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Andy Warhol's Contemporary Art After 1960 Summary

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The Art Institute of Chicago’s contemporary art gallery after 1960 does a remarkable job of creating a visual world for their audience throughout the entire gallery. Remarkable in a way, that the audience can easily recognize and point out things; things that people can relate to in their everyday life or things people found of interest. The contemporary gallery after 1960 presents a visual experience for their audience that was imagery. Two works of art that stood out the most was Andy Warhol’s Mao produced in 1973 and David Hockney’s American Collectors produced in 1968.
Andy Warhol, born 1928-1987, was a very successful commercial artist. By the year of 1960, Warhol had found his style, the “fine art” style of commercial images. The rare, large scaled mass production of Mao in 1973 by Andy Warhol, was one of the most reproduced images and widely known all over the world. Mao Tse-tung was a Chinese Communist chairman.
The production of this piece was historical and phenomenal because Warhol had produced and iconic important image. America had not seen images from China in over two decades. This production was truly a work of iconography. In 1972, on February 21st Mao Tse-tung and President Richard Nixon had met with each other and this was a historical moment; President Nixon was the 1st American president to make relations with China. Warhol framed Mao as an aesthetic portrait. The 13ft standing image was masculine and representational of an icon. This mass

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