Character Analysis Of Sir Gawain And The Green Knight

“Sir Gawain and the Green Knight” is the classic tale of a knight of the round table who takes up the challenge of the mysterious Green Knight. The poem begins with the Green Knight’s sudden arrival and his declaration of his proposition: a knight may strike him, and then a year and one day from then he will return the blow. This tale is most well-known for dealing with the themes of a knight’s code of chivalry, loyalty, resisting temptation, and keeping one’s word. While the whole poem is full of great lines that beautifully deliver the message, one of the best passages come at the end of the poem after Sir Gawain has managed to survive his second encounter with the Green Knight. This passage perfectly encompasses the various themes of the poem, as it deals with all of the trials Gawain has faced up until that point and also explains how he deals with the shame he feels for surviving the game in the way he did.

Have you ever made a first impression about a person, but when you actually talk to or learn about the person you found out that what you thought, was completely wrong? Humans are always making assumptions based off what they see at that very moment. For instants, an athlete makes an error and a coach judge them for that error , yet that athlete is just having a bad day. Another would be someone meeting a person for the first time, and the way they act around you, makes you have a first impression of them. Not everyone that you meet, will be the same or have the same thought as you, nor will they always make a great first impression. It’s the little bit of time you spend with the person that you find out they’re different from what you was thinking. First Impressions can be very deceiving as shown in various British Literature pieces such as “Beowulf”, “Pride and Prejudice” and “Sir Gawain and the Green Knight”.

Archetypes are universal symbols used in literature to represent fundamental human motifs. In the medieval romance Sir Gawain and the Green Knight, the hero must undergo archetypal situations to succeed in his quest to redeem the honor of Camelot. Gawain embodies the transcendent hero as he further goes into “The Zone of Magnified Power” (Campbell 71) then faces conflict resulting from the threat placed on the society. Sir Gawain and the Green Knight dramatically demonstrates how a single character can play many archetypal roles.

Medieval romances are dramatic theatrical narratives that usually include heroes, adventures, and of course the excitement of love. These stories have been around since the 12th century, first appearing in France and then later seen in England. They were some of the most popular texts of the era. Sir Gawain and the Green Knight is one of these stories introduced in the 13th century. In fact, it’s so old that nobody knows who even wrote the poem. Sir Gawain and the Green Knight is an exciting tale where Sir Gawain is tested as a knight by facing challenges and adventures. Sir Gawain and the Green Knight shows us the all the main traits and characteristics of a medieval romance, such as supernatural elements, mistaken identity, larger than life characters, and lastly a hero facing and passing tests of loyalty.

In Sir Gawain and the Green Knight, after Gawain ventures “into a forest fastness, fearsome and wild” (Norton, 311), he prays that he will be able to find “harborage” on Christmas Eve (Norton, 312). It is the middle of winter, and Gawain has been traveling in search of the Green Knight whose head he has cut off. After he prays and signs himself three times, Gawain finds a magical castle in the midst of a winter forest. He rides to the castle and is granted permission to enter by the lord. Gawain is attended to in a fashion befitting kings, and he meets the lord who tells his identity to all in the court. There are many significant implications and foreshadowings which occur during Gawain’s

What really characterized the medieval period?is that each literary movement was influential in the creation of other texts. It was a kind of appreciation for literature in the sense that each piece of literature fed into another which means that they were connected and that there were influences between them at the time.

In most literature today, there usually can be a specific diagram for the progression of the story and it relies on Joseph Campbell’s Hero with a Thousand Faces. Many stories include characters who explore many roles and use them to continue the plot. Within Sir Gawain and the Green Knight, these character archetypes are largely occupied by the Green Knight such as, the herald, the Evil Figure Who Is Ultimately Good, the Trickster, and the Minion. This allows the Green Knight to help Sir Gawain learn his lessons and develop the moral of the story. He exploits these characteristics to formulate Sir Gawain and as a result, demonstrates how a single character in Sir Gawain and the Green Knight can play many archetypal roles.

In Sir Gawain and the Green Knight, Sir Gawain continuously proves his knightly virtues and code of honor. Chivalry includes bravery, honor, and courtesy. He proves that he is in fact a "real" Knight. He shows his bravery by shying away from nothing and no one. He proves his honor and courtesy to everyone he meets by showing respect to all whether he receives it back or not.

Even in the middle ages of literature, a story such as Sir Gawain and the Green Knight had many aspects of Joseph Campbell’s view of the hero’s journey. In the story of our character Sir Gawain accepts a “Call to adventure” (Campbell 45) and goes on a quest that will go through many of the archetypes. Likewise, there lies one character, The Green Knight, that can be many of the archetypal characters in the cycle of the hero’s journey. Sir Gawain and the Green Knight dramatically demonstrates how a single character can play many archetypal roles.

Throughout history, archetypes have become increasingly common. In the medieval, chivalrous, romance narrative poem Sir Gawain and the Green Knight, archetypes are heavily displayed, particularly in the character of the Green Knight- who holds several archetypal roles himself. The Green Knight performs the most crucial archetypal roles in the reading and he plays a pivotal part in perfecting of the hero’s--Gawain’s--moral development and revealing some significant changes that occur in the hero’s character.

In his book The Discarded Image C.S. Lewis states that “the Middle Ages depended predominantly on books…reading was one way of the total culture.” To illustrate, imagine a young heroic knight, holding his sword in one hand and his shield in another. Standing in confidence, with a determined look upon his face before confronting his next challenge. Bravery is found in many interesting stories throughout the medieval ages. It is defined by Oxford Dictionaries as “courageous behavior or character” (Oxford Dictionaries). The use of bravery in medieval times can be determined as a sort of motivation for the people during Protestant movement in Britain. Bravery was also used as an example to people of a moral standard. Below, quotes by C.S. Lewis and from the poems of Sir Gawain and the Green Knight, Beowulf, and Judith predominantly showcase the theme of bravery in medieval concepts.

With any story, characters have always been an essential part of understanding the growth and development of a hero while also allowing the reader to better understand the overall message of a piece of literature. That being said, the poem entitled Sir Gawain and the Green Knight acts no different as the knight, Sir Gawain, serves as its hero while other characters help fulfill the various archetypes within “the idea of the monomyth that Campbell defines” (Campbell lviii). Throughout the poem, Gawain finds himself interacting with the aforementioned archetypal characters and becoming a more honorable knight in the process. Two characters in Sir Gawain and the Green Knight play key archetypal roles in the perfecting of the hero’s moral development.

Sir Gawaine and the Green Knight, a poem of pitting chivalrous courage against a game of deceitful trickery, relies heavily on the symbolic messages its protagonists send through their apparel. The anonymous poet dedicates numerous lines to describing the artifacts of armor, clothing, and jewelry both characters display. Dress, designed to convey a multitude of concepts is crucial to the story's plot; the elements of garb also work in tandem to reaffirm specific personality traits. The dominant role and emphasis of apparel as portrayed by the poet is in part a logical extension of the medieval culture climate in which the poem was penned. Middle era society placed high value on cloth and textile in general, an attitude that is reflected in

Throughout the history of fictional writing, cultural values of certain time periods have been expressed and implemented through the depiction of the heroes’ experiences on their journeys and the knowledge they gain by the quest’s end. For example, in Sir Gawain and the Green Knight, a chivalric romance written in the Late Middle Ages, Gawain epitomizes a knight with the characteristics that knights from the Late Middle Ages were expected to possess according to the requirements outlined in the rules of chivalry, such as honor and valor. Likewise, Beowulf, the hero of the folk epic Beowulf, embodies the qualities of an exemplary hero as well as king. Therefore, in both stories, the reader encounters a heroic character that is presented with traits that Anglo-Saxons and the Middle English valued in their culture through their stories’ monomyths, a concept of similar and structural sequences that can be applied to many stories, created by Joseph Campbell. Some of these values are carried from the Early to Late Middle Ages and can be seen through the works of both Sir Gawain and the Green Knight and Beowulf.

According to Christopher Reeve, “a hero is an ordinary individual who finds the strength to persevere and endure in spite of overwhelming obstacles.” In today’s culture, the hero is frequently depicted as a knight in shining armor, an image that originates from age-old literature such as the fourteenth-century Sir Gawain and the Green Knight. In such literary works, the heroic knight has several virtuosic character traits: friendship, chastity, generosity, courtesy, and piety; however, he must also endure a quest in which his virtues are tested. In Sir Gawain and the Green Knight, three obstacles challenge the hero Gawain’s morals, including the Green Knight, the seductress, and the threat of death, leading to a further maturity of