Analysis Of The Handmaid's Tale By Margaret Atwood

In a society where women are completely oppressed they have two choices: To conform and survive, or to rebel and risk execution. Conformity would entail suppressing their morals and their personal rights to adapt to Gilead’s social standards. Would one choose self-inflicted isolation by disassociating oneself as a human being to survive, or gain more rights and disregard all morals by working for the government? This society is represented in Margaret Atwood’s The Handmaids Tale. The novel is set in the Republic of Gilead, a dictatorship, formerly known as the United States of America. The government controls all aspects of the lives’ of its citizens, with its harshest regulations directly affecting women.

Cultural criticism is a broad technique that puts emphasis on the culture that contributed to the production of a work. This approach is an eclectic, interdisciplinary study that utilizes a wide range of topics to analyze literature. Cultural criticism considers a variety of perspectives and branches of knowledge to discover the compilation of beliefs and customs that characterize a group of people. For a cultural reading of The Handmaid’s Tale by Margaret Atwood, a cultural critic would consider the historical background paired with theories such as Marxism and feminism to make assumptions about what culture engendered the creation of this novel. (104 words)

A genuine identity and individuality is not possible in an oppressive environment especially when one’s daily life, actions, and thoughts are dictated by domineering societal expectations. Oppressive environments such as regimes controlled by a dictatorship and that run off a totalitarian government system strip an individual of their civil rights as a human being in order to gain ultimate control over its citizens. A government such as the Republic of Gilead in Margaret Atwood’s work, The Handmaid’s Tale, controls their citizen’s lives to the extent to where they must learn to suppress their emotions and feelings. In the Republic of

The Handmaid's Tale, a film based on Margaret Atwood’s book depicts a dystopia, where pollution and radiation have rendered innumerable women sterile, and the birthrates of North America have plummeted to dangerously low levels. To make matters worse, the nation’s plummeting birth rates are blamed on its women. The United States, now renamed the Republic of Gilead, retains power the use of piousness, purges, and violence. A Puritan theocracy, the Republic of Gilead, with its religious trappings and rigid class, gender, and racial castes is built around the singular desire to control reproduction. Despite this, the republic is inhabited by characters who would not seem out of place in today's society. They plant flowers in the yard, live in suburban houses, drink whiskey in the den and follow a far off a war on the television. The film leaves the conditions of the war and the society vague, but this is not a political tale, like Fahrenheit 451, but rather a feminist one. As such, the film, isolates, exaggerates and dramatizes the systems in which women are the 'handmaidens' of today's society in general and men in particular.

Most dystopian fiction takes place in the future but purposely incorporates contemporary social trends taken to horrendous extremes. The novel, ‘The Handmaid’s Tale’, by Margaret Atwood focuses on the choices made by those

It is necessary for the government to impose a certain amount of power and control of its citizens in order for a society to function properly. However, too much power and control in a society eliminates the freedom of the residents, forbidding them to live an ordinary life. In the dystopian futuristic novel, The Handmaids Tale, Margaret Atwood demonstrates the theme of power and control through an oppressive society called the Republic of Gilead. The government established power and control through the use of the wall, military control, the salvaging, the particicution, and gender.

A woman’s power and privileges depend on which societal class she is in. In Margaret Atwood’s novel The Handmaid’s Tale each group of women are each represented in a different way. The three classes of women from the novel are the Handmaids, the Marthas and the Wives. The ways in which the women are portrayed reflect their societal power and their privileges that they bestow.

As a child, everyone hears the Motto “be seen but not heard.” That closely models how the world was crafted. Margaret Atwood’s The Handmaid’s Tale helps to convey the social difference between men and women, not only within the novel but today. Women are treated as subhuman world-wide and unintentionally are told to be seen but not heard. Atwood plays on this idea within the novel as the women in it are treated as third-class citizens And are only seen as people who can become fertile in life and grow the population.

In the Handmaid’s Tale by Margaret Atwood, life in the newly formed dystopian society of Gilead is partial to the rights of women. Once the college town of Cambridge, Massachusetts, Gilead has produced laws that prohibit women from writing, reading, conversing in a casual manner, having jobs, purchasing items, and even forming intimate and meaningful relationships. They are brought down to just a means of reproduction. Those who reproduce are called Handmaids and one such Handmaid is Offred. Her way of adapting to such a drastic change of lifestyle is to separate her mind from her body, to dissociate herself from what’s happening around her and to her. Pollock, the author of The Brain in Defense Mode, cites a definition of dissociation

Psychological criticism has roots as far back as the fourth century BC, when Aristotle “commented on the effects of tragedy on an audience, saying hat by evoking pity and fear, tragedy creates a cathartic of those emotions” (Dobie 54). More recently, however, psychological criticism has been shaped and influenced by the work of Sigmund Freud. He developed theories concerning “the workings of the human psyche, its formations, its organization, and its maladies” that, while further refined by other theorists, are still the basis of the modern approach to literary criticism (Dobie 54). Freud’s theory of the tripartite psyche is used to classify and define the conscious and unconscious mind into the id, ego, and superego. When examined using this theory, Margaret Atwood’s The Handmaid’s Tale, a dystopian novel about a patriarchal totalitarian government that has replaced the United States of America, is particularly interesting.

“I feel thankful to her. She has died that I may live. I will mourn later” (Atwood 286). Many sacrifices and hard decisions are made by unorthodox people to keep what they believe in alive. There would be no rebellions and no change without these nonconforming people. Offred, the main character and a Handmaiden, would have faced eminent death in her strictly orthodox world had it not been for the rebelliousness of those who died before her wanting change. The Republic of Gilead, previously known as the United States, is a theocracy. Environmental events and population decline prompt changes. A caste system is created, and each caste performs specific duties. They are punished if the laws are not followed. The Eyes are at the top of the caste system; they make sure the laws are obeyed. Next are the Commanders and their Wives. The Handmaiden’s main task is to produce a child with their Commander. In Margaret Atwood’s The Handmaid’s Tale, some unorthodox characters challenge the theocracy such as Offred, Ofglen, and Nick.

The Handmaid's Tale, a science-fiction novel written by Margaret Atwood, focuses on women's rights and what could happen to them in the future. This novel was later made into a movie in 1990. As with most cases of books made into movies, there are some similarities and differences between the novel and the film. Overall the film tends to stay on the same track as the book with a few minor details changed, and only two major differences.

In The Handmaid's Tale, Margaret Atwood explores the role that women play in society and the consequences of a countryís value system. She reveals that values held in the United States are a threat to the livelihood and status of women. As one critic writes, “the author has concluded that present social trends are dangerous to individual welfare” (Prescott 151).

Offred is a Handmaid in what used to be the United States, now the theocratic Republic of Gilead. In order to create Gilead's idea of a more perfect society, they have reverted to taking the Book of Genesis at its word. Women no longer have any privileges; they cannot work, have their own bank accounts, or own anything. The also are not allowed to read or even chose who they want to marry. Women are taught that they should be subservient to men and should only be concerned with bearing children. Margaret Atwood writes The Handmaid's Tale (1986) as to create a dystopia. A dystopia is an imaginary place where the condition of life is extremely bad, from deprivation, oppression, or

“There is more than one kind of freedom, said Aunt Lydia. Freedom to and freedom from. In the days of anarchy, it was freedom to. Now you are being given freedom from,” (Atwood 24). The Handmaid’s Tale, written by Margaret Atwood, is a novel set in the near future where societal roles have severely changed. The most notable change is that concerning women. Whereas, in the past, women have been gaining rights and earning more “freedom to’s”, the women in the society of The Handmaid’s Tale have “freedom froms”. They have the freedom from being abused and having sexist phrases yelled at them by strangers. While this may seem like a safer society, all of the “safeness” comes at a drastic cost. Atwood depicts a dystopia in The Handmaid’s Tale