Analysis Of The Movie ' China Boy And John Maxwell Coetzee 's Life And Times Of Michael K.

A mother and a child. A love that transcends no bounds. To give up a child leaves a hole that nothing can fill. An empty abyss. In the heat of the moment, the mother is convinced that she is doing right by the child. Giving that child a life that they themselves will not be able to give. It hurts to leave, but they know deep down, that the sacrificing of their happiness for the child’s well-being is what is best. In the photograph Mother and child by Jerome Liebling, the mother stands, child in arms, before the steps. Before the steps of giving up the one piece of joy she has in her life. Holding a blank expression on her face, trying not to show any emotion as it would only make what she is about to do harder. She is tired, worn down by the weight of the world. Contemplating what she is about to do, although she knows it will not help.

Michael is a sub-affected person of the war . He is affected because of Alice going overseas to become a nurse. “Alice was in one of the war zones… [and] we feared for her life.” In the process, Alice became missing for a while and in result Michael received a stroke, and starts to feels depressed about everything.

Losing a parent is presumably an unthinkable concept for those lucky to have them alive, but sometimes the title of “parent” dies long before a body is placed in the ground. Toi Derricotte author of “Beginning Dialogues” unfortunately had to experience both the death of her mother’s title of “parent”, as well as her literal death. Derricotte’s parents had divorced when she was eighteen, and her father did not seem to play much of a role in her life; she was left to be raised by her mentally abusive mother. Her mother also had a tough road to walk growing up, having to face and deal with brutal issues like racism and bulling. Persevering through those tough times may be the underlining reason behind Derricotte’s mother’s negativity and abuse towards her daughter. Perhaps she just grew a thick skin at a very young age and had never learned how to feel, accept, or administer love. Derricotte’s had said: “She told me all my life she loved me, as if she completely forgot the hundred slights, humiliations, threats, and insinuations. Of course she loved me;

Michael was brought up in poor project housing that was consumed by drugs, alcohol, and gangs. He was pushed in and out of foster homes forcefully being separated from his mother and siblings. As the movie showed in harsh flashbacks, Michael is deeply affected by the forceful separation from his mother. This constant absence from the mother or other supportive figures leaves Michael unable to make a secure attachment to any strong base. Erikson’s stage of trust versus mistrust is displayed due to Michael’s inability to count on the kindness and compassion of others which leads him to withdraw from his surroundings (p 248). This abrupt memory in life affects Michael in his idea of family and commitment. The harsh environment also kept Michael from attending school, and the times he did there was no support for him to even try in school.

He liked his accent. He liked what seemed to be a good heart. He liked the way he didn't treat him like a kid and the way he was unafraid to make mistakes in his new language." In this quote Michael expresses why he admires the rabbi and takes such a liking to him even though the rabbi is of a different religion and has different beliefs. Michael communicates that differences in religion should not have an impact on the relationship of two people. It is human nature to treat others the way one would want to be treated regardless of the differences in beliefs two different people may have. This simple fact of life is personified in every interaction Micheal had with the rabbi since the rabbi treated Michael as an adult and with a great amount of respect and kindness, in spite of the fact that Michael is a Christian and he is a Jew. Michael reiterates the kindness and respect embodied by the rabbi back towards him regardless of the fact that he may disagree with the rabbi's

Michael suffers great depression since his dog Ked died. Most of his family and other colleagues address him to see if he is through with Ked’s death, but really he was depressed all along. “I can't tell how sad i really am about Keds versus how sad i am in general”(Cameron 223). In addition, Michael gets sad of unusual things. “I can picture her eating a banana in her tiny office. This, too, makes me sad”(226). Michael gets depressed about Mrs. Dietrich being alone. Also, Michael gets heartbroken about other little things. “I think of her learning to write beautifully as a child and then growing up to be a guidance counsellor, and this makes me unhappy”(227). Michael is not just depressed of his dogs death, but every little problems in his life.

Michael struggles making friends. one way he does is in paragraph 21-28 it says Michael hadn’t made any friends the teachers barely notice him. This is probably because his parents dead and he is being quiet in class. But one day Michael went to the pet store looking for something small and living and hermit crabs where a dollar. When Michael got home he showed the hermit crab to Aunt Esther. “Where is he” says Aunt Esther. Then some eyes poke out of a shell.

The line between being an acceptable and unacceptable parent is often blurry and is seen on different perspectives when it comes to class, culture, and generation differences. Based on the two stories of Amy Tan’s, “Two Kinds” and Tillie Olsen’s, “I Stand here Ironing” we see these two perspectives that derive from different maternal upbringings of the children in the stories. What is found between them is the conflict of being too little or heavily involved in a child’s life has had more negative outcomes during their childhood than positive.

Scheper-Hughes provides a controversial breakdown of the mothers' evident lack of concern to the death of their babies as not a repression of grief, but as a plan for endurance. The mothers, by allowing themselves to form attachment to only the babies who have already verified their capability to survive by doing so during early infancy, these women can increase the existence odds of their strongest children. Modern ideas about "mother love," and about mother-infant bonding as a naturally occurring process that in general occurs in the first few moments of a baby's life, are the cultural result of the statistical differences which allows women to give birth to just a few children, each of which she may be expecting to raise to adulthood.

As a young child Michael suffered abuse and enforcement to succeed by his father. Michael has said that this has affected his physical development as there had been times when his father would come to see him and he would be sick. This was just from the fear he had of his father hurting him if he did not do well.

With Michael and his circumstances and the welcoming of him in the family this enhanced his

The dramatic irony of Michael’s moral culpability is thus the catalyst for his psychological trauma. “It was explained to me that in the end, Michael Holtzapfel was worn down not by his damaged hand or any other injury, but by the guilt of living.” (pt 10: the ninety eighth day) Traumatised by the image of his death brother, Michael commits suicide, perplexed that his desire to live persisted even after witnessing the courageous displays of sacrifice and suffering when in battle. The incessant bleeding from the injury he received during battle can be perceived as his draining will to live. The episodes of bleeding usually occur when he recoils the account of his brother’s death, leading to the possibility that the strains of guilt are eating away at him. “Why do I want to live? I shouldn't but I do.” (p. 487) This indicated that his grapple with guilt was an ongoing

Lesley Choyce’s The Book Of Michael illustrates that it is important to move on from hardships that occurred in our past. Michael decided to move on from his girlfriend’s murder, and instead of mourning, he decided to go back to school and do something with his life. “I had nothing to lose. I had already lost it all. I was free. Strangely enough, my parents tried to stop me. They thought I had lost my mind. ‘Why today?’ my dad asked. ‘What do I have to lose?’ was my answer.” (Choyce 147-148) This quotation tells us that Michael wanted to go back to school and start a new life again. He keeps repeating that he has nothing to lose, which shows us that he is starting from scratch again and has nothing that he can possibly lose. In addition, Michael

Maya Angelou said, “To describe my mother would be to write about a hurricane in its perfect power. Or the climbing, falling colors of a rainbow” (Wanderlust 1). The relationship a mother has with her child transcends all other relationships in complexity. Maternity largely contributes to the female identity in part because the ability to sexually reproduce is uniquely female. With this ability often comes an unparalleled feeling of responsibility. That is, mothers experience an inherent desire to protect their children from the world and guide them through life. Serving as a child’s protector then transforms a woman’s perspective, or the female gaze. While these protective instincts often arise naturally, they are also reinforced by the ideas society’s perpetuates about motherhood. Globally, women are expected to assume the roles of wives and mothers. The belief that motherhood is somewhat of a requirement assists in the subjugation of women and reinforces a plethora of gendered stereotypes. While some women enjoy the process of childrearing, others feel that having a family comes at an irreparable cost: losing sight of oneself. In response to the polarized views surrounding maternity, several authors have employed different writing techniques to illustrate the mother-child dynamic. Through the examination of three narratives, spanning fiction and non-fiction, one is able to better define maternity and the corresponding female gaze in both symbolic and universal terms.

Treat with compassion and respect: Is Michael able to move forward and treat Jenny with compassion and respect?