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Andy Warhol & Jean-Michel Basquiat

Decent Essays

Julia Gutman Z3415928 In the mid 1980’s iconic pop artists Andy Warhol & Jean-Michel Basquiat teamed up on a series of highly influential untitled paintings. Situating this body of work within Neil Brown’s model as adressed in “Paradox and Imputation,” (Brown) can provide a comprehensive consideration of this series of collaborations, placing the pieces within a wider historical & socio-political context. In considering this body of work, it is important to situate it within the broader practice of each artist, in order to note the trajectory towards this series. These two painters cross-identification is a testament to the revolutionary capabilities of collaboration, particularly between icons of different cultural standing and eras for …show more content…

While he was one of many young black artists engaging with early 80’s New York Graffiti, his point of difference from the rest of the subculture was his dual interest in high-brow art and the genre of the graphic comic book. It was this fascination that propelled him from street artist, to the more venerated genre of ‘serious artist.’ “we talked about painting a lot. And that’s when Jean-michel and I realized we had something in common. There were no other people from the graffiti world who knew anything about the painters who interested us. Everybody was interested in comic-book art stuff sold in supermarkets with bright colours and bold letters. Jean-michell discovered that my favourite artists were Warhol and Rauschenberg, and I found out that Jean-michel’s favourite artists were Warhol and jasper johns. Which was great because we could talk about other painters as well as the guys painting on trains” (Fab Five …show more content…

To him, Andy personified what it meant to be a successful artist. He was his hero, & the gatekeeper to an exclusive, white, New York scene. Before Basquiat’s work began to gain critical attention, the 80’s art world imaged the white-bias of wider media culture. There were no black Pop-artists, and scarce Black subjects. Those African American’s who were represented in works were imaged as racial stereotypes, embedded with no sense of irony or critique. Even Andy’s works showed outdated modes of considering ethnicity, his drag queens & ‘American Indian’ portraits weren’t exactly what one would consider as culturally sensitive. His works drew on and regurgitated the racist iconography of a chauvinist America. Methodology & innovative design practice Both Basquiat & Warhol’s practices rely heavily on the process of disidentification, a methodology proposed by theorist Jose Esteban Munoz with which those outside the racial or sexual authority/ norm address popular culture, via transforming exclusionary works in order to serve a new cultural purpose.

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