campbell. Some of these values are carried from the Early to Late Middle Ages and can be seen through the works of both Sir Gawain and the Green Knight and Beowulf.

According to Christopher Reeve, “a hero is an ordinary individual who finds the strength to persevere and endure in spite of overwhelming obstacles.” In today’s culture, the hero is frequently depicted as a knight in shining armor, an image that originates from age-old literature such as the fourteenth-century Sir Gawain and the Green Knight. In such literary works, the heroic knight has several virtuosic character traits: friendship, chastity, generosity, courtesy, and piety; however, he must also endure a quest in which his virtues are tested. In Sir Gawain and the Green Knight, three obstacles challenge the hero Gawain’s morals, including the Green Knight, the seductress, and the threat of death, leading to a further maturity of