Analysis Of The Handmaid's Tale By Margaret Atwood

It is necessary for the government to impose a certain amount of power and control of its citizens in order for a society to function properly. However, too much power and control in a society eliminates the freedom of the residents, forbidding them to live an ordinary life. In the dystopian futuristic novel, The Handmaids Tale, Margaret Atwood demonstrates the theme of power and control through an oppressive society called the Republic of Gilead. The government established power and control through the use of the wall, military control, the salvaging, the particicution, and gender.

In The Handmaid's Tale, Margaret Atwood explores the role that women play in society and the consequences of a countryís value system. She reveals that values held in the United States are a threat to the livelihood and status of women. As one critic writes, “the author has concluded that present social trends are dangerous to individual welfare” (Prescott 151).

“There is more than one kind of freedom, said Aunt Lydia. Freedom to and freedom from. In the days of anarchy, it was freedom to. Now you are being given freedom from,” (Atwood 24). The Handmaid’s Tale, written by Margaret Atwood, is a novel set in the near future where societal roles have severely changed. The most notable change is that concerning women. Whereas, in the past, women have been gaining rights and earning more “freedom to’s”, the women in the society of The Handmaid’s Tale have “freedom froms”. They have the freedom from being abused and having sexist phrases yelled at them by strangers. While this may seem like a safer society, all of the “safeness” comes at a drastic cost. Atwood depicts a dystopia in The Handmaid’s Tale

Brenda ineza Ms. Wick ENG4U Mat 14th, 2018. Techniques used by gilead to successfully control people In handmaid's tale by margaret Atwood. The losing of the spirit to fight against what’s not right by the characters in the handmaid’s take teaches us how one could easily lose value of what they believe in making the opposing side successful. Gilead republic is able to successfully control people by applying brainwashing, conditioning and use of power to manipulate others as a way.

Psychological criticism has roots as far back as the fourth century BC, when Aristotle “commented on the effects of tragedy on an audience, saying hat by evoking pity and fear, tragedy creates a cathartic of those emotions” (Dobie 54). More recently, however, psychological criticism has been shaped and influenced by the work of Sigmund Freud. He developed theories concerning “the workings of the human psyche, its formations, its organization, and its maladies” that, while further refined by other theorists, are still the basis of the modern approach to literary criticism (Dobie 54). Freud’s theory of the tripartite psyche is used to classify and define the conscious and unconscious mind into the id, ego, and superego. When examined using this theory, Margaret Atwood’s The Handmaid’s Tale, a dystopian novel about a patriarchal totalitarian government that has replaced the United States of America, is particularly interesting.

If Luke and Kevin are examples of how the well-intentioned, sympathetic progressive men can be unknowingly complicit in the disenfranchisement and suffering of women, Waterford exemplifies how dangerous a man can become when he is misled by extremist feminist rhetoric. As a Commander in Gilead, Waterford exemplifies the very privilege that comes with being a man: that he “want[s] [Offred’s] life to be bearable to [her]” (Atwood, 187), without the slightest idea that her life could not be anything but miserable. Only a man who is secure in his rights and privileges could be oblivious enough to indulge in the delusion that he could create a “bearable” state of life for someone whose rights have been taken away. What sets Waterford apart from

The Handmaid's Tale, a science-fiction novel written by Margaret Atwood, focuses on women's rights and what could happen to them in the future. This novel was later made into a movie in 1990. As with most cases of books made into movies, there are some similarities and differences between the novel and the film. Overall the film tends to stay on the same track as the book with a few minor details changed, and only two major differences.

Offred is a Handmaid in what used to be the United States, now the theocratic Republic of Gilead. In order to create Gilead's idea of a more perfect society, they have reverted to taking the Book of Genesis at its word. Women no longer have any privileges; they cannot work, have their own bank accounts, or own anything. The also are not allowed to read or even chose who they want to marry. Women are taught that they should be subservient to men and should only be concerned with bearing children. Margaret Atwood writes The Handmaid's Tale (1986) as to create a dystopia. A dystopia is an imaginary place where the condition of life is extremely bad, from deprivation, oppression, or

Gilead’s society is oppressive and unjust to the point that the oppression causes delusion for the women. Gilead, through extensive efforts, tries to simmer their civilians by claiming that the incessant restrictions are for their own good. No restrictions are more stringent than those bestowed on the women, and more specifically, the handmaids. Although, Gilead claims to be built on a principal set of values, its principles are ignored and challenged to ensure everything runs smoothly in the eyes of Gilead’s patriarchy. In Margaret Atwood’s The Handmaid’s Tale, the Republic of Gilead, a corrupt government adamant on supporting a better way of life for females, undermines their very own beliefs. "There is more than one kind of freedom...Freedom to and freedom from. In the days of anarchy, it was freedom to. Now you are being given freedom from. Don 't underrate it" (24). Gilead presumes that they offer females with freedom from both sexual harassment and the indiscretion of men, but instead Gilead only supports the harassment and indiscretion.

A woman’s power and privileges depend on which societal class she is in. In Margaret Atwood’s novel The Handmaid’s Tale each group of women are each represented in a different way. The three classes of women from the novel are the Handmaids, the Marthas and the Wives. The ways in which the women are portrayed reflect their societal power and their privileges that they bestow.

When a high school jock with the perfect life, wakes up one morning with a beast that only he can see chained to his wrist, he must learn to adapt to creature bent on destroying his life, or give into its fiendishness and give up his once perfect life.

Love of God replaces love of humanity in Margaret Atwood’s, The Handmaid’s Tale. Offred’s recollections of her past life, especially of her husband, are ones filled with passion and happiness as she remembers his tenderness towards her. Much more emphasis is put on the physical human form in her memories; she often remembers lying with her husband while she wears little or no clothing. Appreciation of the human form is an essential component of loving humanity. Offred remembers the love she felt for her friends with whom she enjoyed spending time and conversing. When her friend is taken away, Offred spends much time mourning the loss of this person from her life. She also longs, throughout the

In the Handmaid’s Tale by Margaret Atwood, life in the newly formed dystopian society of Gilead is partial to the rights of women. Once the college town of Cambridge, Massachusetts, Gilead has produced laws that prohibit women from writing, reading, conversing in a casual manner, having jobs, purchasing items, and even forming intimate and meaningful relationships. They are brought down to just a means of reproduction. Those who reproduce are called Handmaids and one such Handmaid is Offred. Her way of adapting to such a drastic change of lifestyle is to separate her mind from her body, to dissociate herself from what’s happening around her and to her. Pollock, the author of The Brain in Defense Mode, cites a definition of dissociation

In a society where women are completely oppressed they have two choices: To conform and survive, or to rebel and risk execution. Conformity would entail suppressing their morals and their personal rights to adapt to Gilead’s social standards. Would one choose self-inflicted isolation by disassociating oneself as a human being to survive, or gain more rights and disregard all morals by working for the government? This society is represented in Margaret Atwood’s The Handmaids Tale. The novel is set in the Republic of Gilead, a dictatorship, formerly known as the United States of America. The government controls all aspects of the lives’ of its citizens, with its harshest regulations directly affecting women.

A genuine identity and individuality is not possible in an oppressive environment especially when one’s daily life, actions, and thoughts are dictated by domineering societal expectations. Oppressive environments such as regimes controlled by a dictatorship and that run off a totalitarian government system strip an individual of their civil rights as a human being in order to gain ultimate control over its citizens. A government such as the Republic of Gilead in Margaret Atwood’s work, The Handmaid’s Tale, controls their citizen’s lives to the extent to where they must learn to suppress their emotions and feelings. In the Republic of