Conflict In Sophocles's Antigone

In Antigone, Sophocles introduces the struggle between loyalty to civil law versus familial loyalty and divine law, which is a central conflict in the play. Antigone has a firm belief in upholding family values and honoring the gods and deceased by burying her brother. In contrast, Creon wants to do what is best for the city which is, in his opinion, forbidding the burial of Polynices. Both Antigone and Creon believe that their point of view is more important, and neither is willing to change perspective, causing the chain of destructive events in the plot. Loyalty causes the deadly dispute between Antigone and Creon because of their conflicting perspectives about precedence.

Antigone is a Greek tragedy by Sophocles. ONE OF THE three surviving tragedians of classical Athens, along with Aeschylus and Euripides, and one of the great dramatists of world literature, Sophocles spanned in his long life (497-406 B.C.) the cultural flowering of Athens in the fifth century(Segal 1). Antigone is named after the daughter of King Oedipus of Thebes, a young woman who stood against the king’s decision and believed in the gods’ law. There are many arguments regarding who is the real protagonist and antagonist in this play. The protagonist is generally regarded as the good guy and antagonist is the bad guy. Antigone is a protagonist as she is the title character in the

“Your temper terrifies them” (Sophocles 222). In Sophocles’ tragedy “Antigone”, Creon, the obstinate king of Thebes, embodies the stereotypical monarch. Ancient Athens, where Sophocles called home, used plays to educate their audience and persuade them to think a certain way; thus, Sophocles wrote of the struggle between Creon, and his son, Haimon, from the perspective of a member if a democratic government. Sophocles sought to influence his audiences political beliefs by creating the character Creon, the King of Thebes’, whose power hunger and temper makes monarchies appear absurd; however, strengthening stereotypes as a political weapon did not cease in Ancient Greece. In the past century, American screenwriters have

Humanity is often faced with ambivalence towards law; at once, we find it a necessity in attempting to deal with a world which is constantly in some type of chaotic turmoil, and also as a glaring flaw in our society, which can at times result in more chaos than was originally had. This conflict is no more obvious than in Sophocles’ Antigone. Antigone, the character, represents half of the struggle between what the law says is just and what we inherently deem to be morally upstanding – Creon represents the opposing side which views law and power as the ultimate dictator of life’s unraveling. Though Antigone is ultimately thwarted, she is on the side of justice rather than blindly following the law. Antigone’s empathy while breaking the law

Sympathy for the Main Character in Sophocles' Antigone Sophocles' play is named after its main character, Antigone, and for

Sophocles’ play “Antigone” illustrates the conflict between obeying human and divine law. The play opens after Oedipus’ two sons Eteocles and Polyneices have killed each other in a civil war for the throne of Thebes. Oedipus’ brother in law Creon then assumes the throne. He dictates that Eteocles shall receive a state funeral and honors, while Polyneices shall be left in the streets to rot away. Creon believes that Polyneices’ body shall be condemned to this because of his civil disobedience and treachery against the city. Polyneices’ sister, Antigone, upon hearing this exclaims that an improper burial for Polyneices would be an insult to the Gods. She vows that Polyneices’ body will be buried, and Creon declares that anyone who

Law, principles, and regulations are established in a community in order to create peace and order for the people. But is every law placed- morally correct? Is there anytime when breaking an unjust law is acceptable? Through Sophocles novel, Antigone, he illustrates to his audience regarding to breaking an unjust law and that no matter how high a ruler might see himself as, the Gods will always be stronger and higher than the mortals. He designs one of the first examples of a conscientious objector, Antigone, one who breaks a law that is, to her, unjust. Defying Creon’s law with her beliefs that god's law overrules man's law, she goes against him by burying the body of her deceased brother, Polynices. In spite of the fact that Antigone knew the consequences that had the power to threaten her life, she still decided to honor her brother’s memory and satisfy the gods. When being captured by the guards she had not deny the fact that she was indeed burying Polynices, in fact she stated that she did and took the consequence, even though her life was at risk. To her burying her brothers body meant more than her own life, restoring moral balance and satisfying the gods led her to disregard a law created by man. Many should consider that breaking an unjust law is not wrong, a law that is morally unjust. The law was created to protect the people and their beliefs, yet as we see through the three Theban plays we learn that one's beliefs and morals go against the law, but it's not the

such as Zeus, Hera, Apollo, Poseidon, and Ares, or following the man-made law by that of King Creon. Throughout the scenes of the play, Sophocles makes use of the Choragus to push the beliefs of the gods onto the citizens of Thebes. Sophocles does this in order to make the play directly apply to Ancient Greece, and to provide cultural insight. When Antigone makes the decision to bury her brother, Polynices, she is going against the man-made law of Creon and following the religious beliefs of the Gods. To summarize Sophocles’ Antigone, a tragedy, would include the introduction of Antigone's two brothers, Eteocles, and Polynices, who came into rule of Thebes after Oedipus, their father's death, both brothers received a prophecy predicting the two will

In the play Antigone, written by Sophocles, King Creon created a law that denied proper burial rites to anyone who invaded or betrayed the city of Thebes. Antigone defied this law by burying her brother, Polynices, after he was harshly accused of being a traitor. Both Creon and Antigone showed a tenacious passion toward their perception of justice, unwilling to accept that honoring the law and honoring the individual conscience were both justified in different ways. The stubbornness that they shared led them both to meet their downfalls, which conveyed the idea that being too proud to accept guidance from others ultimately leads to dire consequences.

Throughout history, many people have broken the law either on purpose or by accident. If it is done on purpose, others around them usually ponder the reason for it and what influenced that person to do so because it would seem so bizarre to go against authority. In the meantime, they themselves start questioning the law and if it is fair or not. Those who have broken the law may also explain the reason behind it and what their purpose was. In real life circumstances, many people have broken the law for a good cause. Whether it is by standing up to their government or to those who were in authority, they were not afraid to challenge their opinions. Similarly, in the play Antigone by Sophocles, the protagonist herself broke a law by burying

The German philosopher Hegel stated that the play Antigone written by Sophocles represents the tragic collision of right against right, with both sides equally justified. The play begins with tragedy and ends the same way. Polyneices and Eteocles were brothers whom killed each other in combat over the power of the throne. Creon, the brothers’ uncle, was the following family member to occupy the throne. But he did not desire the same pattern to repeat itself. Therefore he created a decree which punished all those who committed a crime before dying. These people would, in turn, be neglected of a burial ceremony. Eteocles was recognized as the defender of the city and with much dignity he was given all his death rights in his burial. On the

Though the choices that Antigone and Creon face in Sophocles’ Antigone differ, their decisions often end up pitted against each other’s, inviting comparison. Since I am juxtaposing the characters’ degrees of rightness, I believe that the rightness of the reasoning, not just their ultimate stances, should be examined. The entirety of his or her argument, not just the conclusion, must be taken into account. I’ll also note that my perspective of rightness could and does conflict with that of the gods in Antigone and Sophocles. Furthermore, “rightness” has an element of nuance to it because of the word’s multiple definitions and their connotations.

In Ancient Greece, new ideals surfaced as answers to life's complicated questions. These new beliefs were centered on the expanding field of science. Man was focused on more than the Gods or heavenly concerns. A government that was ruled by the people was suggested as opposed to a monarchy that had existed for many years. Freedom of religion was encouraged in city-states. These new ideals, though good in intentions, often conflicted with each other creating complex moral dilemmas. Such was the case in Antigone, a play written by Sophocles during this era of change. In the play, Antigone and Creon battle a philosophical war exemplifying the conflict existing in the Greek ideals.

Sophocles’ play, Antigone, presents conflicts such as Antigone vs. Creon and Antigone vs. Ismene. However, there is an overlooked conflict between Creon and his son, Haemon. This father-son conflict stems from the view that a son should be submissive to his father. However, Haemon does not abide his role of being submissive to his father and tries to entangle himself with his father role, which indirectly results in his death. As well through analysis of Creon’s and Haemon’s relationship gives an insight to their fates; and furthermore, sheds light on the underlying issue between democracy and dictatorship in the Greek society.

Parents are there to protect and raise their children. It is their choice on how to do it. Many can be very nice and almost not strict enough, but others can seem stubborn and mean. Unlike strict parents, people who are truly stubborn can be much, much worse. Their inability to be wrong or not get what they want can destroy relationships and lives. This happened in Sophocles' Antigone, she was doing what she felt to be right and her uncle, Creon the king of Thebes, had her killed because he did not agree with her point of view. Stubbornness can lead to bad judgments and horrible repercussions. Stubbornness is like a parasite that takes over a persons mind and body, and makes them sad, depressed, and angry. In the play almost every