Amy Lowell is an American imagist poet who uses descriptive language to create specific images in a readers mind. Set in the Victorian era (1800’s,) the dramatic monologue ‘Patterns’ explores the restrictions of unmarried women in society and the desire for freedom. My view of these issues is that of a feminist reader living in a democratic modern day society, where men and women live in a state of equality and have the right to express their opinions. A feminist reading focuses on the specific treatment of women. Through Lowell’s wondrous use of the poetic techniques, primarily visual imagery (symbolism, repetition, contrasts) and poetic voice (persona and tone,) a modern day feminist reader’s negative views of the restricted lifestyles …show more content…
This develops the idea that her future with this man as a married woman provided a stable lifestyle where she would not have to live by the rigid patterns of society, reinforcing a modern day feminist reader’s view of the expectations and restrictions placed on unmarried women during the Victorian era.
There is a distinct contrast between appearance and reality, which works to reinforce the idea of confining individualistic behaviours to retain the ‘pattern’ of society. In stanza two, she says that “tripping by in high-heeled, ribboned shoes/ (there is) not a softness anywhere about (her)” (lines 16 and 17) when she’s wearing “only whalebone and brocade” (line 18.) The term ‘whalebone’ refers to a whalebone corset, which is a very hard material that is restrictive to movement. By describing her actions as ‘tripping,’ a modern day feminist reader is reinforced that she is not coping in her current lifestyle where she is limited to living in a strict manner. In the next stanza, she says that “underneath (her) stiffened gown/ Is the softness of a woman” (lines 32 and 33.) This develops the idea that the way she dresses is a deceiving appearance, because she is not as stiff and stable on the inside as she comes across on the outside. Deep down she is soft and sad, in mourning of the loss of her lover, yet she cannot express these emotions due to the expectations and restrictions of women during the Victorian era.
Fay Weldon’s ‘Letters to Alice on First Reading Jane Austen’ (1984) through the form of an epistolic novel, serves to enrich a heightened understanding of the contemporary issues of Jane Austen’s cultural context. In doing so, the responder is inspired to adopt a more holistic appreciation of the roles of women inherent in Austen’s ‘Pride and Prejudice’ (1813). Due to the examination of the shift of attitudes and values between the Regency era and the 1980s, the reader comes to better understanding of the conventions of marriage for a women and the role education had in increasing one’s marriage prospects. Weldon’s critical discussion of these issues transforms a modern responder’s understanding of the role of a woman during the 19th century.
Many people believe that marriage is important in this day and age, but it holds little significance compared to the importance of marriage in the Victorian era. In the Victorian era women were to get married to a man of the same or a better social status, be good wives, and be a mother to her husband's children. Very few marriages started with love, but a woman's life is not complete without being married. Over time, the role of married women has evolved a great deal and they now have rights and privileges. John Stuart Mill was one of the great thinkers of the Victorian era, and his essay The Subjection of Women tells how few privileges women had and that they were slaves to their husbands. He also says that women are their own people and
In the early 19th century, women were oppressed, and marriage was a social status, not a choice. Mrs. Mallard was a wife during 19th Century and her home was where she would spend most of her days. She also suffers from a heart condition. She learns of the tragic news on the first floor of her two story home. Her sister Josephine was the one to tell her “ in broken sentences, veiled hints that revealed in half concealing.”(287) The news was revealed as delicate as possible, due to Mrs. Mallard's heart condition. Mrs. Mallard heard the news, she wept, a sense of grief comes upon her. Once she removed herself from her sister Josephine's arms, she went off to her room. It reads, “ When the storm of grief had spent itself she went away to her room alone. No one to follow her”(287). During this time, women were looked down upon if they were not married. Most women were given away by their
Over the course of many years, women have struggled to expand their roles and rights in society, hoping to one day achieve complete equality with their male counterparts. Two women, Elizabeth Cady Stanton and Judy (Syfers) Brady, both recognized the patriarchal society in which women had to endure. They despised the way it heaped inequality and servitude upon women, and decided to assert their opinion on the issue in order to change the perceptions and imposed limitations on women. In Stanton’s speech, “Declaration of Sentiments”, and in Brady’s article, “I Want a Wife”, both women attempt to convince their audiences that females deserve complete equality with men by stating the submissive situations and obligations women find themselves immersed in. This is done to get their female audiences to reevaluate how they have been treated and give them a second chance at attaining equality. Both women employ various rhetorical techniques in their arguments to strengthen, as well as compel other women to oppose the ‘domesticated’ image of women. Elizabeth Cady Stanton and Judy (Syfers) Brady expressed their views in pursuance of forging a path to a revamped lifestyle for women.
In the words of Jane Austen, “It is a truth universally acknowledged that a single man in possession of a good fortune must be in want of a wife” (Austen, 5). This quote highlights how women were dependent on men to have a place and to be respected in society at the time of the victorian era. Women were viewed as domestic tools rather than human beings; they were treated as a domestic production that men control and own. Before a woman is married she is owned by her father, and after she is owned by her husband. In different parts of the world, the undergrading of women or no feminism still exists. Women can not voice their opinions let alone own an object in the
Marriage has always been a convoluted subject to every era of time, especially when wealth is brought into the equation of it. During the Romantic Era, the state of marriage illustrated women’s continued inequality in society. For instance, women lacked legal equality once they entered marriage due to coverture, which is the condition of a woman during her married life, when she is under the law of being the authority of and protection of her husband. This basically entails that once a woman marries, she is property of her husband. In later decades, women would make great strides to gain legal recognition. However, during the late eighteenth century, Romantic feminists voiced more practical concerns rather than that of law (Feldman 280). Before the nation could acknowledge women as equals, husbands must first accept their wives as true partners in marriage. This was considered not only logical, but practical. Feminists located one of the sources of inequality within women’s own behavior and the methods they employed to gain husbands. Women had been taught to use beauty and love to attract husbands, but beauty and love are only temporary states. These states do not establish a solid foundation for a lasting marriage. As illustrated in Jane Austen’s novel Emma, a successful marriage is founded upon the match between two personalities, and not upon looks.
But what is one to do? I did write for a while inspite of them; but it does exhaust me a good deal – having to be so sly about it, or else meet with heavy opposition”. (Gilman, The Yellow Wallpaper, 1898). Here one can see that the narrator wished to work and have a change in her domestic life, but the struggle to keep it a secret from her husband was too great because she knew he would not approve. Marriage, which is supposed to represent unity, love and the coming together of two equal partners was anything but that for the narrator. In the 19th century women were at the mercy of men, even though they marched forward for equality they were still very much dependent on their male counterparts. They were not allowed to have control over their assets and therefor marriage was the best solution to live a comfortable life seeing as their parents could not provide for their daughters forever. In The Yellow Wallpaper the prisonlike feeling that marriage causes the narrator, eventually leads to her insanity. Which for some was probably an actual occurrence in that era. More
In Jane Austen’s novel “Pride and Prejudice,” the author traces portrait of women’s role during the Regency period: they were expected to get married, to be accomplished and to self-scarify.
Social standing, and moral values were vital elements in Victorian society, and the fundamental doctrine of establishing this ideology, began at home. The home provided a refuge from the rigour, uncertainty, anxiety, and potential violence of the outside world. (P, 341) A woman’s role was to provide a safe, stable, and well-organised environment for their husbands and families. However, change was on the horizon with an underlying movement of business and domestic changes both home and abroad, with industrialization, and the suffragist movement. Women were beginning to gain autonomy and began to grasp their opportunities, thus significantly curtailing male supremacy and the definable acceptable ‘role’ of the woman.
In the Victorian period “…the childless single woman was a figure to be pitied.” (Abrams. 2001). It was considered to be outside of social hierarchy not to be a part of the domestic scene for women, “domesticity and motherhood were portrayed as sufficient emotional fulfilment for women.” (Abrams. 2001). In reality this was not the case and the role of motherhood and domesticity clearly did not sufficiently fulfil a woman’s emotional desires and requirements, situated in a suppressed, dominant patriarchal society ruled by men. In fact patriarchal society subjugated the role of women; they were seen as lesser than, and required to stay on the domestic
At the beginning of the Victorian Period, both single and married women’s rights were limited. The changes during this era in the identity of genders are represented in the characters the author Wilkie Collins describes. For example, Marian Halcombe is characterized as strong and predominant. She is Laura’s voice when regarding to her husband and protects her throughout the story. Although Marian knows her role as a woman in society, she disapproves with the beliefs of the era. On the other hand, Laura personalizes the conventional quiet woman that obeys customs. To emphasize this, in Collin’s novel, he lets the reader know that Laura is marrying the man that her father approved even though he is now dead. When she marries, her rights legally belong to her husband and is treated with the laws and customs of the Victorian era. Throughout this period, the distinction between classes was also notable. Comparatively, The Woman in White presents how the middle class as Laura and her uncle refer to the working class, Fanny the maid. Even though Fanny has always been their maid and is the only person they trust, they only communicate with her at their convenience. Moreover, Mr. Fairlie does not even call the maid by her name, but refers to her as “Young Person”. Certainly, the Victorian Period was a significant impact in the novel where
Amy Lowell was born in Brookline, Massachusetts on February 9, 1874. She was the daughter of Augustus Lowell and Katherine Bigelow Lawrence. Both her mother and father were from New England aristocrats. Aristocrats are wealthy and prominent members of society. Her father, Augustus, was a businessman, civic leader, and horticulturalist. Lowell’s mother, Katherine, was an accomplished musician and linguist. Lowell was, although, considered as “almost disreputable,” poets ran in the Lowell family. James Russell Lowell, a first cousin, and later Robert Lowell was one of the many poets her family had to offer.
In the Victorian era, the status of women in society was extremely oppressive and, by modern standards, atrocious. Women had few rights, in or outside of the home. Married women in this period relied on men almost completely as they had few rights or independence. With this mindset in focus,
Despite being under the rule of a female monarch, women faced many inequalities and suffering during the Victorian age. Examples of these inequalities include not having the right to vote, unequal educational and employment opportunities. Women were even denied the legal right to divorce in most cases. As the Norton Anthology states, these debates over women’s rights and their roles came to be known as the “woman question” by the Victorians. This lead to many conflicting struggles, such as the desire by all for women to be educated, yet they are denied the same opportunities afforded to men. While these women faced these difficulties, there was also the notion that women should be domestic and feminine. There was an ideal that women should be submissive and pure because they are naturally different. The industrial revolution introduced women into the labor workforce, but there was still a conflict between the two identities; one of an employed woman, and one of a domestic housewife.
Jane Austen’s well-known novel, Pride and Prejudice, discussed multiple social themes in the 19th century. Austen mainly criticized marriage during her era, when she says that, “it is a truth universally acknowledged, that a single man in possession of a good fortune must be in want of a wife” (Austen 3). As she explains that it was valuable to women since it provided them with security and a social title. The author explored the diverse motives behind matrimony in her time period by using a humorous and romantic plot to discuss the social issues. For instance, Charlotte Lucas’s unreasonable marriage to Mr. Collins is a vital example of how women needed to secure a future and attain social status. To conclude, Lydia Bennet’s meaningless marriage to George Wickham shows that entering the marriage estate could have also been for mainly financial purposes. Contrastingly, Jane Bennet, the heroine’s older sister, marries Charles Bingley for love, security, and a social ranking. On the other hand, Elizabeth Bennet marries Fitzwilliam Darcy after months of misunderstandings and romantic drama for none other than true love. Thus, Austen uses her leading characters’ marriages in Pride and Prejudice to exhibit the various attitudes and reasons for marrying in the 19th century. (Lane 2015)