Essay on Analysis of Kinuta - The Fulling Block by Zeami

Paul Newman once said, “People stay married because they want to, not because the doors are locked” (74). There is no such thing as the perfect relationship, however, being involved in a healthy relationship is essential for a person to feel valued, safe, and happy. Unfortunately, in the situation of Kelly Sundberg’s personal essay “It Will Look Like a Sunset,” and Kate Chopin’s short story “The Story of An Hour,” include extreme examples of unhealthy relationships. The essay “It Will Look Like a Sunset,” shares painful experiences of Sundberg’s physical and emotional abusive relationship with her husband Caleb, while “The Story of an Hour,” shares a rare reaction of a married woman, Louise Mallard, who explores her emotions cautiously when hearing about the death of her husband. Each woman faces their own prison created by their husbands. The two marriages represent the figurative meaning of doors being locked in a marriage. Both pieces of literature convey the theme of confinement by using the literary devices of foreshadowing, imagery, and conflict.

In “The Story of an Hour” the main character Louise Mallard has just found out that her husband, Brently Mallard, died in a train accident. She did not hear the story as many women have heard the same, (527) which means that she didn’t immediately think that her life was over and she could not go on without her husband, she thought of the rest of her life with open arms and excitement. She could see in the open square before her house the tops of trees that were all aquiver with the new spring life. (527) she was looking forward to a whole new life, a life of her own. Of course she was sad and knew that she would mourn her husband, be sad when she saw him lying in the casket at his funeral. And yet she had loved him—sometimes. Often she had not. (528) She is saying she did love him but not most of the time. While she was alone in her room staring out the window a feeling came over her that she was unsure of at first, but when she let herself go she realized it was freedom, triumph, and victory. She kept whispering to herself “free, body and soul free!”(528) She and her sister walked down the stairs together to find her husband, Brently, walking through the front door, she died of a heart attack as soon as she saw him.

In "A Sorrowful Woman" the wife is depressed with her life, so much so, "The sight of them made her so sad and sick she did not want to see them ever again"(p.1). This wife and mother has come to detest her life, the sight of her family,

Regardless, her poor emotional state is proven through many lines in this lai, especially when she tells the knight “I grant you my love and my body” (115). She has finally come up with a method to “get away” from her husband in this decision. Throughout the rest of the story it is not once said that the wife came to love her new husband or her family, on the contrary, she does not seem happy in the following scenes. However, being afraid of her husband and his emotional violence, it is rational that she would try to find safety with someone else, even if that means giving away her “love,”—likely the appearance of such rather than actual love—and her

This personal confession shows that Mrs. Mallard, though she will mourn at first, now is free to “live for herself,” (228) not for her imposing husband. Before her husband’s death, Mrs. Mallard believed she was in a healthy, normal marriage. This death revealed to her how while she cared about her husband, she despised the lack of freedom her marriage had given her. All of the realizations that Mrs. Mallard reaches during her time of reflection shows the readers exactly why she will no longer mourn the death of her husband.

The word “love” is a powerful one, both in real life, and in Shakespeare's play Hamlet. It is often a confusing concept, made even harder to grasp when one of the lovers repeatedly changes his/her mind (Hanson, 16). In Hamlet's case, his feelings towards Ophelia veer from love, to never loved, to always love. This cycle of emotions is due to Hamlet feigning

Women are taught from a young age that marriage is the end all be all in happiness, in the short story “The Story of An Hour” by Kate Chopin and the drama “Poof!” by Lynn Nottage, we learn that it is not always the case. Mrs. Mallard from “The Story of an Hour” and Loureen from “Poof!” are different characteristically, story-wise, and time-wise, but share a similar plight. Two women tied down to men whom they no longer love and a life they no longer feel is theirs. Unlike widows in happy marriages Loureen and Mrs., Mallard discover newfound freedom in their respective husband’s deaths. Both stories explore stereotypical housewives who serve their husbands with un-stereotypical reactions to their husband’s deaths.

It is not an uncommon occurrence for a person to attend a funeral in their lifetime. They will experience the heavy feeling in their heart, hear the moaning and crying, and observe all the grief-stricken people, wiping tear-stained cheeks and wearing depressing, dark colors. Each person in this scene is attempting to comprehend what they have lost. Loss, whether physical or mental, can dismantle a person. The bonds and connections that people forge with each other defines their existence and gives them the drive to continue living, but when these bonds are broken the brain cannot cope with the detachment. A person is particularly vulnerable in this state and will do anything to replace the gaping hole that lingers in their life. In the novel The Story of Edgar Sawtelle by David Wroblewski and the Shakespearean play Hamlet, two women are put through various kinds of loss. While these women--Trudy and Gertrude--appear weak, they willingly accept the enchantments of Claude and Claudius only after enduring hardships which skew their judgments, revealing the effect of trauma and depression when a relationship is lost.

Love is an essential part of life. Every individual wants to be loved, and needs someone to love. It is an element that is fundamental to the well-being of all human kind; it is that magic that can heal wounds. However love also has the capacity to traumatize a person if it is extracted from their life. While we all wish to experience love, many of us tend to find the often inevitable detachment to be quite painful. In the novel The Great Gatsby, Jay Gatsby's longing for Daisy Buchanan leads him to his own downfall. Similarly in the novel Hamlet, Hamlet's extreme love for his father and his hatred towards his mother play a major role in his tragedy. In these works, there are a number of motivating factors that contribute to the downfall

       As the tale begins we immediately can sympathize with the repressive plight of the protagonist.  Her romantic imagination is obvious as she describes the "hereditary estate" (Gilman, Wallpaper 170) or the "haunted house" (170) as she would like it to be.  She tells us of her husband, John, who "scoffs" (170) at her romantic sentiments and is "practical to the extreme" (170).  However, in a time

The author emphasizes the drastic contrast in the speaker's emotional state through the setting she finds herself in. She is taken from the comfort of her home and thrust both an environment and mind state of isolation. However, the setting also helps fuel the hatred that develops in the wife's mind for her husband. The speaker is ambivalent of her feelings for her

In a country where Divorce is more normalized than ever before, one can be guilty of neglecting to consider the pain it can cause, not just the couple, but also their children. The short story “Hot or Cold” by Maile Meloy is a remembrance from the author's life which communicates the divorce of her parents represented in a nostalgic memory from her past. In the piece, the author’s young self plays in a van while her parents deal with an unexpected encounter with a bear. After a brief chase, the parents escape and the family drives away. The author masterfully develops the story by hinting at the nature of the parents relationship by adding clever metaphors, until it is apparent that the parents eventually divorce and that the story is only a dream. In the short story, the author utilizes juxtaposition, a motif, and metaphors, to suggest that memories create narratives, true or otherwise, that help one comprehend events that are otherwise incomprehensible.

The discussion of the Wife’s five husbands describes her evolving role as a woman and how she overcame the most ridiculous obstacles to maintain this idea or illusion of marriage. The Wife’s depiction of her marriages was that three were good and two were bad. The initial marriages were to older rich men where she kept up this idea of marriage in order to receive money, but was not faithful by

From a feminist critical perspective, it is clear to perceive that her husband’s death was a release of freedom from her marriage. The text describes that at times, she did and did not love her husband. However, love had not mattered anymore because she was now free. Whether they loved each other or not, she would have still been his property. This restriction of freedom was no longer her cross to bear. The death of her husband would pave her a path for a new life.

In conclusion, this play is spooky it contains many volumes of duplicity, double-dealing , fondness, tenderness, dominance and jurisdiction. This play has multiple levels of dishonesty and manipulation. Although the play was very interesting and time consuming the play taught a lesson of patience. Patience is tolerance and restraint. Katherine had to endure patience to tolerate the intolerable demand from her father that she must be married before her sister and would not be able to choose her groom. Katherine’s groom whom she did not choose has to restrain himself from wrongful doings upon her, just like everyone else in the play has to have patience and restrain from doings of oneself and one another.