Amy Tan’s short story “Two Kinds” describes a Chinese immigrant family who hope of finding success and an overall betterment of life in America. After losing everything in China, Jing-mei’s mother, Mrs. Woo, tries as a minority house maid in the 1960s to provide all the opportunities she can for her last daughter. This short story revolves around the interactions between the Jing-mei, who desires a ordinary life, and Mrs. Woo, who seeks only the best from her daughter. The values of these two characters are in constant conflict of which creates a lasting segregation between parent and child. Through Mrs. Woo’s death, Jing-mei questions her childhood upbringing and her mother’s true intentions that were masked by pure immigrant ambition. …show more content…
The parallel of being successful and famous is symbolized in the character Shirley Temple, a 1960’s white television child that became popular from her acting and cute appearance (ENG 114). The pianist to Mrs. Woo becomes the perfect representation of her American dream and assurance that it is possible for immigrants to become prosperous. Jing-mei is seen in the story rebelling against her mother by invoking her “own will, [and] right to fall short of expectations” (240). This characterization is equivalent to American individualism that employs the principle of favoring freedom of action for the individual over the collective, or in this case for Mrs. Woo. These opposing values continuously clash and create distance within the mother and daughter relationship. The immigrant expectations of success for a better life in America coupled with American values of freedom and individuality provokes and sustains the rift in the family’s bond. Jing-mei’s inability to connect with her mother arises from her upbringing. Mrs. Woo pushed Jing-mei to extremes with her parenting and failed to realize the lasting trauma it had on her daughter. Jing-mei as a fragile child wants nothing more than for her “mother and father [to] adore [her]” (233). The developing girl is looking for acceptance through her parents, but Mrs. Woo does not understand the positive reinforcement required in those early stages of development. Instead
Consequently, she did not know the range of opportunities that were present in America and took them for granted, unlike her mother, who recognized and pushed her daughter toward them. More than anything, Jing-mei wanted to be her own self, not what her mother wanted her to be despite having Jing-mei’s best interests at heart, both the result of their generational and cultural divide. Her careless perspective on life resulting from her American identity are strongly juxtaposed with her mother’s hard-working and optimistic views. Furthermore, Tan describes when the pair’s brewing tension due to their cultural differences culminate when Jing-mei refuses to practice after a failed performance and her mother yells, “Only two kinds of daughters… those who are obedient and those who follow their own mind! Only one kind of daughter can live in this house. Obedient daughter!”(67). This defining moment clearly lays out the obvious divide between the cultures of Jing-mei and her mother. Jing-mei has been greatly influenced by the individualistic, independent ways of the United States, whereas her mother has retained her more traditionally Chinese values of respect and obedience. The “two kinds” of daughters represent the two cultures that Jing-mei and her mother embody, and how these differences influence their separate views on their place in the world. Jing-mei’s mother believed that if a person worked hard enough,
Under the influence of different cultures, different identities are formed. Jing-Mei Woo (June), similar to Waverly, also lives in between two worlds. June, since young, is accustomed to two sets of culture and beliefs. Jing-Mei’s mother has lost everything when she comes to the United States, and she has all her hopes on her daughter, therefore she wants to train her daughter to be a genius. As the mother presses all the homeworks on June, June loses heart and cries “I won’t let her change me, I promised myself. I won’t be what I’m not” . By crying and shouting out loud, June wants to declare her self identity, which ultimately reflects on the American individualism, which is one of the most integral parts of the U.S. value. Being raised in
She was my mother,” (31). Jing-Mei says this to her aunts after her mother had died, and she had to take your position in joy luck. She felt like she never really knew her mother because of their miscommunication. Suyuan Woo, Jing-Mei’s mother, had many hopes and good intentions for her daughter. While Jing-Mei wanted to be herself and still please her mother, Suyuan wanted her daughter to be a child prodigy. Always wanting the best for her daughter, Suyuan hoped Jing-Mei would one day become an extraordinary pianist. Although Jing-Mei played the piano, she never put forth much effort into the music because her best was not good enough for her mother. Nonetheless, she stopped playing the piano. “I could only be me,” (154). She could not be something that she was not; she could not live up to her mother’s expectations. This symbolized one of Jing-Mei’s songs, “Pleading Child.” Suyuan continues to put all the pressure on Jing-Mei so that she will not become like her mother for all the reasons she had come to America; hopes for a better life.
“Two kinds” is a story, a Chinese girl whose life is influenced by her mother. Her mother came to America after losing everything in China. Jing-Mei’s mother was immigrated early to America from China who has “American dream”. Her mother had high expectations on her daughter and did not care how it could affect her. It made Jing-Mei become a stubborn and rebellious person. “In the years that followed, I failed her so many times, each time asserting my own will, … for unlike my mother, I did not believe I could be anything I wanted to be, I could only be me. (104) She expressed her anger by going against her mother's expectations in ‘who I am’, it inferred that such tendency come from her childhood experiences. Jing-Mei was frustrated because she could not satisfy her mother.
Sui Sin Far’s short story, “In the Land of the Free” touches on the reality of being a Chinese immigrant in late-19th century America. The story revolves around a Chinese couple. The husband is ready for his wife, Lae Choo, to arrive from China with their new son, later named Kim. However, due to policies on immigration, the American government was forced to take possession of the child due to a lack of paperwork. However, Far’s short-story has a deeper meaning than just focusing on unfair immigration policies. She takes advantage of the story’s ending to symbolize a rejection of immigrant culture, most especially Chinese immigrant culture, by taking advantage of Kim’s change in behaviors, appearance, and dialect.
Some may see the mother trying to live her life through her daughter. She invests time trying to make her daughter a prodigy because she was her last hope. The mother lost two children in China and moves to a new country. Coming to America, she felt that immigrants have to prove that they are as talented as or more talented than Americans. This belief is supposed to be the basis for the determination, that the mother has, for Jing-mei to become a prodigy.
Our second character is Jing-Mei. Jing- Mei lives with both her mother and father. Her mother wants her to be a child prodigy, "a Chinese Shirley
In the story “Two Kinds”, author Amy Tan, who is a Chinese-American, describes the conflicts in the relationship of a mother and daughter living in California. The protagonist in this story Jing-mei Woo’s mother is born and raised in China, and immigrates to the United States to escape from the Chinese Civil War. For many years she maintained complete Chinese traditional values, and has been abided by it deliberately. This kind of traditional Chinese culture has also affected her daughter profoundly. However, Jing-mei is born and raised in the United States. Despite she has a Chinese mother; she is unfamiliar and uncomfortable with Chinese
Written by Margaret K. Pai, the Dreams of Two Yi-min narrates the story of her Korean American family with the main focus on the life journeys of her father and mother, Do In Kwon and Hee Kyung Lee. Much like the majority of the pre-World War II immigrants, the author’s family is marked and characterized by the common perception of the “typical” Asian immigrant status in the early 20th century: low class, lack of English speaking ability, lack of transferable education and skills, and lack of knowledge on the host society’s mainstream networks and institutions (Zhou and Gatewood 120, Zhou 224). Despite living in a foreign land with countless barriers and lack of capital, Kwon lead his wife and children to assimilate culturally,
“You must raise children yourself to understand your parents’ love.” This passage is a common proverb to express the challenge of understanding parents’ love and intentions. Similar to the proverb, Amy Tan illustrates the process of recognizing mother’s intention in her short story “Two Kinds.” The mother and daughter confront because of the mother’s anxiousness in finding her daughter’s prodigy. As time goes by, through one important scene in the story, the daughter becomes aware of her mother’s love and comes to terms with herself. The significant scene is when Jing-Mei’s mother offers her the piano for her thirtieth birthday. With all the conflicts she had with her mother and within herself, from the important scene, Jing-Mei realizes that she is transformed from a “pleading child” into a “perfect contented” adult.
Wong feels that she needs to fit into the dominant culture from an early age. The reason for this is because society stresses the dominate culture, promotes the dominate culture and pressures immigrant children to fit in. Wong uses herself as an example of the tremendous pressure children of immigrants are under to fit in, which is a burden placed on them by society. The pressure is so great that many are embarrassed by their roots and their heritage. Wong experiences this burden, and this is what drives her to want to become the stereotypical All-American girl. She learns to hate her culture so much that she does not want anything to do with it and she wants a divorce from her ethnic roots, “Wong’s adolescent embarrassment of her ethnic
Like many immigrants think, America is the land of opportunity. People from all over the world,
In the short story “Two Kinds” written by Amy Tan speaks about the difficult life events Jing-mei Woo and her mother had experienced. The two most mentioned characters in the story are Jing-mei Woo and her mother. Jing-mei’s mother sees America as the land of great opportunity. Her mother has high hopes for her daughter to become a successful prodigy; Jing-mei’s mother already has set high goals for her daughter. Jing-mei and her mother never really understood each other.
Evident in this culture, immense amounts of pressure often cause dissatisfaction in one’s self, many times leading one to the misconception of attaining perfection. After losing everything in China, Jing-mei’s mother, inspired by Shirley Temple, gives her daughter peculiar tests as part of “becoming a prodigy.” Being fed up with the tests, displays of her boredom allow Jing-mei’s mother to give up for a while. One day, her mother sees a little Chinese girl playing piano on television, and this hatches the brilliant idea of having “Old Chong,” a deaf, old man, teach Jing-mei piano. Jing-mei was soon entered into the talent show, but she was clearly unprepared, and it turned out to be a complete fiasco, disappointing her mother. Two days later, she got in a verbal fight with her mother, and to upset her, Jing-mei declares, “I wish I were dead. Like them.” She was referring to her twin sisters that her
The story “Two Kinds” by Amy Tan portrays a dramatic relationship between a Chinese immigrant mother and her daughter. The mother comes off in the beginning of the story as a controlling, strict, demanding woman who is trying to show up her friend with whose daughter is the smartest. The mother Suyuan is not the shallow petty person her daughter makes her out to be. She really wants to show her daughter that with hard work and determination you can be whoever you want to be and do anything you want to do. It doesn’t matter if you are actually a genius or not. You don’t have to be in order to be successful you just have to want it bad enough and try your hardest.