Analyzing Poetry It is possible to compare and contrast poetry from different literary periods by selecting a poem from each period and examining its use of structure, style, and imagery to enhance its theme. In the Elizabethan period, "Lullaby," by Richard Rowlands; in the Romantic period, Samuel Taylor Coleridge's "Youth and Age;" in the Victorian period, "A Child's Laughter," by Algernon Charles Swinburne; and in the Modern period, Jessica Hagedorn's "Sorcery," the reader will come to the conclusion that they have minor similarities as well as significant differences in the areas of structure, style, theme and imagery. The Romantic poem called "Youth and Age," by Samuel T. Coleridge and the Modern poem, "Sorcery," by …show more content…
Furthermore, in "A Child's Laughter" the speaker addresses children, he states, "Something seen and heard of men Might be half as sweet as when Laughs a child of seven." By this quotation, the audience can surmise that the speaker means that there is no sweeter sound he can hear, than that of a child's laughter. In "Lullaby", the speaker's choice of subject is also children, he or she states, "Meantime his love maintains my life and gives my senses her rest." In other words, this child is his or her only reason for living. The reader can infer that these poems are similar in theme because both of their messages stress the innocence and sweetness of children. All of the poems that have been chosen appear to have a common style. In Richard Rowlands' "Lullaby" and "A Child's Laughter," by Algernon Charles Swinburne both speakers mediate on his love or passion for children. In Samuel Taylor Coleridge's "Youth and Age," the speaker focuses on the nature of the aging human. Last but not least, in "Sorcery," by Jessica Hagedorn, the speaker stresses the beauty of an individual. Because each of these poems mediate or focus on life, nature and/or love, they can be classified as being lyrical in style. There is a drastic change in the use of language from the Elizabethan and the Romantic periods to the Victorian and the Modern periods. In "Lullaby" and "Youth and Age," the
Richard Blanco is a Cuban- American poet who was given the oppurunity to write an inaugaration poem for Barack Obama's second swearing-in. He wrote a poem titled "One Today" that praised the good and unique things about the United States and also the everyday people who's daily routines help to make America the proud country that it is.
Lorna Dee Cervantes' poem, “Poema para los Californios Muertos” (“Poem for the Dead Californios”), is a commentary on what happened to the original inhabitants of California when California was still Mexico, and an address to the speaker's dead ancestors. Utilizing a unique dynamic, consistently alternating between Spanish and English, Cervantes accurately represents the fear, hatred, and humility experienced by the “Californios” through rhythm, arrangement, tone, and most importantly, through use of language.
In this essay I am going to compare and contrast ‘When we two parted’ a poem of George Gordon, Lord Byron’s written in 1815 and Letitia Elizabeth Landon’s ‘Love’s last lesson’ written in c1838, both poets are British and of the romantic period.
Not only do these poems share differences through the speakers childhood, but also through the tones of the works.
All three of these works show the authors’ speakers’ experiences leading to their childhood innocence being stripped from them or otherwise crushed beneath the weight of reality. Cullen plays with the lightness of childhood innocence in the first quatrain. This is highlighted in line two “...heart-filled, head-filled with glee,” (Fader/Rabinowitz pg.
In Emily Dickenson's "We Grow Accustomed to the Dark," and in Robert Frost's "Acquainted with the Night," the poets use imagery of darkness. The two poems share much in common in terms of structure, theme, imagery, and motif. Both poems are five stanzas long: brief and poignant. The central concepts of being "accustomed" to something, and being "acquainted" with something convey a sense of familiarity. However, there are core differences in the ways Dickenson and Frost craft their poems. Although both Dickenson and Frost write about darkness, they do so with different points of view, imagery, and structure.
The tone of "My Papa's Waltz" differs from the tone in "Piano." The ironic tone of the first poem is one of a young man looking back in fear of his father. "But I hung on like death.../The hand that held my wrist.../You beat time on my head..." (3-13). The reader senses a painful scene, which the father appears to hurt and demean his son. On the other hand, the tone of "Piano" is more melancholy. "In spite of myself.../Betrays me back.../To the old Sunday evenings at home..." (5-7). The reader can feel the lyrical and longing tone in the narrator's description of a man who wishes he could go back in time to his childhood where he listened happily to the sounds of the family piano. Roethke's tone towards his father is reflected in the anger and resentment coming from the boy to his father in his poem, while Lawrence's tone towards his childhood memories reflect a longing to return to the love and happiness of his youth. Both poets use their poem's tone to create specific imagery solidifying the reader's perception of each boy's state of mind.
Reflections Within is a non-traditional stanzaic poem made up of five stanzas containing thirty-four lines that do not form a specific metrical pattern. Rather it is supported by its thematic structure. Each of the five stanzas vary in the amount of lines that each contain. The first stanza is a sestet containing six lines. The same can be observed of the second stanza. The third stanza contains eight lines or an octave. Stanzas four and five are oddly in that their number of lines which are five and nine.
There are lots of things in the poems that are similar and different both of the writers are different and similar in many ways .In the poem’s “When You Are Old” By W.B Yeats, and “Do Not Go Gentle Into That Good Night” By Dylan Thomas.They have a bunch of similarities and differences.For example in each of the poems the theme of the poems are death and the narrator’s message in the rhyming pattern poems are both similar in the poems ,and the writing style of the poems are rhyme schemes and therefore they use different rhyme scheme in each of the poems.
In today’s modern view, poetry has become more than just paragraphs that rhyme at the end of each sentence. If the reader has an open mind and the ability to read in between the lines, they discover more than they have bargained for. Some poems might have stories of suffering or abuse, while others contain happy times and great joy. Regardless of what the poems contains, all poems display an expression. That very moment when the writer begins his mental journey with that pen and paper is where all feelings are let out. As poetry is continues to be written, the reader begins to see patterns within each poem. On the other hand, poems have nothing at all in common with one another. A good example of this is in two poems by a famous writer by
In this stylistic analysis of the lost baby poem written by Lucille Clifton I will deal mainly with two aspects of stylistic: derivation and parallelism features present in the poem. However I will first give a general interpretation of the poem to link more easily the stylistic features with the meaning of the poem itself.
Poetry is a reduced dialect that communicates complex emotions. To comprehend the numerous implications of a ballad, perusers must analyze its words and expressing from the points of view of beat, sound, pictures, clear importance, and suggested meaning. Perusers then need to sort out reactions to the verse into a consistent, point-by-point clarification. Poetry utilizes structures and traditions to propose differential translation to words, or to summon emotive reactions. Gadgets, for example, sound similarity, similar sounding word usage, likeness in sound and cadence are at times used to accomplish musical or incantatory impacts.
Ground-breaking, momentous, and a time of great struggle, the Industrial Revolution was famous for its innovations and infamous for the sobering reality it inflicted upon the standard family. Mid-18th century Britain brought poverty to everyday urban workers. With it, came an increase in child labor like never seen before. In order for a normal family to survive in the urban lifestyle, all members of a family had to work. This included children as young as four years to work as chimney sweepers, miners, and most popularized in 18th century Britain, factory workers. By the year 1800, children under the age of 14 in Britain’s factories accounted for 50% of the labor force (“Industrial Revolution, Child Labor”). Though the number continued to grow, all did not go unaccounted for. Romanticism, an effort opposite the movement, gave recognition to the emotional conflicts overlooked. Romanticism shed light on the daily struggles of the everyday man, woman, and the most neglected up until that period of time, the child. Throughout history, others have written about childhood, but Romantic poets began to question what it meant to be a child. The question, though not answered directly, later became revealed in their works where it exposed their belief systems. The role of the child in British Romantic Poetry represents the early life of Romantic poets, and the qualities they possessed in childhood.
Veering from the egocentric poems of the Romantic era, Victorian poets began to write poetry not only to express the feelings of an “I,” but also to inspire change in the collective “we.” Being from a historical period with a dramatic class divide, Victorian poets wrote with the intention of crafting beautiful lasting poetry as well as articulating a need for cultural reform in their now. One of the most renowned Victorian poets, Elizabeth Barrett Browning possessed the expert skill of integrating not only imagery and precise rhyme scheme into her poetry, but afflicting her readers with a sense of pity so paramount they had no choice but to make a change.
Some of the poems and essays I have read during this class were relatable to me. Being away from college, I have struggled with not being at home. I have become a different person when I am at school, but when I am home, I feel like I am my normal self again. Some of these authors of the poems and essays that I have read throughout this class has struggled with being somewhere where they don’t belong and that they are someone else when they are not home. Unlike the other poems and essays we have read throughout the course. I enjoyed reading the ones about “home” because I actually understood what they are going through and that I can relate. Some of these poems and essays include “Going Home” by Maurice Kenny, Postcard from Kashmir”, by Agha Shahid Ali, “Returning” by Elias Miguel Munoz and “Hometown” by Luis Cabalquinto. All of these poems deal with duality.