Daniel Fudge’s And the bond cannot be broken is a short story that conveys the concept of journey by encompassing powerful imagery to depict the harsh reality of the negative outcomes of journeys. The text explores this rather pessimistic journey by employing the use of rich and varied literary techniques and depicting the entire journey as purposeless.
A vast range of literary techniques is employed in the text, all of which contribute to exploring the negative outcome of journeys. Imagery is a predominant throughout the entire text, appealing to the auditory, olfactory, tactile and visual senses. This is highly effective in depicting the wild beauty and the horror of nature. Quotes such as “…the clouds brewing above and the dirt
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This endless cycle deepens the depressive mood of the text as it reveals the idea that despite how much they “struggle, there is no survival”. Also it also highlights the fact that this type of journey has been experienced many times before, evident by referring to the “four generations of powerful and unrelenting men”. The word powerful in the text is then contrasted later on when their efforts are depicted as futile
Interpret (tell me why you think the poet wants to use such images)As such, a sense of gloom permeates the writing.
In the poem, “Paul Revere’s Ride,” the author, Henry Longfellow, uses figurative language, and sound devices to create suspense and tension within the poem. The way he uses the figurative language and sound devices makes readers want to keep reading to find out what will happen next. In Longfellow’s famous poem he uses devices such as rhyming, rhyme scheme, and repetition to allow the readers to feel fear and push them to the edge of their seats. Some figurative language the storyteller uses is personification, and similes to compare objects, and fearful moments to something more dramatic.
The three poems show exile and keening, but the poems also show tactile imagery. The Wanderer show tactile imagery in line three, “wintery seas,” describes the setting is in this poem along with the tone. The Seafarer show’s tactile imagery as well, in line nine, “in icy bands, bound with frost,” the tactile imagery in this line describes the coldness of the thoughts in the lonely man’s head. In The Wife’s Lament the tactile imagery is shown in line forty seven, “That my beloved sits under a rocky cliff rimed with frost a lord dreary in spirit drenched with water in the ruined hall.” The wife in this tactile imagery is show how her husband is suffering just
The appreciation of nature is illustrated through imagery ‘and now the country bursts open on the sea-across a calico beach unfurling’. The use of personification in the phrase ‘and the water sways’ is symbolic for life and nature, giving that water has human qualities. In contrast, ‘silver basin’ is a representation of a material creation and blends in with natural world. The poem is dominated by light and pure images of ‘sunlight rotating’ which emphasizes the emotional concept of this journey. The use of first person ‘I see from where I’m bent one of those bright crockery days that belong to so much I remember’ shapes the diverse range of imagery and mood within the poem. The poet appears to be emotional about his past considering his thoughts are stimulated by different landscapes through physical journey.
The paths taken in each person’s lifetime can associate with any factor or situation that one may come across. For example, one could come across a path that stands for tradition and the effect of traditional beliefs on a society like the one represented in “Dead Man’s Path.” Another example could be a path that stands for the power of love and the effect of unselfishness that makes one continue with life like the one represented in “A Worn Path.” An additional example could be a path that stands for overcoming doubts of beliefs as these may uphold or tear one apart like the path represented in “Young Goodman Brown.” No path is easier than another and they all hold a spectacular significance in each person’s life. Therefore, in this independent
The further the poem is read, the more consuming the impacts of separation becomes to the narrator until they now desire to recede from their past. The title of the poem confirms this desire through insinuating that the path of separation that they are on is perpetual and therefore, shows no clear destination. This ending consequently leaves a feeling of hopelessness for the reader that is meant to mimic the hopelessness that the narrator feels over their situation. However, in the conclusion of my personal response, I recognize the impacts of separation and the need to correct them. Whilst not wanting to vanish from society, I admit to the difficulty of returning to society due to now being accustomed to the feeling of separation and the nothingness that it creates within me.
The use of Imagery is seen in William Goldman’s The Princess Bride when the author tells about when he did not like to read, The Zoo of Death, and The Cliffs of Insanity.
The use of imagery allows the reader to picture the long-lasting emotions gripping the narrator. Being a concrete representation of an object or sensory experience (myLearning), imagery permits the reader to visualize what the narrator is experiencing. One example of imagery is used in line 5 “I'm stone. I'm flesh.” The narrator is using metaphoric and literal imagery describing his body. The reader can visualize the attempt to harden the body against the onslaught of emotion, and the reflection of the vulnerable flesh body in the granite wall. Another example of imagery can be found in lines 22 through 24 “Brushstrokes flash, a red bird's / wings cutting across my stare. / The sky. A plane in the sky." Here the realistic memories of war involuntarily flash through the narrator’s mind.
On profound example, is when Louv refers to “fields and water beyond steamy edges”, when talking about what he looked out at while driving as a child. Although the edges are not actually “steamy”, this metaphor helps strengthen the imagery which helps the audience yearn for the childhood that they had. Another use of metaphors in this passage, is when Louv states “as thunderheads and dancing rain moved with us.” As the thunderheads and rain are not really moving with him in this passage, he uses this metaphor to remind the audience of their childhood which was filled with wanderlust and fantasy, in order to force the audience to reconsider taking the importance of nature from their children's
Imagery was also used in the poem. I found that the yellow in the first line represented that the future the writer was facing was bright and warm regardless of his choice. The undergrowth was, as undergrowth in any forest, damp and dank smelling, but not necessarily unpleasant, just something that the writer would have to face. The image of traveling through a forest also brings to mind thoughts of birds in flight, chirping and singing. Squirrels dashing through trees, rustling leaves and dropping the occasional acorn or nut also create an image of sight and sound. The sun reflecting through the trees, casting shadows and creating pockets of warm and cool air and the occasional breeze stirring through the trees are also brought to mind by this poem. The end of the poem brings to me
In the book Ethan Frome and the short story “A Journey”, Edith Wharton uses the theme of trapped versus freedom. This theme is used to explore the concept of being trapped in a broken relationship and struggling to find freedom. In both “A Journey” and Ethan Frome, Wharton uses the symbol of a train, the theme of societal pressure, and the theme of death to illustrate the idea of trapped versus freedom.
Furthermore, this poem heavily uses a mixture of literal and figurative imagery. One of my favourite examples of imagery in this poem was “hands reaching out / fists raising up / banners unfurling / megaphones booming” (Jetñil-Kijiner 62-65). This quote allows the reader to imagine the protests and the movements that people are trying to do in order to save the planet. That was a case of extremely powerful and inspiring literal imagery as it shows people’s fight for change. This is an example of people who are fighting to save the planet for not only the current generation but for future generations as well. There are also several examples of figurative imagery, the most prominent is personification. An example of personification is “they say [the lagoon] will gnaw at the shoreline / chew at the roots of your breadfruit trees / gulp down rows of your seawalls / and crunch your island’s shattered bones” (12-15). In this example, it is talking about the repercussions of climate change and what the future will look like if people do not change. The use of personification helps the reader understand the awful things that can
Throughout literature, textual form manipulates audience understanding of the representation of landscapes through the exposure to deeply explored ideas; two literary works which have substantially shaped audience's understanding of the representation of landscape are Alain De Botton's 2003 literary non-fiction The Art of Travel (hereafter Travel) and Jules Verne's 1864 science fiction novel Journey to the Centre of the Earth (hereafter Journey). More specifically, De Botton's travel writing, as well as Jules Verne's adventure novel, has established and reinforced the restorative quality of natural landscapes through a provocation of the feeling of the sublime as well as curiosity within individuals. Whether real, remembered or imagined,
Many interesting authors use imagery to draw readers into the story and keep them focused on the twists and turns of the narrative.When analyzing this narrative it is easy to realize the imagery is used on many occasions to clear scenes up. Imagery is also used to help provide a common theme throughout the narrative. Providing clarity is also a good use for imagery in a narrative. Imagery is displayed in the short story, “The Destructors” to provide clarity, keep readers drawn in, and presents
In the poems “The Wanderer” and “The Dream of the Rood,” anonymous authors give way to the idea that an Almighty God will solve every problem a person has by doing two things: 1) drawing upon the memories of a warrior who has lost everything near and dear to him due to war, and 2) entering the dream of a man who has been exiled and isolated. Each piece takes its reader through the trials and tribulations that one may not relate to in this era, yet the reader is still there alongside the character wanting them to find peace with their world and themselves. Initially, it is believed that the characters will overcome their hardships and achieve the happiness they seek. However, as the reader delves deeper into the character’s story, there is an overwhelming sense of incompleteness. What actually happens at the end of each piece is not written in stone - telling us the story is not whole - nor has a conclusion been reached. The intrapersonal thoughts being shared with the reader reveal the obstacles that keep an overall wholeness from occurring.