Analysis Of The Sammurai's Garden By Gail Tsukiyama

The Samurai’s Tale by Erik Christian Haugaard is about a boy named Taro, the protagonist in the story. The major characters in the story are Taro, Yoshitoki, Lord Takeda Katsuyori, Lord Akiyama Nobutomo, and Togan. The setting of the story is in Japan, in around the 16th century. In the beginning of the story he was presented as a gift by the great Lord Takeda Shingen to Lord Akiyama after his parents had been killed. By using his wits and suppressing his fierce pride, Taro slowly escalates the ranks of his lord’s household until he achieves his greatest goal—becoming a samurai like his father and Lord Akiyama, whom he has come to admire. The life of a samurai is not so easy, Taro finds himself sacrificing opportunities of love and friendship

In the book Seedfolks, a character named Kim travels to vacant lot in her town, Cleveland Ohio, to plant Lima Beans to honor her father, who passed away before Kim was even born. While Kim is in the process of planting her beans and watering them daily, people around the vacant lot being to notice her actions . Many people follow what Kim is doing and make there own little garden, which causes the community of Cleveland to be together and to communicate to one another. Throughout the book many character come and go to the garden, and each character shares something in common with someone else apart of this Community Garden. The novel Seedfolks shows that the garden has change everyone’s perspectives on things, and made them feel apart of something they might have never been apart of before. Some people that are involved are KIm, Ana, Sae Young, Maricela, and Curtis.

The garden is the vehicle in which the narrator reveals her reluctance to leave behind the imaginary world of childhood and see the realities of the adult world. The evidence supporting this interpretation is the imagery of hiding. The narrator uses the garden to hide from reality and the

The entire Japanese culture is based on honor. Honor extends to the nation, the family, and the individual. The samurai are no exception to a code of honor. The samurai follow the code of bushido. Bushido is closer to the western term of chivalry. Bushido places emphasis on courage, benevolence, justice, politeness, truthfulness, honor, loyalty, and most importantly is self-control. The samurai's primary religion is Zen. The samurai adapted Zen easily due to the philosophy that fits closely to Buddhism. Samurai may act in the extreme when it comes to honor. They will kill anyone who may dishonor them or their lord. Nothing is worse to a samurai than to have corrupt dealings. Some of the warriors believed, "Honor is the power of deciding upon certain course of conduct in accordance with reason, without wavering … to die when it is right to die, to strike when to strike is right." Other warriors believed that "Honor is the bone that gives firmness and stature. As without bones the head cannot rest on top of the spine, nor hands move, nor feet stand, so without honor neither talent nor learning can make of a human frame a

In this day and age, people tend to avoid being different. Fitting in with the status quo when it comes to physical attractiveness is considered the proper thing to do, yet in The Samurai’s Garden, the characters show their beauty in a unique way. Due to their circumstances, Sachi, a once beautiful member of a leper colony, Stephen, a young Chinese student diagnosed with tuberculosis and Matsu, a quiet man who chooses to live in near seclusion, are all regarded as outcasts. However, these challenges give them a chance to grow and mature into truly beautiful people, especially on the inside. Through unveiling Matsu and Sachi’s distinct personalities, Stephen discovers another dimension to beauty; through this, Tsukiyama conveys that the most

Like walking through a barren street in a crumbling ghost town, isolation can feel melancholy and hopeless. Yet, all it takes is an ordinary flower bud amidst the desolation to show life really can exist anywhere. This is similar to Stephen’s journey in The Samurai’s Garden. This novel is about an ailing Chinese boy named Stephen who goes to a Japanese village during a time of war between Japan and China to recover from his disease. By forming bonds with several locals and listening to their stories, he quickly matures into a young adult. Throughout the novel, Gail Tsukiyama shows how disease forces Stephen into isolation; however, Matsu’s garden and Sachi lead him out of solitude.

The Samurai’s Garden, written by Gail Tsukiyama, incorporates the various aspect of myth throughout the plot, from how the Japanese worship to the rituals they perform. Stephan-san, a young Chinese man, when he first arrived in Tarumi Japan, discovered the Japanese ritual of being clean. The Japanese in this book had a strong desire to be sanitary in every aspect of their life both physically and morally. They used to be physically clean to visualize being spiritually clean. Another part of the mythology in this novel was the worshipping of the kami deities. These deities dwelled in the shrine near Tarumi and Stephan-san along with Matsu traveled to the shrine to worship and pray to the kami fox deity, the Inari. Two facets of The

Musui 's Story is a samurai 's autobiography that portrays the Tokugawa society as it was lived during Katsu Kokichi 's life (1802 - 1850). Katsu Kokichi (or Musui) was a man born into a family with hereditary privilege of audience with the shogun, yet he lived a life unworthy of a samurai 's way, running protection racket, cheating, stealing, and lying. Before we discuss how Musui 's lifestyle was against the codes that regulated the behavior of the samurai, it is essential that the role of the samurai in Japanese society be understood.

"The garden is a world filled with secrets. Slowly, I see more each day. The black pines twist and turn to form graceful shapes, while the moss is a carpet of green that invites you to sit by the pond. Even the stone lanterns, which dimly light the way at night, allow you to see only so much. Matsu 's garden whispers at you, never shouts; it leads you down a path hoping for more, as if everything is seen, yet hidden. There 's a quiet beauty here I only hope I can capture on canvas." - Stephen at the beach house planning to paint Matsu 's garden, page 31

Secrets fill the garden. In Gail Tsukiyama’s novel “The Samurai’s Garden”, she uses metaphors to show the audience the garden and its’ curator in a mysterious light. Tsukiyama’s character Stephen gazes upon Matsu’s garden with wonder and amazement. He compares it to another world, “The garden is a world filled with secrets… Matsu’s garden whispers at you, never shouts; it leads you down a path hoping for more, as if everything is seen, yet hidden” (Samurai 31). Tsukiyama creates another world within the fences of the garden. She integrates the secrets of its’ caretaker into the aura of the garden. The metaphor to another world impacts the reader by allowing the reader to see the mystery and beauty that shrouds it. The cloak of beauty shows

Loyalty and honor are of the highest value in the eyes of the samurai. This is a statement that many scholars and young educated persons believe to be true on the basis of assumption. Thomas Conlan challenges this preconceived notion of loyalty and honor in his book State of War by piecing together a much more difficult and situationally based definition of loyalty which differed depending on the samurai and by observing how times of war and hardship truly challenged an individual’s sense of honor.

The samurai were a warrior class in feudal Japan who served the lords of clans in Japanese feudal society. They were highly respected elite warriors in both grand military strategy and individual martial arts. The warrior code that they embodied and the myth of the samurai warrior are still alive in modern Japan today. In his book American Samurai: Myth and Imagination in the Conduct of Battle in the First Marine Division 1941-1951, Craig Cameron draws parallels between the United States Marine Corps and the feudal Japanese samurai. Writing from a post-Vietnam view, Cameron

"The Chrysanthemums" introduces us to Elisa Allen, a woman who knows she has a gift for growing things, but it seems to be limited to her garden. Diligently working in her garden, Elisa watches as men come and go, living their lives unconfined, wondering what it must feel like to have that freedom. That emotion is revealed as Elisa gases at her husband and acquaintances talking, "she looked down toward the men by the tractor shed now and then." As she tills the soil for her chrysanthemums Elisa tills the thoughts in her head. The garden she so desperately maintained represents her world. A world that will only flourish if nourished. Emotional nourishment and stimulation is what Elisa lacked and longed for. The garden is limited in space to grow and so is her marriage. The garden is safe, non-threatening and so is her world. The garden contains many different elements that make it what it is, although unseen, and if the proper nourishment is not given it will die, as with Elisa.

The Interpretation of Nature in Classical Chinese Garden of Suzhou and Japanese Dry Landscape Garden of Ryoan-ji

Japanese Gardens are a garden style that originated in Japan with design elements that are in line with the Buddhist belief. Buddhist teaching is symbolized in the different elements that make up the garden as a whole. Buddhism belief is used in the inspiration of various elements through the use of water, stone, and architectural pieces.