BASIC FACTS The oil on canvas “Tears of Joy in the Garden of Giants” by Michael Zancan was created in south west France back in January of 2011. This surreal artist plunges into his fantasies creating mystical worlds filled with vivid hues and outstanding details. A long process awaited this particular piece. During one of his travels, the first draft got misplaced at a metro station for many months. Filled with hope, Zancan continued his research of varying structural forms that 1900’s dome glasshouses used in order to incorporate them into his masterpiece. Fortunately, he found architectural inspiration within the walls of The Grand Palais in Paris. A digital painting was drafted using the old sketch he had initially lost in the metro and on, December 2005 the first draft was ready for critique. This digital prototype served as a guide for the 120 by 200 cm oil on canvas. On to the drawing board! Fascinated by the vivid world, Zancan gave two additional coats of oil on the art to enhance the painting’s contrast before its final reveal. To this day, the original canvas remains by romantic’s side in France. Zancan is strategic, he wants to increase his popularity seeing that, his art’s value will growth along with it. In addition, high quality prints can be obtained and purchased through his web page.
Like a prima ballerina whom incorporates strength and beauty with every move she makes, Zancan conveys his very essence within every brush stroke. Tears of
In this context, I believe that the fruit being cut down symbolizes that Ha is leaving South Vietnam too soon, before she is ready, just as the papaya is cut down before it is ready. I believe this because in the poem “Wet and Crying,” Ha says, “My biggest papaya is light yellow, still flecked with green.” This shows that the papaya is not quite ripe and ready to be picked, just like Ha is not yet ready to leave her home country. Furthermore, in the same poem, Ha says “Brother Vu chops; the head falls; a silver blade slices.” I believe that, judging from the word choice that the author uses, Ha thinks of this as an execution of sorts. I believe this because of the words the author uses such as “Chop” and “The head falls.” This shows that Ha
“Once upon a time there was a wife and mother one too many times” (Godwin 39). This short story begins with the famous opening, once upon a time, which foreshadows that the story line will be similar to a fairy tale. It raises expectations for the story that all will be magical and end happily. A typical modern-day fairy tale is that of a distressed character who overcomes an obstacle, falls in love with prince charming, and they ride off into the sunset; living happily ever after never to be heard from again. Godwin however, puts an unexpected twist on “A Sorrowful Woman”. This short story is a tale about what can happen when everyday roles take over our identity. Ultimately, this short story challenges societal expectations of marriage
In the excerpt of Cutting for Stone, Verghese recurrently variates the mood throughout his text. Through vivid imagery, Verghese illustrates emotion visually on the faces, as well as through actions of the characters. In addition to imagery, emotions are aroused through onomatopoeic words and aroma. The reader is then struck with a macabre backstory arousing sorrowful emotions within the reader. Verghese uses sensory details, along with backstory to efficaciously expose the reader to the emotional duality of happiness and sadness.
The journey,not the arrival is what matters in human experience. It can be said that when one takes the first steps of a journey, that person will be forever changed as they will no longer be the way they were. As on travels, through physical or inner journeys the experiences one has, the decisions one makes and the affects of those decisions enables one to grow and develop in new and unexpected ways. These ideas are explored in Roberts frosts poem the “road not taken” and Peter Skrzynecki's poem “crossing the red sea” in both poems, journey is represented as both a physical and inner state of journeying that all people experience Journeys last forever. Decisions that lead to another can continue throughout one’s life. Proof of this is embedded in “way leads on to way”,a form of repetition shows the continuous nature of the process of journeying. “Ages and ages hence” also represents the similar idea, future tense is used show how the future is undeniably full of new and exciting journeys. Both quotes allow us to understand that the persona understands that journey is continuous/that a journey never ends. Frost shows us that there are a number of possibilities that can all be assessed once a decision is made.
First thing that I noticed about this gorgeous oil and tempera on panel painting was the precise emotional aspect: romantic and simple, yet so exceptionally lifelike. This work surely shows a development from the powerfully
Jonathan Edwards uses figurative language in his sermon, “Sinners in the Hands of an Angry God”, to help convey his ideas. The entire sermon is preaching that the people of his congregation have made God very angry. So angry, in fact, that He is preparing to send them all to hell if they will not repent. His use of figurative language helps the audience feel the sermon more, and take it to heart instead of just hearing it. He uses no-nonsense language, fear, and finally hope to captivate the audience and hopefully move them.
In the first stanza of the poem, Swells, Ammons makes a connection between swell and memories. Swell is the vehicle and is use as a way to describe the substance of a particular memory. Memory plays a role as the tenor. The speaker believes there is a correlation in terms of the size of the “Swell in the ocean” with the importance or impact of the memory; as the swell increase in size, so will the memory significance. The stanza then goes on to create an image for readers with the words, “Information of actions summarized (surface peaks and dribbles.” One possible reason the lines are written in this way is because the words create an imagery of contours and functions of a human brain. Certain sections the human brain can retain information and condense data into its most useful aspects.
In Helena Mesa’s poem The Players, the title describes two characters that the narrator witnesses. With the given title, a reader’s mind will most likely jump to the conclusion that the poem is to include characters partaking in a described sport. As the poem comes to a close, it becomes clear who the actual players are, as well as what sport they are involved in. The purpose of the poem’s title is to provide the reader with a prior idea and basis for the characters and plot to follow.
Osip Mandelstam was one of the most complex and mysterious Russian poets who wrote symbolic poems in the totalitarian time. The Stalin Epigram is the example of such texts, after which the poet was deported to Siberia. It seems different than his previous poems since it has simple and concise style, which directly express Mandelstam’s criticism of the Stalinist regime. However, the poem contains many conceptual and intertextual citations, therefore, it is the encrypted message that should be decoded by the intelligent reader. Also the images of mountaineer and prison embody the despotic and anti-human regime, where human life means nothing, so it could be sacrificed for the totalitarian goals. The Poem “The Starlin Epigram” used imagery
Dan my dearest Honey Pooh Bear, One day we meet thru our keyboards, we had made plans to meet this month but by beng a hero once again, you was taken away from me and never had the chance to finally meet you other then thru our keyboards. You became more then a friend to me, you gave me love, warmth, and you helped me get thru my lonely and dark days, never gave up on me but was always giving me your strength to carry me thru. Our love will be sealed in my heart until we can meet again. I miss you so much at the end of my keyboard, we had enjoyed all our private talks about feelings, our lives, our countries, our needs and most of all our fears. No one can take that from us. When you went into your
Poetry is a reduced dialect that communicates complex emotions. To comprehend the numerous implications of a ballad, perusers must analyze its words and expressing from the points of view of beat, sound, pictures, clear importance, and suggested meaning. Perusers then need to sort out reactions to the verse into a consistent, point-by-point clarification. Poetry utilizes structures and traditions to propose differential translation to words, or to summon emotive reactions. Gadgets, for example, sound similarity, similar sounding word usage, likeness in sound and cadence are at times used to accomplish musical or incantatory impacts.
The Large Bathers, 1898-1905 is the largest of Paul Cezanne's pictures and has been cited as an example of his ideal of composition and his restoration of classic monumentality after its lapse during the nineteenth century. Cézanne’s great achievement forced the young Picasso, Matisse, and many other artists to contend with the implications of Cézanne’s art. This essay will discuss how both Matisse’s Bonheur de Vivre (Joy of Life) and Picasso’s Les Demoiselles d’Avignon are considered as inspired by and breaking free of The Large Bathers.
The twenty-four old romantic poet John Keats, “Ode on a Grecian Urn” written in the spring of 1819 was one of his last of six odes. That he ever wrote for he died of tuberculosis a year later. Although, his time as a poet was short he was an essential part of The Romantic period (1789-1832). His groundbreaking poetry created a paradigm shift in the way poetry was composed and comprehended. Indeed, the Romantic period provided a shift from reason to belief in the senses and intuition. “Keats’s poem is able to address some of the most common assumptions and valorizations in the study of Romantic poetry, such as the opposition between “organic culture” and the alienation of modernity”. (O’Rourke, 53) The irony of Keats’s Urn is he likens
Fairy tales are full of tropes and stereotypes that exist from story to story, one of the main ones being the “happily ever after” ending. Most fairy tales, especially the traditional Perrault or Grimm versions, fall prey to this trope where the main goal is for the princess to find her prince, get married, and live happily ever after. Many critics, particularly feminist critics, find this trope to be problematic because of the extreme emphasis placed on marriage as women’s main, if not only, objective in life. Karen Rowe, for example, states in her essay “Feminism and Fairy Tales”, that “fairy tales perpetuate the patriarchal status quo by making female subordination seem a romantically desirable, indeed an inescapable fate” (342). In other words, Rowe relates the “romanticizations of marriage” portrayed in fairy tales with promotions of “passivity, dependency, and self-sacrifice” expected of women in their everyday lives (342). However, it can be dangerous to assume that every fairy tale conforms to the singular promotion of marriage as women’s only option. While early fairy tales such as “Cinderella” and “Sleeping Beauty” tend to glorify the romantic ideal of marriage, and in turn female subordination, contemporary tales and adaptations such as Brave and Frozen, are working to give women a more powerful position.
“The Elephant Vanishes” is an old Japanese short story that was published in 1993. It was written by an intelligent Japanese author named Murakami Haruki. He is a well-respected writer, who wrote this story by using a clear and calm tone. He uses this technique to develop his theme of unbalance that mixes with reality with a fictional plot. To develop the theme, Haruki creates a strong narrator, who tries to maintain his sanity from feeling unbalance. However, when the narrator could not, he continues to investigate the missing elephant. Later in the story, the narrator noticed how the elephant’s absences changed his behavior, and lost control of himself. Murakami established a strong, effective narrator, symbolism of unbalance, and imagery to portray his theme of unbalance for “The Elephant Vanishes.”