Essay about The Tragic Hero Creon in Antigone by Sophocles

Sophocles’ Antigone is, without a doubt, one of the greatest tragedies ever written. There are many questions that somebody could ask about this work, but this one intrigues me the most: Who is the tragic hero? Could it be Antigone? Or could it be Creon? Antigone might be the name of the tragedy, but I believe that Creon is the winning candidate. His role in the plot of this tragedy, his sensible tragic fault, and his dynamic character are the obvious reasons why I chose him as the tragic hero.

A tragic hero is a character in a play that is known for being dignified but has a flaw that assists in his or her downfall. Antigone is a Greek tragic piece written by Sophocles. In the theatrical production the use of power and morality versus law is evident. The promotion to the conflict was that Creon created a law in which enabled Polynieces, Antigone’s brother, to be buried in the proper way. As it is the way of the gods Antigone found it fit to bury her brother causing her to disobey the law of Thebes. Both Antigone and Creon, the main characters, could represent a tragic hero. However Creon is more eligible for being the tragic hero because he fits the definition. Aristotle’s idea of a tragic hero was that the character was of

Sophocles’ play “Antigone” illustrates the conflict between obeying human and divine law. The play opens after Oedipus’ two sons Eteocles and Polyneices have killed each other in a civil war for the throne of Thebes. Oedipus’ brother in law Creon then assumes the throne. He dictates that Eteocles shall receive a state funeral and honors, while Polyneices shall be left in the streets to rot away. Creon believes that Polyneices’ body shall be condemned to this because of his civil disobedience and treachery against the city. Polyneices’ sister, Antigone, upon hearing this exclaims that an improper burial for Polyneices would be an insult to the Gods. She vows that Polyneices’ body will be buried, and Creon declares that anyone who

Secondly, Aristotle suggests that to be a tragic hero, one must not be perfect although his character is pre-eminently great. This is certainly true of Creon’s case. For example, in the above paragraph, we proved that Creon is essentially good because he chose to punish Polyneices. However, his choice of punishment—not burying Polyneices—does not rank as high on the moral spectrum. In fact, Antigone believes that Creon "dishonors" Polyneices by not burying him, by not "honoring what the gods have honored" (line 89). By going against his people’s centuries of beliefs, Creon’s character finds its imperfection.

In the Greek tragedy Antigone, the characters Antigone and Creon can both be thought of as the tragic hero of the play. Though Antigone does show some of these characteristics of a tragic hero, Creon demonstrates the attributes more clearly and concisely. Creon is the King of Thebes, as well as the uncle of Antigone. Creon took the throne after a tragic quarrel between his two nephews, Eteocles and Polyneices. Despite his harsh governing and his crude ideals, he is not good or bad. Creon is the tragic hero of the play Antigone, because of his superiority in his society, his nobility, and his tragic flaw, self-pride.

This quote explains the main conflict of the play. Creon has ordered that Polynices, Antigone’s brother, cannot receive a proper burial because in Creon’s eyes he is a traitor. Polynices fought against his brother to claim the throne of Thebes, the pair ended up killing each other. Tiresias tries to tell Creon that he is wrong to do this because it is angering the gods that he is denying them a body. Tiresias even warns Creon not to be stubborn, “Stubborness/ brands you for stupidity-pride is a crime.” (1137-1138). Pride in Greek tragedies is most often the cause of a characters downfall and Creon is no exception.

The opening events of the play Antigone, written by Sophocles, quickly establish the central conflict between Antigone and Creon. Creon has decreed that the traitor Polynices, who tried to burn down the temple of gods in Thebes, must not be given proper burial. Antigone is the only one who will speak against this decree and insists on the sacredness of family and a symbolic burial for her brother. Whereas Antigone sees no validity in a law that disregards the duty family members owe one another, Creon's point of view is exactly opposite. He has no use for anyone who places private ties above the common good, as he proclaims firmly to the Chorus and the audience as he revels in his victory over Polynices. He sees Polynices as an enemy to

As King of Thebes, Creon is forced to make difficult decisions. As a new ruler, he feels it is necessary to prove himself to his citizens, therefore he rules his state with a firm hand. He believes that Polyneices should not be buried because he was a traitor to his country and family. Creon knew this decision would be hard on some

Antigone retaliates by saying that his law is not that of the Gods so it does not stand. He wants to have Antigone killed, but his son his her fiancé. He tries to explain to the king that the gods would have wanted Polyneices to be buried and that Antigone did the right thing that she should not be punished for it. Creon’s hubris however comes out yet again. He will not even listen to a word his son has to say; however now he does not want to kill her, but to send her away into a tomb, where the Gods can determine her fate.

The qualifications of a tragic hero vary between Aristotle and Shakespeare. Aristotle thinks of a tragic hero as someone who is a noble character by choice and makes his/her own destiny, while Shakespeare sees a tragic hero as someone who is born of nobility and born to be important. Although both tragic hero's end in a tragic death that effects many people, not all tragic hero's fit perfectly into both categories. In Sophocles’ Antigone, Creon is considered a tragic hero. Creon follows Aristotle's definition of a tragic hero by being a noble character by choice, having important potential, and falls due to "miscalculations" with circumstances that are beyond control.

There has always been a great debate over who is the true tragic hero in Sophocles' Antigone. Many scholars would stake claim to Antigone possessing all the necessary characteristics of a true tragic hero, but many others would argue that Creon holds many qualities as well. It is hard to discount Antigone as a tragic hero, because in fact, the play bears her name, but from careful reading, Creon meets Aristotle's criteria exactly and fits perfectly into the role. In order to determine whether or not Creon is the true tragic hero, one must answer the question: 'What is a Tragic Hero?' In Aristotle's Poetics, he discusses the basic criteria regarding a tragic hero. Aristotle

Greek tragedy would not be complete with out a tragic hero. Sophocles wrote Antigone with a specific character in mind for this part. Based on Aristotle’s definition, Creon is the tragic hero of Antigone.

A tragedy, as defined by Ms. Tozar, is “the story of a falling from a high place to a lower place by a character.” In other words, a tragedy is a story of an individual who starts in a high position and descends throughout the story to end in a position that is lower than original position. The individual who makes the descent is known as the tragic hero. The tragic hero, as defined by Ms. Tozar, is “the character who falls from grace as a result of fate and/or a weakness. In the drama, Antigone by Sophocles, one could argue that there are many tragic heroes. However, the one who stands above them all is that of the character of Creon. Creon is understood by most as the tragic hero in Antigone as evident in his

   This essay will compare two of the characters in “Antigone”, Antigone and Creon, in an effort to determine the identity of the tragic hero in this tale.

Creon is characterized as an authoritarian tyrannical ruler. He created the law stating that nobody was to bury the body of Polynices because he betrayed the city of Thebes. Creon was right to make his law because Polynices was a turncoat and died on Theban soil. Although his law was harsh, he believed that he was in the right because a villain such as Polynices did not deserve a proper burial. Creon was especially enraged when Antigone disregarded his law because Polynices was her brother, “Oh but I hate it more / when a traitor, caught red-handed, / tries to glorify his crimes (Creon 552-554).”