How Is Antigone A Tragic Hero

Sophocles’ play Antigone continues the calamitous story of the Theban royal family, recounting the conflict between Creon’s authority as king and Antigone’s sense of justice. While many of the events of the play are certainly tragic, whether or not Antigone and its characters should be considered tragic is less definite. Aristotle’s theory of a tragic hero calls for a basically good character who experiences a fall due to some flaw or error, experiencing a transformative realization and catharsis as a result. When considered together, the traits of both Antigone and Creon come together to fulfill all of the requirements for the play to be a tragedy, but neither character can be considered an Aristotelian tragic hero standing alone.

Sophocles, a great tragedian, was the one who gave Greek tragedies their traditional form. An important part of traditional Greek tragedies is the presence of a tragic hero. All tragic heroes should have the characteristics of rank, a tragic flaw, a downfall, and a recognition of mistakes. The seemingly tragic hero is Antigone. She wants to bury her brother Polyneices even though this would be going against Creon, who is her uncle and the king. When Antigone buries Polyneices Creon sentences her to death because of it. In Antigone by Sophocles the tragic hero is not Antigone because she only meets the characteristic of a tragic flaw, hers being pride, but doesn 't meet the other three characteristics of a

A tragic hero is a character in a play that is known for being dignified but has a flaw that assists in his or her downfall. Antigone is a Greek tragic piece written by Sophocles. In the theatrical production the use of power and morality versus law is evident. The promotion to the conflict was that Creon created a law in which enabled Polynieces, Antigone’s brother, to be buried in the proper way. As it is the way of the gods Antigone found it fit to bury her brother causing her to disobey the law of Thebes. Both Antigone and Creon, the main characters, could represent a tragic hero. However Creon is more eligible for being the tragic hero because he fits the definition. Aristotle’s idea of a tragic hero was that the character was of

A tragic hero is a character who makes an error of judgment or has a fatal flaw, which combined with fate, results into a tragedy. The tragic hero must fall from good luck and well being to misery and misfortune. The tragic hero causes a sense of pity through the tragic downfall that weakens the character. In Antigone by Sophocles, Antigone follows her own beliefs by giving her brother a proper burial, even if she has to break the law of King Creon. Because of her innocent actions, Antigone is punished unjustly and unfairly. Through her risky and unselfish actions, ability to follow her own beliefs, and perseverance Antigone is the tragic hero of this play.

Antigone, a Greek a tragedy, is the third of the Three Theban Plays by Sophocles. Throughout the play, readers are introduced to few, but intriguing characters, one being the protagonist of the play, Antigone. Antigone is the tragic hero of Antigone; she presents recognition of the gods, exemplifies good virtues, and possess a fatal flaw, or hamartia. A tragic hero is a great or virtuous character in a dramatic tragedy who is destined for downfall, suffering, or defeat.

Antigone is the sister of Eteocles and Polyneices. Both Eteocles and Polyneices agree to jointly rule Thebes as mutual kings. After one year, Polynices distrusts his brother, resulting in Polyneices fleeing from Thebes, only to later return with an army. In the battle, both sides are massacred. Eteocles and Polyneices kill one another, consequently giving their power up as king to in Creon, Antigone’s uncle. As acting king, Creon orders that, “Eteocles who died as a man should die, fighting for his country, is to be buried with full military honors, with all the ceremony that is usual when the greatest heros die” (Sophocles, line 160). As for Polyneices, Creon passes a law for Polyneices to be left unburied, to rot for every citizen to witness. Antigone viewed this law as immoral and unjust, for one brother to be buried with military honor and not the other. Antigone, expressing her love for Polynices, rises against Creon's higher authority command

In the play, Antigone by Sophocles, at first glance readers assume that Antigone is the tragic hero. However, this is not the case. Although Antigone does display some characteristics of a tragic hero, I believe that Creon is the true tragic hero. For many readers, it may be a challenge to see Creon as the tragic hero; however, when you take a second look at the play, you can see that Creon displays every quality of a tragic hero. Creon’s power and pride as well as going against the gods all lead up to his downfall which in return helps him to become a tragic hero.

Antigone decides to bury her brother because she knows that he’s good, and that his soul deserves to rest in peace. Creon believes that Polyneices is a traitor, and that he has a negative spirit which doesn’t deserve peace so “[Creon] will condemn to death anyone who attempts to bury Polyneices.” (37-38). Creon, passes a law that says no one must touch the ‘traitor’s body’ which infuriates Antigone because her brothers mistake does not define him as a person. Burying Polyneices is the right thing to do because he is a simple human being that made an error, that caused conflict, but Creon would argue that he is a traitor “[and] to bury him is a crime, not an act of grace.”

The tragic hero of a story has to have his/her tragic flaw. Creon and Antigone both shared the beliefs of freedom and the protection of personal dignity; those must be their tragic flaws. Creon believed that if he made a direct command he would carry it out all the way and not bend the rules for anyone. That shows how stubborn he was and how heartless and vile he was. Those are the traits of his tragic flaw. Antigone believed that everyone has their equal rights no matter whom they are fighting for, especially if they are part of her family. She would be stubborn and would not bend her ideals for anyone like Creon. She would go as far as it would take for her to get her point across. A tragic hero must realize that he/she has a tragic flaw and must then try to change themselves.

There has always been a great debate over who is the true tragic hero in Sophocles' Antigone. Many scholars would stake claim to Antigone possessing all the necessary characteristics of a true tragic hero, but many others would argue that Creon holds many qualities as well. It is hard to discount Antigone as a tragic hero, because in fact, the play bears her name, but from careful reading, Creon meets Aristotle's criteria exactly and fits perfectly into the role. In order to determine whether or not Creon is the true tragic hero, one must answer the question: 'What is a Tragic Hero?' In Aristotle's Poetics, he discusses the basic criteria regarding a tragic hero. Aristotle

Poetics, where he defines what makes a tragic hero. Aristotle suggests that a tragic hero is a

Antigone has a possible flaw in that she is too stubborn and persistent to obey Creon’s order; “I know my duty, where true duty lies” (Antigone, 128). Her punishment then encourages feelings of pity from the audience because her deed was honorable and respectful towards her brother Polynices. The chorus supports this view by bidding her a respectful farewell when she is taken away, “But glory and praise go with you lady” (Antigone, 148). Antigone is also very proud, and this may have contributed to her death. Even when she is caught she remains strong and defends herself by claiming that the chorus thinks that her act was honorable, “All these would say that what I did was honorable” (Antigone, 139). This causes Creon to remain angry with Antigone, “you are wrong, none of my subjects think as you do” (Antigone, 140). If she had been more patient and less defensive, Creon may not have been as harsh in the punishment he set for her.

In the play, Creon and Antigone can be seen as good or bad characters. Both of them show traits of justice. Antigone wanted to save her brother, Polyneices, by giving him a soldier’s funeral with military honors. Creon realized his mistake of putting Antigone in a cave to die for burying Polyneices, and he tried to fix it. Unfortunately, he

Now when the guards discovered that someone buried the body of Polyneices, the head sentry went to tell the king, whereupon Creon became enthralled with anger. He told the sentry that he judged him to be a bribed soldier and that he could not return unless he found the person who had buried the body or told of whom it was that had bribed him. After this the horrified sentry and his men brushed off the sacred burial dust from the body and kept watch from a distance to see if the rebel would return to bury the body. Sure enough, during a sandstorm Antigone was seen burying the body that she had cared for so well before. The guards grabbed her and she showed no fear. She did not try to evade her pursuers and she was brought before the king. The king first asked her if she had heard his proclamation concerning the burial of her brother. She blatantly told him that could not have helped hearing it. If she had denied hearing it, she may have escaped death, but she did not want to escape it, and she felt that she had done nothing wrong. She believed that her death would be of no importance, but that the death of her brother would

This story is marked by tragedy after tragedy; Antigone and Ismene are presented with a father, that dare to killed his father to married his own mother. Two brother that followed the similar example, and consequently killed each other to for throne to have power. We don’t know what age they were when her parents died, but by inference we can argue that they were young. Although, Antigone and Ismene experience some life-hard moments together, their view on certain situation are shaped differently throughout the play. Antigone, see the situation with her brother Polynieces as outrageous offense to her and her family values, especially after being an active member of leadership in the city of Thebes. Antigone, experiences had made her a stronger than other women, she doesn’t fear man, and is