Analysis Of The Phantom Of The Opera

Fear of cuckoldry is widely known theme in medieval and Renaissance English literature. Fear of cuckoldry was also a widespread fear in English society during those eras. Men often treated their wives as possessions. Once men and women married, divorce was almost impossible, especially since it was almost impossible to prove that one had been cuckolded. If one were cuckolded and one’s wife had another man’s child, one might spend decades taking care of that child and passing on one’s money and belongings to that child without ever knowing that one had been deceived. Unmarried women are seen as their fathers ' property and the play 's two marriages are marked by jealousy and cruelty. Most

In Othello every character has their own personalities that makes them the person they are. In Othello there are characters that show true grit, a fixed mindset, and a growth mindset. Each characters are different which makes the book even more interesting. True grit means to endure and push through to do something better no matter what it takes. An example of grit is studying for a long period of time for a test and enduring the amount of work that must be completed. The definition of mindset is the established set of attitude held by someone. There are two other types of mindset as well. There is growth mindset and fixed mindset. Growth mindset is when the person isn 't

I was much more fond of the symphony music played by Mozart, although there was not much featured in the movie. I am not a big fan of Opera’s to begin with, so I am a little biased when judging them. I found Don Giovanni and the Opera written alongside Salieri more preferential; there was more substance and feeling in those. The opera Figaro to be extremely boring; apparently so did Joseph II. It was extremely slow with the same dark melody the whole piece. I most enjoyed the first Opera commissioned by Emperor Joseph II. The whole piece was brilliantly put together, I can’t imagine how someone could put all those notes together and make is sound like it did. It reminds me of listening to Jimi Hendrix on the guitar, or Bach on the Harpsichord.

Othello, a play that was written in 1604 by William Shakespeare, is an example of a type of story called a “tragedy.” Throughout the course of the work, Othello proves himself to be very easily misled, despite his heroic status. This causes him to lose his ability to make good judgments and decisions. Even though Othello had a reputation as a hero, he ends up being one of the most gullible characters in the play when he completely falls into the evil trap that Iago set for him. As the story unfolds Othello’s character evolves in an extremely tragic way as Iago manipulates him and leaves him to rot in his misery. Eventually, this leads to Othello’s suicide.

Family friendly, heart tugging, hilarious, energy filled, Matilda the Musical does it all in this unbelievable performance and is a must see for everyone. The humor is perfect for all ages and will have everyone laughing, but at the same time still has little remarks that go over the kid's head. Matilda the Musical is currently playing in the beautiful Cambridge Theatre in London’s West End and the set and special of effects of the Matilda are a little unnecessary at times, but still impressive nonetheless. This show will have you laughing and talking about the performance for days to come!

‘Matilda the Musical’ was adapted by Dennis Kelly from one of Roald Dahl’s most famous books, with the lyrics and music being written by Tim Minchin. Matilda was first performed in November of 2010 at the Royal Shakespeare Company, before moving to the West End the next year. The musical tells the story of Matilda, a five year old who escapes her oppressive family and school life through books, and she eventually realises she has the power to move objects with her mind. The song I will be performing is called ‘Quiet’, which is in the second act of the musical. During this song, the audience see a true glimpse of what it is like in Matilda’s mind, and the process she goes through to contain her own anger. Just before the song Matilda’s teacher, Miss Trunchball, has been yelling at her class, until Matilda yells back. Miss Trunchball turns her attack on Matilda, who drowns out the noise and begins to sing to the audience. Throughout the song, Matilda becomes calmer, finding herself in a state of serenity. However, at the end of the song, Matilda is still holding onto some of her anger, and uses it to tip over a cup of water, containing a newt, onto Miss Trunchball. In my performance, I will endeavour to show the audience the chaos that is inside of Matilda’s mind, and how she does her best to control it, both through my vocal techniques and small physical movements.

When pairs of texts are considered together, their universal themes and ideas lead to greater understanding, appreciation and insight of both the old and the new. The texts Othello, William Shakespeare (1600) and Othello, Geoffrey Sax (2001), ring true for this statement. Despite the differing contexts and ages, the universal themes of racism and betrayal bring new meaning to each of the texts. The primary meaning from the juxtaposition of the two is that of the human condition, and how the problems faced in the 17th century are faced in modern times.

Shakespeare is known for his use of recurring themes throughout his work, including love, death and betrayal. These themes are present in his work of Othello. However, the most fundamental issue is jealousy. The lives of the characthers in Othello are ruined by jealousy from the beginning to the end of the play. The telling of the story is carried out by passion, jealousy, and death. Shakespeare’s Othello reveals devastating tragic inevitability, stunning psychological depth, and compelling poetic depth; the fragility and mysterious power of love, as well as demons of doubt, and how suspicion can be triggered by manipulative villain (Barthelemy 12).

physical description of the Opera Ghost. At the masked ball the Opera Ghost does a perfect job

The movie, Requiem for a Dream (Selby & Mansell, 2000) exposes the multiple faces of addiction. Addiction can change a person’s identity and therefore, impacts each person differently. This movie explores the life of four addicts who push the boundaries of their own lives leaving the viewer to wonder, how far will they go to use drugs? The focus of this paper is on what addiction looks like for the character, Harry Goldfarb.

“Echoes is written in C Sharp Minor, and the riff begins on the tonic chord. Phantom of the Opera is in B Flat minor and also begins on the tonic chord. Putting tempo differences aside, the C Sharp Minor and B Flat Minor Chords respectively hold for a relative equivalent beats. In the final beat(s) of the bar, a descending chromatic four note pattern plays, beginning on the tonic note, and finishing a major third below (A major chord in Echoes, and a G flat major in Phantom)...The chords however are comparably far less audible due to the left hand accenting octaves of the root notes, and serve only as slight substance and not much audible difference” (Alexondrovics, 2016. p. 5).

Geoffrey Sax 's advanced retelling of William Shakespeare 's Othello can control Shakespeare 's unique ideas in spite of the time period and connection in which both writings happen, while investigating the all inclusive topics of prejudice, misogyny and force. Shakespeare 's play reflects conventional Elizabethan connections and qualities in its investigation of such ideas amidst a catastrophe impelled on by misleading and desirously (Aebischer 12). On the other hand, Geoffrey Sax 's 2001 representation of Othello, set in 1980s London, concentrates on issues of prejudice and ladies in a post-women 's activist society. In spite of the diverse the distinctive time periods both writings have the same all inclusive thoughts.

At first glance or giving a slight ear to the two plays “Trifles” and “Othello” the differences can be very noticeable. “Othello” was written by a man William Shakespeare and “Trifles” by a women Susan Glaspell. While Glaspell authored her play in the twentieth century, Shakespeare on the other hand penned his play in the seventeenth century. “Trifles” theme dealt with isolation whereas jealousy was the theme in “Othello”. When taking a closer look and compare the two the use of verbal irony, situational irony, and dramatic irony are used in the same way to keep the audience intrigued and full of suspense.

On the evening of July 27th, I attended a production of “Carrie: The Musical” based on the novel “Carrie” by Stephen King. The musical was performed by Near West Theater in Cleveland and directed by Devon Turchan. The main character who name is Carrie White is an outcast through the entire play and her entire life you learn this when the other students talk about past experiences with Carrie. The main antagonist in the play is her very own mother Margaret White. Ms.White is a very religious woman that wants to protect Carrie from the dangers in the world and even herself, very overprotective women and to what I believe very crazy. The plot is brought to life by supporting characters/actors in the play who names are Sue Nell, Tommy Ross, Chris Hargensen, Billy Nolan, Miss Gardner. The actions of all these people building up and resting on carrier shoulders throughout the play cause her to find out she has powers. The end of Act II is when everything comes together Carrie who was invited to the prom by Tommy Ross in a generous gesture that was purposed by Sue Nell. The prom was going very well and Carrie was becoming carefree and was seeing everything she missed out on. Things took things for the worse when Chris and Tommy pour pigs blood on her when she won prom queen. Carrie took all the frustration and years of bullying and the powers she found out about she burned everyone alive at the prom. When she got home she was covered in blood and was crying her very own mom took

The main characters in this film are, The Marquise de Merteuil (Glenn Close), The Vicomte de Valmont (John Malkovich) and Madame de Tourvel (Michelle Pfeiffer). Our secondary characters, Uma Thurman and Keanu Reeves are a perfect balance of manipulation yet,