Having read the poems by Poe and Keats, it is easy to point out that beauty is a main theme. Although they each talk about different forms of beauty, centrally they come together to explain the beauty of a deeper subject.
John Keats’s “Ode on a Grecian Urn” tells of when Keats lets his imagination run free while trying to decipher pictures on a Grecian urn. While Keats stares at the urn, he expresses wonderment, lust, happiness, and many more emotions towards the beauty of the stories. Keats relives the character’s lives through his own imagination. He thinks about the feelings that the characters might express if they were alive. The phrase “Beauty is truth, and truth beauty,” (691) found in John Keats‘s poem Ode on a Grecian Urn, forces the reader to search for this understanding of this phrase and then later apply it to the poem. Though this phrase has little words, it is can be hard to define. Although all of the images displayed on the urn are not pretty, he still finds beauty in every one of them.
In the first stanza, Keats is trying to conjure up the explanations to the pictures that dance around the urn. When he asks himself the question “What men or gods are these? What maidens loth? What mad pursuit? What struggle to escape? What pipes and timbrels? What Wild ecstasy?”(689). Keats is referring to the figures on the urn. He is trying to discover the story behind the engravings. Are they mythological gods? Why are they fighting? Keats also says “Thou still
The similarities between the poems lie in their abilities to utilize imagery as a means to enhance the concept of the fleeting nature that life ultimately has and to also help further elaborate the speaker’s opinion towards their own situation. In Keats’ poem, dark and imaginative images are used to help match with the speaker’s belief that both love and death arise from fate itself. Here, Keats describes the beauty and mystery of love with images of “shadows” and “huge cloudy symbols of a high romance” to illustrate his belief that love comes from fate, and that he is sad to miss out on such an opportunity when it comes time for his own death.
Poetry is a beautiful way to express the subtext within it, using literary devices which enhances the poem 's beauty. Poetry is considered to take distorted ideas and transforms it into beautiful words. Therefore, resulting the harsh truth being displayed in a form of a poem for readers to sink into another point of view. These creators called poets, are a group of people with a wide variety of experiences that an average person does not usually experience. They can create a more unified meaning in their masterpiece, without taking up 300 pages to exhibit their meaning, and still hold different interpretations by different readers. Poets are known to uncover the truth, which could be their experiences or reality based ideas, by beautifying the reality with literary devices to make it more relatable and enjoyable but still hold that very core of the meaning behind the poem. Poetry is a powerful vessel, between creator and reader, to change a person’s outlook of life or one’s surroundings. A poem can change moods, enhances one’s personality, gain a sense of people knowledge and become a bit more sensitive around one 's world. Even if poets are not aware of the power poetry holds, they still do it to convey an experience, a lesson or a journey. All of this relates to 'Love and Roses ' by Tracy Marshall, where the speaker is telling the reader a journey of their blinding love. The abusive relationship exists in the speaker 's life but is distracted by the idea of the
“Beauty is the sole legitimate province of the poem” Poe, Edgar Allan. The Philosophy of Composition. 1846. The name Poe often brings to mind tales of horror and mystery, but this Poe was also a writer of sophisticated poems, capable of extreme poetic beauty within a dark genre of writing. Poe never lived the happiest of lives, but his writing is extraordinary, both for its execution, and for the sheer elegance of the words which he found to write upon the page. Death is among one of the recurring themes which Poe explored. Dark and stormy compositions focussed around such ideas serve only to illustrate Poe’s writing style. One can see that such a horrid subject is clearly derived from the writer’s distraught life which would almost appear to create a trail of death in the writer’s footsteps. That being, Poe discovered the secret to writing. Edgar Allan Poe chose to write in an incredibly dark area of literature, but the mastery with which he explores such subjects is applicable to writing in the whole of literature.
After a Greek Proverb is an eloquent poem written by A.E. Stallings in 1968. It’s a villanelle that expands a Greek proverb that translates into: “nothing is so enduring as the accidental”. The only thing that is consistent in life is the inconsistent; emotions, objects, thoughts, etc. This notion is merely revealed with more sophisticated diction through the original Greek proverb. Yet many can pull positivity from this lesson, having a better understanding of the things around them and how living a life of none attachment can be rewarding if everything will continue to disappear before them. The proverb starts the conversation but the poem goes deeper and illustrates it by pointing out the negative side if we are to flip over the coin. It’s through this analysis of a positive and negative side, do both the poems and proverb gradually begin to differ, in both structure and focus. Consequentially the poem delves into the tragic cost of seeing nothing more permanent than the temporary.
“Beauty is the sole legitimate province of the poem” Poe, Edgar Allan. The Philosophy of Composition. 1846. The name Poe often brings to mind tales of horror and mystery, but this Poe was also a writer of sophisticated poems, capable of extreme poetic beauty within a dark genre of writing. Poe never lived the happiest of lives, but his writing is extraordinary, both for its execution, and for the sheer elegance of the words which he found to write upon the page. Death is among one of the recurring themes which Poe explored. Dark and stormy compositions focussed around such ideas serve only to illustrate Poe’s writing style. One can see that such a horrid subject is clearly derived from the writer’s distraught life which would almost appear to create a trail of death in the writer’s footsteps. That being, Poe discovered the secret to writing. Edgar Allan Poe chose to write in an incredibly dark area of literature, but the mastery with which he explores such subjects is applicable to writing in the whole of literature.
Yet, Beauty for Poe would probably be a different beauty for the rest of us. Beauty for Poe often concentrates on death, or has a melancholy theme. While some would think that melancholy would be depressing, it elevates and thrills the soul for Poe. Sadness for Poe is a part of Beauty. In the Poetic Principle, Poe examines other poet’s works, displaying the poetical characteristics of the works. In these works, such as Bryant’s “June” Poe describes that the melancholy is essential to Beauty. In Bryant’s cheerful description of the grave an intense melancholy is created, and that melancholy “we find thrilling us to the soul while there is the truest poetic elevation in the thrill. The impression left is one of a pleasurable sadness. And…let me remind you that this certain taint of sadness is inseparably connected with all the higher manifestations of true Beauty.” Therefore, Poe felt that elevation of the soul, Beauty, and sadness were all very closely related, and dependant on one another.
The theme of a poem is really important to show the reason behind the poem. The poem “She Walks in Beauty” and the poem “When I have Fears”, share similarities and differences. One similarity is they both depict personal experiences. However, there are different themes in both of them, the main difference is the subject. Byron is writing about a girl, while Keats is writing about himself. The two poems contrast: Keats's poem is more gloomy and Byron's poem is more positive.
Primarily, Keats’s use of this theme shows the importance of human life. As Keats states with his line, “Verse, Fame, and Beauty are intense indeed, / But Death intenser -Death is Life's high meed,” (), life has many intense elements, but death ultimately serves as the highest point of life. Because of the intense questioning of death by Keats’s narrator, Keats shows the importance of living life before the finality of death inevitably hits. Keats also allows a certain amount of personal freedom through his use of the glorification of the ordinary with the way that he begins his poem. As the poem begins, Keats tells that, “No God, no Demon of severe response, / Deigns to reply from Heaven or from Hell,” (). This line intends to show the complicated nature of religion and the mute lips which it comes from. Keats essentially throws religion out the window with this line, and he states that there are more important elements in life than religion such as the importance of living itself. In relation to this statement of life’s more important elements, Keats does acknowledge death’s ability through lines such as, “Why did I laugh? I know this Being's lease, / My fancy to its utmost blisses spreads;” (), and “Yet would I on this very midnight cease,” (), but he also places a heavy importance on living life simply because it is to be lived rather than dreaded or pondered. Lastly, Keats provides a final layer of depth by implying that his narrator laughed because of life and death. Keats shows this through his constant questioning of life and death in the context of laughing. By providing a satire to both life’s purpose and death’s inevitability, Keats shows us the greatest example of glorification of the ordinary which he has to offer throughout his poem by illustrating that death should be disregarded and life should be lived in
Beauty is a great thing and has always been an obsession. In the poem to Helen by Edgar Allan poe.and Helen by Helen Doolittle. They both talk about he same things and they both talk about beauty in different ways. Both poets are depicting her beauty through the use of tone,diction and imagery illustrating physical beauty as an obsession.
Poetry is a reduced dialect that communicates complex emotions. To comprehend the numerous implications of a ballad, perusers must analyze its words and expressing from the points of view of beat, sound, pictures, clear importance, and suggested meaning. Perusers then need to sort out reactions to the verse into a consistent, point-by-point clarification. Poetry utilizes structures and traditions to propose differential translation to words, or to summon emotive reactions. Gadgets, for example, sound similarity, similar sounding word usage, likeness in sound and cadence are at times used to accomplish musical or incantatory impacts.
In the second stanza, the speaker beholds a piper joyfully playing under the tress for his lover to find him with song. “Are sweeter; therefore, ye soft pipes, play on; not to the sensual ear, but, more endeared. The use of imagery of the senses is effective here. For I consider poetry to be more musical in nature than literary text. The speaker claims to be hearing melodies emanating from the urn, which for me the sound transmission from the urn correlates to the finite aspects of fleeting love. While the nature of art of the urn seems to me to represent the exquisiteness and infinity of the universe. Indeed, the sounds of silence from art is akin to vastness of space and time. “She cannot fade, though, thou hast not thy bliss,” (line19). Keats is asking the readers to not grieve for him. Because, her beauty will not diminish over time it is everlasting.
observations on what is painted on the urn. "What men or gods are these? What
John Keats’s “Ode on a Grecian Urn” is written through the power of eternity, beauty and truth regardless of existence, as Wordsworth showed likewise. Keats illustrated his poem through love in its sublime. For example, in the first stanza he says, “What wild ecstasy?” (Keats 930). If ecstasy is a huge feeling of
Keats, on the other hand, uses the “Ode on a Grecian Urn” to express his perspective on art by examining the characters on the urn from either an ideal or realistic perspective. In the beginning, Keats asks questions regarding the “mad pursuit” (9, p.1847) of the people on the Grecian urn. As the Grecian urn exists outside of time, Keats creates a paradox for the human figures on the urn because they do not confront aging but neither experience time; Keats then further discusses the paradox in the preceding stanzas of the poem. In the second and third stanza, Keats examines the picture of the piper playing to his lover “beneath the trees” (15, p.1847) and expresses that their love is “far above” (28, p.1848) all human passion. Even though
The main topic of the poem, as we can infer already by its title, is the brevity of life/death. Keats, however, does not discuss this topic in a common way, but he focusses in the feelings that the I lyrical feel when he has this fear of death. This way, the poet tries to discuss not only the fear of death itself, but also the failures that can happen while the I lyrical is still alive.