Today, dialogue is seen as a way to dive into the story and connect to the characters. We see this happening in a play called Antigone, when two characters, Creon and Tiresias, are demonstrating interactions within another. The dialogue shared between Tiresias and Creon demonstrates the ignorance of Creon's decisions which led to his downfall. In the play, we see Creon, the new king of Thebes, arguing with a seer named Tiresias about a decision that Creon made. Tiresias came to share news about Creon’s kingdom and said “And it is you- your high resolve that sets this plague on Thebes…by the birds and dogs with carrion torn from the corpse, the doom struck son of Oedipus!” (111). He also warned Creon, “It’s best to learn from a good adviser
Antigone is the daughter of Oedipus, the king that married his own mother, Locaste and unwittingly killed his father, Laios. When he learned what he had done, he blinded himself and left Thebes, voluntarily went into self-style exile and died over there. Antigone and Ismene are siblings, the only surviving children of Oedipus. The other two brothers Polyneices and Eteocles quarreled and killed each other in a battle when Polyneices returned to assault Thebes, then Creon, Antigone uncle became the king of Thebes being the only heir in line to the throne. Creon ordered Polyneices be left to rot unburied on the battle field as a traitor but Antigone could not see reason to let her brothers body rot unburied. Antigone
In this ode the chorus responds to Antigone being dragged in by the guard to Creon.
Teiresias: “You’ve thrown down to those below someone from up above- in your arrogance you’ve moved a living soul into a grave, leaving here a body owned by god's below- unburied, dispossessed, unsanctified.” (Lines 1196-1200). Teiresias has given Creon insight on how he drove his fate to its edge. In Antigone by Sophocles, Creon is portrayed as a tragic figure who functions as a tool for suffering because he had brought a series of unfortunate events to those who were close to him by not allowing his emotions to surpass his overwhelming power and taking drastic actions towards Antigone and Haemon leading to unwanted deaths.
First off, Ismene, Antigone’s sister, actually was the one that incited Antigone's actions that led to everything else that happened in the story. Without Ismene, there would not be a plot. In lines 52-59, Ismene said to Antigone “What? You'd bury him— when a law forbids the city?” Antigone replied “Yes! He is my brother and—deny it as you will—your brother too. No one will ever convict me for a traitor.” Ismene said “So desperate, and Creon has expressly—” and Antigone interrupted with “He has no right to keep me from my own.” Here Ismene is telling Antigone that her actions are not something that are legal and that comply with Creon’s laws. Antigone, being hard-headed, decides that she is not going to let a law determine what she does for
Page 124 of the play “Antigone” presents the scene where Creon is confessing to the Leader of his horrible mistake that he’s done. He is very upset that everyone is killed, he wishes he hadn’t done anything and hadn’t ruined what could have been a bright future. Shows lots of regret. This is sign of regret. You can call Creon a hero, his enemy was Antigone and he was trying to do whatever he could to regain possession of his kingdom and restore his manly great self-image back. However, once he reached the point where his loved ones began to commit suicide, he reached the point of death/rebirth. In utter grief, Creon states his sadness as shown in the following “Oh I’ve learned through blood and tears! Then, it was then, when the god came down
“Tell me briefly—not in some lengthy speech— were you aware there was a proclamation forbidding what you did?” (503-505). The actions, context of Antigone’s words, and also the ideas she proposed, very indepthly contrasted with Creon’s character. Thus resulting in there being a verbal confrontation between the two characters. The conflict between the two caused conflicting motivations such as stubbornness, disrespect, and anger to be projected with Creon’s character. Ultimately, these conflicting motivations develop Creon as a tragic hero by portraying that he knew, the decisions he made were of error, and the character interactions advance the plot by causing conflict throughout the play. Creon had also begun to change throughout the play,
CrHow is Creon’s character introduced through his opening speech in the First Episode (lines 159-195) and how does this speech create tension?
In all works of literature you will find characters that change. From Oedipus the King to Antigone, Creon changes a great deal. In Oedipus the King, Creon has no intention whatsoever of being king. By the end of the play he makes it clear that his intentions have changed and he does want to take Oedipus’s power and become King of Thebes. When we see Creon in Antigone he has become king and he begins to make his mistakes.
Sometimes, the cause of one’s downfall can be found inside themselves. The play Antigone written by Sophocles, is about a girl named Antigone who chooses to defy the king’s law and bury her brother. Creon, the king of Thebes, finds out about Antigone’s actions and decides to punish her with death. Creon’s pridefulness and stubbornness causes him to create selfish and close minded decisions that lead to future consequences.
In the Greek tragedy Antigone, Sophocles writes that Creon has risen to power after the fall of Oedipus and has initiated new laws. When he is first introduced, Creon is represented as a strong leader who will not accept defiance, saying “...now I hold sole power and the throne…” (173-174). Sophocles wrote him at this part of the play as being an extreme leader through his actions, saying “...in this city he [Polyneices] shall be neither buried nor mourned…” (207-280) and declaring the necessity of who should do what. Additionally, Creon uses many statements regarding obedience
Pride is the cause of the main conflict in Sophocles’ play, Antigone. Everyone should have pride, but Creon had too much of it and that blinded him. His pride in his power and abuse of authority was his tragic flaw that ultimately led to his downfall. On the other hand, Antigone takes pride in her beliefs and has the courage to speak out for what she thinks is right. For this, Antigone is seen as an honorable character and the hero of the play. It is shown that there are often two sides to things; pride can be both a source of strength and self-destruction.
A tragedy, as defined by Ms. Tozar, is “the story of a falling from a high place to a lower place by a character.” In other words, a tragedy is a story of an individual who starts in a high position and descends throughout the story to end in a position that is lower than original position. The individual who makes the descent is known as the tragic hero. The tragic hero, as defined by Ms. Tozar, is “the character who falls from grace as a result of fate and/or a weakness. In the drama, Antigone by Sophocles, one could argue that there are many tragic heroes. However, the one who stands above them all is that of the character of Creon. Creon is understood by most as the tragic hero in Antigone as evident in his
Maya Angelou once said, “There is a very fine line between loving life and being greedy for it.” In order to expand one’s knowledge and gain understanding of the surrounding world, it is crucial that an individual is open minded towards situations in their life and do not only pursue power. If one decides to remain in a shallow state of being, there should be awareness that the end results will not be glorious. The play Antigone is a primary example of showing the negative outcomes that will unavoidably ensue if an individual becomes too greedy over hollow concepts. Through arrogant diction as well as an overbearing tone, Sophocles expresses that individuals are doomed in their fates by being greedy for superficial desires in the play Antigone.
Throughout the Greek play Antigone by Sophocles, there exists a dispute as to who should receive the designation of main character. Antigone, the daughter of the cursed King Oedipus, as well as Creon, stately king of Thebes, both appear as the key figures in this historic play. I believe that Creon, king of Thebes, should be considered the main character in this work of Greek theater. Three points can be used to make this argument: Creon suffers greatly, he learns a lesson, and is a tragic hero.
Antigone is a play that was written in ancient Greece by the playwright Sophocles. It is the third play in a trilogy of tragedies about the city-state of Thebes, revolving around Oedipus Rex. Antigone starts the day after a civil war fought between the two sons of Oedipus Rex after his death. The civil war ended in death for both brothers, so their uncle, Creon, assumed the role of King of Thebes. The main conflict of the play begins when Creon gives one brother, Eteocles, a burial with honors, but passes a law forbidding a burial for the other brother, Polyneices with the penalty of death. One of the sisters of Eteocles and Polyneices, Antigone disagrees with this law, and decides to bury Polyneices, resulting in Creon sentencing Antigone to death. A conflict emerges between Antigone and Creon, who appear to be opposites. However, despite Antigone and Creon’s different stances on law, they are ultimately more similar than different because of their shared value of loyalty and their shared characteristic, hubris.