Memories are what make us who we are and storytelling is how we seek to share who we are with others. This has long been the tradition of mankind, passing on our experiences and lessons to others as a means to not only enlighten and endow our listeners with what we have learned about life, but also how those lessons have served to shaped who we are. When sharing our stories and memories, we are able to better resonate with our audience by connecting with them on an emotional level. Such is the manner in which the personal experiences of war are shared in the pieces The Fog of War: Eleven Lessons from the Life of Robert S. McNamara and The Things They Carried. Although McNamara and O’Brien’s experiences of war were vastly different, their personal recollections and the separate examinations of the manner in which they each experienced the war can serve to provide insight into the true nature of warfare. Both accounts prove that human memories are important in helping us to understand our own histories and that personal experiences often color the manner and method in which that history is told, whether our role is as a decision maker or the one being affected by the decisions of others. The depiction of the memory process for each piece will be examined in order to better understand each figure’s recollection of historical events in regards to their role, where McNamara served as one of the “planners” and O’Brien’s characters as the “participants.” In the documentary,
As stated in the thesis, Timothy O’Brien also writes his short story, “How to tell a True War Story,” in the first person narrative, although the style in which he narrates is quite different than from the style in “A & P.’’ O’Brien, who was an actual soldier in the Vietnam War takes on more of an autobiographical approach to telling his “true war story.”
The author, Tim O'Brien, is writing about an experience of a tour in the Vietnam conflict. This short story deals with inner conflicts of some individual soldiers and how they chose to deal with the realities of the Vietnam conflict, each in their own individual way as men, as soldiers.
In the fictional novel The Things They Carried, Tim O’Brien vividly explains the fear and trauma the soldiers encountered during the Vietnam War. Many of these soldiers are very young and inexperienced. They begin to witness their acquaintances’ tragic demise, and kill other innocent lives on their own. Many people have a background knowledge on the basis of what soldiers face each day, but they don’t have a clear understanding of what goes through these individual’s minds when they’re at war. O’Brien gives descriptive details on the soldiers’ true character by appealing to emotions, using antithesis and imagery.
The items the soldiers carry hold a substantial amount of credibility throughout each personal story; however, within O’Brien’s story, he lacks credibility aside from the obvious tangible elements of the items held, questioning where the truth lies within these evidential fragments of the soldiers’ lives. These personal accounts of exact measurements attest the reader’s knowledge of war as well as the mental ability to calculate the exact weight upon each person’s hump through a fiction of mental and emotional agility. O’Brien quotes within Chen’s criticism stating, “A true war story, if truly told, makes the stomach believe” (Chen 77). This background knowledge of O’Brien’s theory that an “absolute occurrence is irrelevant because a true war story does not depend upon that kind of truth,”(Chen 77) places the credibility of the information upon the emotional accounts that O’Brien’s writing bestows upon the personalities of the soldiers. The “academic tone that at times makes the narrative sound like a government report (Kaplan 45),” adds documentation like analysis of these compilations of war endeavors as told by the narrator. Kaplan continues that the “transitional phrases such as “for instance” and “in addition,”’ (Kaplan 45) as well as “whole paragraphs dominated by sentences that begin with “because,”” (Kaplan 45) convince certainty of the
1. “In any war story, especially a true one, it’s difficult to separate what happened from what seemed to happen. What seems to happen becomes its own happening and has to be told the way. “ (71)
O’Brien’s unification of fact and fiction is to illustrate the idea in which the real accuracy of a war story is less significant than storytelling. The subjective truth about what the war meant and what it did to change the soldiers is more meaningful than the technical details of the
The psychological effects, the mentality of fighting and killing another human, and the sheer decimation of human values is what makes war atrocious. War is not only fought on the battlefield though. This book also describes the feelings of a soldier fighting his own demons that war has brought on. The battle that the soldier has with himself, is almost if not more damaging than the physical battle of war. He will never forget his experience with battle, no matter how hard he tries the memories of artillery, blood, and death cannot be erased. “I prayed like you to survive, but look at me now. It is over for us who are dead, but you must struggle, and will carry the memories all your life. People back home will wonder why you can't forget.” (Sledge). This struggle still happens to soldiers today. Sledge’s words of the struggles still captures the effects of warfare that lingers today. The other effects that war has on the men is the instability that surrounds them at every hour of the day. They are either engaged in battle having bullets and artillery fired at them, or waiting for battle just so they can be deposited back in the pressure cooker of survival. “Lying in a foxhole sweating out an enemy artillery or mortar barrage or waiting to dash across open ground under machine-gun or artillery fire defied any concept of time.”
In If I die In a Combat Zone by Tim O’Brien, the author shows how the hatred of war can cause remorse and sadness through memories. He uses his experiences as a radio operator in Vietnam war to showcase the range of emotions he was feeling at the time. O’Brien shows this by using memories and his comrades to paint a picture on how the war in Vietnam affected him for the rest of his life. O’Brien shows how he felt about the war through memories. Even though he opposes the war he still finds himself unable to disconnect from it.
The Viet Nam War has been the most reviled conflict in United States history for many reasons, but it has produced some great literature. For some reason the emotion and depredation of war kindle in some people the ability to express themselves in a way that they may not have been able to do otherwise. Movies of the time period are great, but they are not able to elicit, seeing the extremely limited time crunch, the same images and charge that a well-written book can. In writing of this war, Tim O'Brien put himself and his memories in the forefront of the experiences his characters go through, and his writing is better for it. He produced a great work of art not only because he experienced the war first hand, but because he is able to convey the lives around him in such vivid detail. He writes a group of fictional works that have a great deal of truth mixed in with them. This style of writing and certain aspects of the book are the topics of this reflective paper.
Most authors who write about war stories write vividly; this is the same with Tim O’Brien as he describes the lives of the soldiers by using his own experiences as knowledge. In his short story “The Things They Carried” he skillfully reveals realistic scenes that portray psychological, physical and mental burdens carried by every soldier. He illustrates these burdens by discussing the weights that the soldiers carry, their psychological stress and the mental stress they have to undergo as each of them endure the harshness and ambiguity of the Vietnam War. One question we have to ask ourselves is if the three kinds of burdens carried by the soldier’s are equal in size? “As if in slow motion, frame by frame, the world would take on the old
Can a change that was caused by a particular experience be described from a particular perspective? Can a horrible truth be expressed in words how it felt as a feeling? Tim O’Brien’s The Things They Carried, a collection of stories about his service in the Vietnam War, raises exactly such questions, and in remembering, O’Brien endeavors to answer them for himself.
Imagine being suddenly drafted to war, not prepared for the death and horror. Young, confused, scared, naïve. During the Vietnam War, many young men were forced to face a war that changed them, and not necessarily for the better. Many of the men who went to war experienced terrors that changed them in a way that affected their lives after, as shown by countless war stories and poems. Norman Bowker, from Tim O’Brien’s The Things They Carried (1990), is a perfect example of the hard-bitten war veteran archetype. Fighting in the Vietnam War and feeling as if he had a part in his friend’s death (Kiowa) caused him so much guilt and pain that he ended up hanging himself after endlessly driving around a lake when returning home. Similarly, Yusef Komunyakaa’s poem, “The Dead at Quang Tri”, emphasizes the ghosts that haunt soldiers during and after war. Overall, the haunting memories that characters deal with in war stories, like O’Brien and Komunyakaa’s, display the long lasting effects of death and war on the minds of soldiers.
The story “The Things They Carried” by Tim O’Brien is an enormously detailed fictional account of a wartime scenario in which jimmy Cross (the story’s main character) grows as a person, and the emotional and physical baggage of wartime are brought to light. The most obvious and prominent feature of O’Brien’s writing is a repetition of detail. O’brien also passively analyzes the effects of wartime on the underdeveloped psyche by giving the reader close up insight into common tribulations of war, but not in a necessarily expositorial sense.. He takes us into the minds of mere kids as they cope with the unbelievable and under-talked-about effects or rationalizing
In this essay, I will discuss how Tim O’Brien’s works “The Things They Carried” and “If I Die in a Combat Zone” reveal the individual human stories that are lost in war. In “The Things They Carried” O’Brien reveals the war stories of Alpha Company and shows how human each soldier is. In “If I Die in a Combat Zone” O’Brien tells his story with clarity, little of the dreamlike quality of “Things They Carried” is in this earlier work, which uses more blunt language that doesn’t hold back. In “If I Die” O’Brien reveals his own personal journey through war and what he experienced. O’Brien’s works prove a point that men, humans fight wars, not ideas. Phil Klay’s novel “Redeployment” is another novel that attempts to humanize soldiers in war. “Redeployment” is an anthology series, each chapter attempts to let us in the head of a new character – set in Afghanistan or in the United States – that is struggling with the current troubles of war. With the help of Phil Klay’s novel I will show how O’Brien’s works illustrate and highlight each story that make a war.
“The Things They Carried” by Tim O’ Brien is a story in which the author details the possessions the emotions and the memories which were carried by the soldiers into the Vietnam War. The accuracy fact fullness and the attention to details make this story a truthful experience, riding on a thin line between fiction and a reality. It embodies the transformation that a soldier in a war zone undergoes. The author being a war veteran himself captures the events in a vivid manner. The two works of literature serve as an authentic and knowledgeable depiction of men fighting a war. They not only carry the weight of weaponry and ammunitions and supplies needed but also the weight of the struggle and the violent deaths that surround them which weigh heavier than the items they carried. The outcomes of war for the side that wins or loses results in devastation of the people but the soldiers are the ones who carry with them the memories of pain and struggle long after the war ends. Every war is partly fought on the ground and partly in the mind of soldiers.