Antigone, the final play in a series including Oedipus Rex by Sophocles, discusses the ideas of leadership, family, and choices. It features two central characters: Antigone, a girl who chooses to illegally bury her brother, and Creon, a king who decrees the burial of the brother to be illegal. Upon the first encounter of the text, it appears that Antigone is the “hero” of the play, but on further analysis, one realizes that the tragic hero, as defined by Aristotle, is actually Creon. The idea of
Justification of Creon in Antigone by Sophocles Antigone is a tragic play written by Sophocles in about 441b.c. The play is a continuation of the curse put upon the household of Oedipus Rex. Sophocles actually wrote this play before he wrote Oedipus, but it follows Oedipus in chronological order. The story of Antigone begins after the departure of Oedipus, the king of Thebes, into self-exile. Oedipus’ two sons, Eteocles and Polyneices, were left to rule over Thebes. An argument over rights
Topic 9: Analysis of the Stereotypical Masculinity of Antigone and Ismene Compared to the Males in Antigone In Antigone, a play by Sophocles, the sisters Ismene and Antigone make bold and unwavering decisions. Contrary to most male characters in Greek plays, their male counterparts do not exhibit many masculine traits. Despite the fact that Ismene and Antigone are Greek women, they show more traits that are stereotypically masculine than their male counterparts such as decisiveness, fearlessness
Antigone: An Assessment of Antigone’s and Creon’s Deeply Held Beliefs and Views On Familial and State Responsibilities Contents Reflective Statement – Page 3 Main Essay – Page 5 Bibliography – Page 11 How was your understanding of cultural and contextual considerations of the work developed through the interactive oral? After taking part in the interactive oral presentation carried out by Sonia’s group, I now believe that I have gained a much greater understanding of the play Antigone
Antigone Analysis Though written over a thousand years ago by Sophocles, “Antigone” continues to resonate with people of all generations due to the internal conflict or choices between what is morally right and what is lawful. The characters are identifiable and the audience relates to the pressures and challenges they encounter. The audience becomes immersed and they, along with the characters of this play are tasked with the critical dilemma of deciding which is more important, the laws established
Antigone and Aristotle’s definition of tragedy The beauty of tragedy is its ability to capture the audience and evoke a particular emotion in it. Tragedy, as Aristotle defines it, “accomplish[es] by means of pity and fear the cleansing [katharsis] of these states of feeling” (Poetics 1449b 27-28). Aristotle claims that tragedy offers some certain value for the audience – a social and psychological value – through the empathy it sets in place for the audience. Sophocles’ tragic play, Antigone, is
Biography of Sophocles Sophocles was born near Athens, in the small town of Colonus, around 495 BC. His ninety-year life span coincided with the rise and fall of the Athenian Golden age. The son of Sophillus, a wealthy armor maker, Sophocles was provided with the best traditional aristocratic education available in Athens (Page 3). Very little is known about Sophocles as a youth, although one public record suggests his participation in “The Chorus of Youths,” chosen to celebrate the Athenian naval
real world, theses lines between “right” and “wrong” become indistinguishably skewed. Sophocles’ Antigone is not to be viewed through the eyes of morality because together hero and villain lie within the motives of both the play’s main characters. Simon Goldhill asserts that “it is difficult, in other words to read Antigone without making not only moral judgments, but the sort of one-sided moral judgments that the play itself seems to want to mark as leading to tragedy”, but this frame of mind must be
An Analysis of Fate vs. Free Will in the Theban Plays When Teiresias asks in Antigone (line 1051), "What prize outweighs the priceless worth of prudence?" he strikes (as usual) to the heart of the matter in Sophocles' Theban Plays. Sophocles dramatizes the struggle between fate and free will, in one sense, but in another sense the drama might be better understood as the struggle between the will of the goods (which it is prudent to follow, according to Teiresias) and man's will (which is often
consequences of their actions. In Sophocles' Antigone, these prejudices notably surface in the form of paternalism as demonstrated through Creon's government, highlighting the importance of gender roles throughout the play. Therefore, analyzing the motif of gender roles and its effect on the definition of justice through the perspectives of Ismene, Antigone, and Creon enables the audience to understand how Sophocles' macroscopic analogy to humanity's