Essay on Ancient Rome and Cleopatra

In comparison to the perceptions both Cassius and Brutus have towards Caesar, is the perspectives of Antony and Caesar of himself. Antony looked at Caesar as a friend, a role model as well as a kind and deserving leader. This notion is exemplified through the use of emotive language “O mighty Caesar! /most noble blood of all this world/ the noblest man/ That ever lived in the tide of times”. Furthermore, the use of descriptive and connotative language throughout Antony’s

A Comparison of Plutarch's The Lives of the Ancient Grecians and Romans and Shakespeare's Julius Caesar

The long nose and pointed chin are two distinct features of Cleopatra that are demonstrated by the image on the coin that sepeate her from those that play her today. In his ‘A.D. 75 Life of Antony’ Plutarch himself professes, “Her actual beauty … was not so remarkable that none could be compared with her… but the contact of her presence … was irresistible”. As a consequence, it can be understood that it is ancient sources that possibly provide the truest image of her, being from the period of her life. That is not to say however, that ancient sources have incorporated a complete truth. This can be seen with the evidence provided by Roman and Latin sources.

Cleopatra was a noteworthy Egyptian Pharaoh whose legacy and role was shaped by her experiences and achievements in ancient Egypt. It can be argued Cleopatra was a significant figure and her role and legacy was formed by her experiences, achievements because she stood for a symbol of power and strength in a time where society was male dominated. Cleopatra’s personality and early life impacted the beginning of her rise to power and in 51 BC she became sole leader of the Egypt. The key events in Cleopatra’s reign and the role she played during the alliance between herself and Caesar impacted on her reign. External factors informed her motives, which pushed her to make decisions during her rule, as it significantly impacted her relationship with Mark Antony. Cleopatra’s legacy had short and long-term effects; the consequences of her decisions pushed her to commit suicide, the events and choices she made during her life portrayed her significance.

Though Pompey sought power by manipulating the political system to his own advantage, the fact that the Senate was already weak and hence gave him this power.This shows that although Pompey’s actions were detrimental to the fall of the Republic, he was not the sole contributor. Pompey was both underage and had held none of the required offices, yet the Senate passed decrees exempting him from these traditional prerequisites, thus allowing for him to be joint consul with Crassus in 70 BC. According to Cicero, “absolute power” was what he had sought, and thus this ambition had nothing to do with “the happiness and honour of the community.” This reveals a callously ruthless dimension to Pompey, in that he would undertake any measure to achieve his own goals. However, it should also be noted that Cicero’s interest areas are sometimes narrow and deliberately, or accidentally selective. By reaching the top without any previously held positions of consequence, Pompey the Great had manipulated the political system to his own advantage. Thus, by doing so he undermined the Senate, reiterating its insignificance and weakness.

Marc Antony, Brutus, and Cassius are all critical characters in William Shakespeare’s famous play, The Tragedy of Julius Caesar. Due to their distinctive personalities and values, there is no trait that all of these characters share, although they do share some traits with one another. Firstly, Marc Antony and Cassius are manipulative in nature, while Brutus is not. Secondly, the root of Brutus and Cassius’ failure is their personality flaw, while Marc Antony proves strong in all the ways they prove weak. Lastly, Antony and Cassius, unlike Brutus, do not separate their private affairs from their public actions while acts only with honor and virtue and completely ignores his personal concerns.

The historical epic film, “Cleopatra” depicts the queen and her relationships with two great Roman rulers, Julius Caesar and Mark Antony. Produced in 1963, this movie is a one of a kind as it portrays the Roman Republic transition. Although the motion picture is mostly very true to the historic facts, there are a few examples where the producers deviated from accuracy. The movie is not entirely correct with some of the costume and set choices, representation of the character Octavian, and Mark Antony’s family affairs. More importantly, Octavian’s character is adapted for the movie and does not precisely represent his true character. In general, “Cleopatra” gives the viewer a factual look at the events of Cleopatra and her

When Octavian stated “And yet, at first, I was so enthusiastic about him that I shared with him my command, married my sister to him, and have him legions,” he shows that he was the dominate male in his home and an authority figure in Rome during his speech to his troops (Document 2). He tells them of how men are superior to woman, but that Antony is allowing Cleopatra to take control of Rome and him. Antony has given her everything that the citizens of Rome have worked for and owned including land, riches, and even an island, all while he is still married to Octavian’s sister. Antony went as far as even “legitimizing the two children, Alexander Helios and Cleopatra Selena,” that he conceived with Cleopatra while still married (Document 1). Octavian tried to reason with Antony, showing that he still backed him but that he needed to come back to the Roman side because the Egyptian queen has brainwashed him, and turned him into a female servant. Once, Antony rejects the offer, Octavian condemned Antony and in return was condemned right back (Document 1). From that point, Octavian decided that he no longer has a choice, Rome needed to defend themselves from the Egyptian sorcerous, Cleopatra, and the bewitched Marc Antony. If they conquered them, then they would be free from all that has been done, but if they lose, then they have brought shame upon themselves (Document

Plutarch presented history through biographical stories of the people that were important and influential during the time period he wished to address. However, after having read some of his work, one realizes that Plutarch inserts his own personal opinion and views of the people at hand into the factual documentation of their lives. For example, in The Life of Crassus, Plutarch expresses a general dislike and negative view of the man, but in The Life of Caesar he portrays the life through a lens of praise. It also seems that he uses his opinions of the people that he writes about to subtly extend moral lessons to the reader. What follows is a further isolation of Plutarch's opinions and

Antony tries to make the audience seem like they have only understood one side of Caesar because he claims that “the evil that men do lives after them;/ The good is oft interred with their bones”(III.ii.84-85). Antony compares the evil that lives forever with the good that dies off. Antony intended for the audience to feel guilty because they have only remembered the evil that Caesar has done, rather than the good. The audience feels they have misunderstood Caesar and are convinced he has also done good for them, even if they don’t remember it. Antony tries to appeal to the audience emotionally by informing them that “It is not meet you know how Caesar loved you/ You are not wood, not stones, but men”(III.ii. 153-155). Antony tries to make the audience feel that Caesar truly cared for them and thought of them as people and nothing else. The audience feels a sense of sadness when hearing this line because they cheered on for Caesar’s death even though, Caesar loved them deeply. Antony wants the Romans to understand that Caesar saw them as more than his people because when he’s about to read Caesar’s will, he informs them“ that [they] are his heirs”(III.ii.158). The phrase “heirs” which describes the people of Rome conveys kinship because the Romans feel that Caesar cares for them greatly and felt they were important enough to be included in Caesar’s will. This is important because Antony wants the people to feel that Caesar thought of them dearly so they will feel more sorrow for his death. Antony’s diction demonstrates significance in the speech because rather than say that the Romans were Caesar’s “subjects” or “people”, using the word “heirs” evokes a sense of closeness the Romans feel toward Caesar. Antony wants to make sure that the people feel special according to Caesar and that they were more to him than just citizens.

Shakespeare’s primary source for Antony and Cleopatra was the Life of Marcus Antonius contained in Plutarch’s Lives of the Noble Grecians and Romans, which was translated into English by Sir Thomas North in 1579. North’s language was so rich that Shakespeare incorporated large, relatively unchanged excerpts of it into his text. The plot of the play also remains close to North’s history, although characters like Enobarbus and Cleopatra’s attendants are largely Shakespearean creations.

5. The third plebeian’s cry of “Let him be Caesar,” (3.2.52) is ironic because, while the people do not know of the truth being the conspiracy, the goal was to take out Caesar, not replace him. While their quest seems successful, the true hardships have yet to begin.

The purpose of this paper is to look at the history of Cleopatra VII, as well as how and why she wanted to be portrayed in a certain manner with respect to visual art. As the last noble of the Ptolemaic Dynasty, her images communicate her political abilities, her religious feeling, her caring duties and determination in preserving royal lineage, and her direct connection to ancient Egyptian gods. In addition, having relationships with two of the most powerful men in ancient Roman history, Julius Caesar, and Mark Antony. Cleopatra was also able to improve her skills as a powerful pharaoh and set her status as pharaoh.

Though Cleopatra is guilty of being disloyal, she also falls victim to some acts of betrayal and loyalty throughout the play. Cleopatra in fact, feels as though Marc Antony in the beginning of the play- or at least feels has betrayed her as though Marc Antony will show minimal loyalty to her. Cleopatra expresses these feelings in a conversation with Marc Antony: