The scenes I have chosen for the final project come from the films The Hurt Locker (Kathryn Bigelow, 2008) and Skyfall (Sam Mendes, 2012). The reason I chose these scenes is because they both symbolize the effects of alcohol. The scene from The Hurt Locker involves the consumption of alcohol by the soldiers, which changes their behaviors and actions. They transform from tough, serious characters, to compassionate, childish characters under the influence of alcohol. In this context, alcohol holds the power over the characters in this scene. Alcohol also plays a role of power in the clip I chose from Skyfall; it is the glass of alcohol in this scene which influences Bond’s decision. Alcohol, as well as other elements of cinematography blend together to produce scenes where power is the main theme. The scene that I selected from The Hurt Locker is titled “Stuff That Almost Killed Me.” Here, we see three soldiers, who go by the names of Will, J.T., and Owen, bonding after a long day at work. It is evident that they have all consumed a good amount of alcohol; the bottle on the table they sit around gives us this clue, in addition to the way the characters are speaking. Next, we see J.T. going through a box of items that belong to Will. As he picks each item up from the box, J.T. asks why Will kept these war items under his bed. Will describes the significance of each one, followed by saying that these are all things that almost killed him. After they disagree about the significance of the items Will kept, J.T. and Will get up and throw punches at each other, but just joking around. The scene ends with J.T. laying on the floor in pain after being hit by Will. In Skyfall, Bond is presented the challenge of shooting a shot glass off of a woman’s head. In the glass, of course, is alcohol, the element of power. Raoul (the bad guy) leads Bond to the back of an abandoned building where a woman named Severine is tied up. Bond is offered a shot of alcohol, followed by the rules of a little game presented by Raoul. He tells Bond that the two of them are going to see who can shoot a glass off of Severine’s head first. As Bond is handed a gun, the man behind him puts a gun to Bond’s head, and the music that was once playing
The vision Christopher Nolan had for The Prestige (2006) was to add to the outbreak of street magician film, whilst playing a large dramatic subplot equal in grandeur to the magical performances within the film. In the final sequence of the film, I will analyse how the cinematography and sound resolves the plot so that it summarises the themes present in the film, whilst also invoking a response from the audience. Nolan predominantly uses close up shots, non-diegetic sound (music) and dialogue collaboratively to convey the dramatic, personal subplot of the characters and their relationships, whilst appealing to the audience bringing forth an emotional response from the audience. The heavy, slow, dramatic atmosphere of the ending sequence uses various techniques to summarise and uncover the underlying mysteries of the events throughout the film and consolidate themes introduced during the exposition.
We encounter Bond as a fledgling British agent, yet to gain MI6 double-0 Status, with its ‘licence to kill’. The film strikes me as being more violent than previous Bond films, showing him cleaning up after the action - indeed, some of his injuries as portrayed were genuine, according to The Ticket, November 2006. He is less ‘superhuman’, too, than in the other films; for example, he’s not as adept at ‘free-running’ as his adversary. The new less-than-perfect Bond (he upsets M by
For the seventeen Soldiers portrayed in “The Things We Carried” by Tim O’Brien, the physical pain was very minimal weight to carry compared to the emotional scars that they will carry throughout their entire life. This story does an amazing job portraying full human emotion that anyone put into a situation would feel, such as heavy guilt, sadness, anger, lack of motivation, perseverance, horror, and false security. All of these are notorious feelings that every soldier back in history, and now still feel when they are on a mission. “The Things They carried” shows a deep vulnerability of everyday human’s thought process during times of great stress, that before, wasn’t considered by the general public and media when speaking about what it
The movie, The Hammer, tells the story of a Deaf boy, Matt Hamill, who grows up to become the first Deaf wrestler to win the NCAA Wrestling Championship and accomplishes this three years in a row. The movie is an inspiring true story of what Matt Hamill experiences throughout his childhood and adolescence as a Deaf person living in a hearing world. Furthermore, the film gives the hearing culture an idea of what it is like to be Deaf and the trials and tribulations that some Deaf people face.
The Things They Carried by Tim O’Brien is a true war story. This book is very powerful and shows many strong and thought compelling themes. It goes into great detail about war and puts many new outlooks on what it take and what it can do to a person. One of his main themes that recurs in many instances throughout this book is the view on death and violence from the perspective of war and having been a soldier. Tim O’Brien gives us many examples of his thoughts and views on death by explaining them through parables or stories that may not be completely true but can teach us exactly what his outlook is on this certain topic.
War is full of different emotions; happiness, sorrow, pain, anger, excitement, and most of all, fear. The Things They Carried by Tim O’Brien focuses all these emotions throughout the story, especially fear. He paints a vivid picture of what the fear was like that they faced. How it still affected their lives afterwards, and what that fear did to the soldiers and their thoughts.
Loving something one can’t have has led to Loneliness and poor judgment in the middle of a war. There is a variety of things that these men carried with them during the time of war, not only are there things to keep them alive physically but also some lightweight objects that kept them going mentally. This character analysis is on an excerpt from the story called “The Things They Carried” by Tim O’Brien, this short story is about men in the military who have walked on long journeys while caring certain possessions in their bags. They have traveled throughout various lands and seen many things usually bad, some have experienced great tragedy and of course death. The main character is First Lieutenant Jimmy Cross. In this essay,
Accepting the death of a fellow soldier is a very important process during war. In a war, death is almost as common as breathing. After Lavender is shot the men burn the city of Than Khe. The loss of their comrade makes then angry and they totally demolish the city. They smoke the rest of Lavender’s dope and wait for the plane to take him away. The platoon talks about the soldiers they hear about
Die Hard, a film directed by John McTiernan, successfully utilized several aesthetics, which offered viewers various meanings throughout the duration of the film. Although the diverse meanings grasped by viewers may differ, it was clear to me that McTiernan effectively applied elements of cinematography and mise-en-scene that resulted in viewers being allowed to interpret a range of different meanings or functions of the elements.
I like your idea that the abuse of alcohol should not take full responsibilities for the poor living condition and the high rate of the unemployment in the Pine Ridge Indian Reservation. Alcohol is banned in this place, while it still rampant. This may reflect the government incompetence in implementing the policies. I agree with you that the two materials show the different sides of alcohol use. The film shows that the negative impact of the uncontrolled alcohol drinking, on the contrary, the film points out the positive side of alcohol on the basis of the controlled alcohol drinking.
Martin Charles Scorsese was born November 17, 1942. Suffering from asthma, he spent most of his time watching movies and by the time he was eight, he was already drawing his own storyboards that were directed/produced by himself. Although he considered going into priesthood, making movies was Scorsese’s true calling and he went on to make some of Hollywood’s most memorable films. Incorporating themes from his Italian American roots into his visceral, cinematic storytelling that has influenced generations of filmmakers. He is an American director, producer, screenwriter, actor, and film historian, whose career spans more than 53 years. Scorsese 's body of work addresses such themes as Sicilian-American identity, Roman Catholic concepts of guilt and redemption, machismo, modern crime, and gang conflict. Many of his films are also notable for their depiction of violence and liberal use of profanity. Part of the New Hollywood wave of filmmaking, he is widely regarded as one of the most significant and influential filmmakers in cinema history. For three decades Scorsese has been at the forefront of American cinema. Its most avid champion and often its most electrifying practioner. The most cinematic of directors, he has also been among the most formally restless and exploratory, evolving an obsessive-compulsive mise-en-scene based on dynamic, agile camerawork and radical editing rhythms.
“The Mission” is a film that gives a historically accurate depiction of the events that took place in South America around 1750, displaying the jesuit missions and their attempt at expanding missionary ventures in the area. These missions foresaw the Jesuits going to uncharted areas of the jungle inhabited by the Guarani people, demonstrating the significance assimilating the Guarani people meant to the Jesuits. Additionally, the Guarani people were accurately displayed as a self-sustained society where basic components such as: productivity, protection, justice regulations and a form of a leader was evident in the form of their King. Nonetheless, the Guarani were an isolated group of individuals who were secluded to the outside world; their only contact with outside personnelles were slave traders who would put them into forced slavery for personal benefits. Not to mention the “Treaty of Madrid”, which resulted in the social and political disputes between the, Portuguese, Spanish and Catholic community; manifesting in the form of territorial conflicts and misunderstandings amongst the three vigorous societies, where each have a different purpose for the Guarani people.
“The rush of battle is often a potent and lethal addiction, for war is a drug.” This quote is the first thing that flashes across the screen as viewers begin their journey into The Hurt Locker, a critically acclaimed war movie written by Mark Boal and directed by Kathryn Bigelow (Hurt). The quote was written by former New York Times war correspondent, Chris Hedges and it perfectly sets the stage for a story that depicts just how potent and addicting war can be (Corliss). The 2008 movie won six Academy Awards including Best Picture, Best Original Screenplay, Best Director, and Best Actor in a Leading Role (“Nominees & Winners”). The Hurt Locker is an exceptional movie that contains everything one would expect from an award-winning film:
This movie is amazing and inspirational to other young black women, it shows that you many struggle but if you keep going your dreams and hard work will be recognize. This film touch on the gender norms and racial norms, which has strong connection to the four reading I choice to critical review this blog. This movie has strong connection to the Gaga Feminism theory, the concept is “a set of wholesale changes that may be most obvious in the realm of gender norms but that also stretch too many other realms of everyday experience and that call for improvisational feminism that keeps pace with the winds of political change.” Hidden-figures proved that Black women can do whatever they want if they put their mind to it. This is breaking down what society has deem as the normal way of doing this.
In contrast to a utopia, according to the power point provided in class a dystopia is “an imaginary place where people live dehumanized and often fearful lives.” The movies The Matrix, 1999 and Avatar, 2009 overall seem to me as dystopian films. To show how each film portrays the different aspects of perspectives on the future, and a dystopia, I’m going to use the settings, actions, and outcomes of each film.